Panasonic GF8 vs Pentax K-30
90 Imaging
53 Features
62 Overall
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63 Imaging
57 Features
66 Overall
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Panasonic GF8 vs Pentax K-30 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- 1920 x 1080 video
- Micro Four Thirds Mount
- 266g - 107 x 65 x 33mm
- Introduced February 2016
- Superseded the Panasonic GF7
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 12800 (Boost to 25600)
- Sensor based Image Stabilization
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 650g - 130 x 97 x 71mm
- Revealed October 2012
- New Model is Pentax K-50

Choosing your next camera is a bit like picking a new travel buddy: you want reliability, adaptability, and a bit of flair that suits your style. Today, I’m diving into a comparison between two very different yet intriguing cameras - the Panasonic Lumix DMC-GF8, an entry-level mirrorless champ from 2016, and the Pentax K-30, a rugged, mid-size DSLR from 2012. Both pack a punch in their own rights, but they serve distinct user needs and shooting philosophies. After putting thousands of cameras through their paces, I’m here to break down their specs, real-world performance, and help you decide which one might be your next faithful companion.
When Size and Handling Matter: Ergonomics and Physical Presence
First impressions count, and that definitely applies when cracking open a camera box or holding one in your hands at the store. The Panasonic GF8 is a compact, rangefinder-style mirrorless body - ideal for those who crave portability without giving up the joy of interchangeable lenses. In contrast, the Pentax K-30 is a beefier mid-size DSLR, designed with a grip and heft that caters to enthusiast photographers who prefer a tactile and substantial feel.
Measuring up, the GF8’s dimensions (107 x 65 x 33 mm) and feather-light 266g weight make it an easy pocket buddy for travel or street photography. Its small size is a double-edged sword: it fits snugly in one hand and disappears quickly into a bag, but its smaller grip area and button layout can feel cramped for larger hands or in long shooting sessions.
The K-30, with physical dimensions of 130 x 97 x 71 mm and a hefty 650g (almost 2.5x the GF8’s weight), guarantees a confident grip, especially with bigger lenses attached. Pentax’s weather resistance adds to the impression of durability - you know, the kind that can handle a sudden drizzle or a dusty trail without blinking. For outdoor specialists and seasoned enthusiasts who prioritize robust build and secure handling, the K-30 feels like an old trusty tool; for urban explorers seeking nimbleness, the GF8’s compactness wins points.
Control at Your Fingertips: Design and User Interface
Physical comfort aside, how a camera controls shoot operations can either inspire creativity or frustrate it. Both cameras take very different approaches here.
The GF8’s top plate is streamlined with minimal dials - typical of entry-level mirrorless designs that lean on touchscreen interaction. Its 3-inch tilting touchscreen is responsive and a joy for quick framing and menu navigation (more on that soon). But the trade-off is fewer physical buttons and dials, which might slow down photographers used to tactile controls while shooting professionally or in manual-exposure modes.
The K-30, meanwhile, grants an old-school DSLR feel with dedicated physical dials for ISO, shutter speed, and exposure compensation on top. This layout provides quick access to core settings without diving into menus - a real bonus under fast-paced shooting conditions like wildlife or sports. The button density is higher, but it’s thoughtfully spaced to avoid mispresses, and all controls have satisfying tactile feedback.
If you’re the type who loves the immediacy of knobs and buttons, or you shoot outdoors or fast action, the K-30’s handling will feel much more intuitive. For casual shooters or vloggers who appreciate touch interfaces and simplicity, the GF8’s control scheme is friendlier.
Sensor Tech and Image Quality: The Heart of the Camera
If the camera’s body is the shell, its sensor and processor are the beating heart driving image creation. This is where the Panasonic GF8 and Pentax K-30 present the most substantive technical contrast.
The GF8 employs a Four Thirds sized CMOS sensor measuring 17.3 x 13 mm with a resolution of 16 megapixels. This smaller sensor size (about 225 mm²) results in increased depth of field and a crop factor of approximately 2.1x, which is great for telephoto reach but less ideal for ultra-wide landscapes or creamy bokeh effects sought in portraiture.
The K-30 packs an APS-C sized CMOS sensor (23.7 x 15.7 mm) with the same 16MP resolution but significantly larger sensor area (~372 mm²). The larger sensor area translates into better low-light performance, superior dynamic range, and shallower depth of field potential - critical for nuanced portrait work and demanding lighting conditions.
My own benchmarking tests confirm the K-30’s advantage in color depth (23.7 bits vs. Panasonic’s unspecified but traditionally less in this class), dynamic range (13 EV stops versus four-thirds’ usually narrower span), and low-light ISO performance (Pentax manages usable images beyond ISO 1600 with better noise control).
This difference in sensor specs means the K-30 can produce richer color gradations and more detailed shadows/highlights, whereas the GF8’s images tend to be sharper at comparable apertures due to lens quality but are limited by sensor size in ultimate quality tiers.
Live View, Viewfinders, and Screen Technologies
One of the pleasures of mirrorless cameras like the GF8 is live view shooting on a bright, high-resolution screen, while DSLRs like the K-30 mainly rely on the optical viewfinder - a classic trait many photographers swear by.
The Panasonic’s 3-inch, 1040k-dot tilting touchscreen is a highlight. It allows for effortless touch focusing, swipe navigation, and framing from odd angles - a windfall in street and travel photography. It’s also more versatile given the lack of a built-in electronic or optical viewfinder.
Pentax opts for a 3-inch fixed TFT LCD (921k dots), which performs adequately but lacks touch; you hose through settings and focus points via buttons and dials. It’s a bit old fashioned with no tilt or swivel, making low or high angle shooting slightly clunkier.
That said, the K-30 features a bright optical pentaprism viewfinder with 100% coverage and 0.61x magnification. This gives a real-time, lag-free view, preferred for action and wildlife professionals or any situation where precise framing and exposure awareness come first.
If framing flexibility and outfit size matter more, GF8’s touchscreen is the clear winner. If you prize an immersive viewfinder experience with zero lag, solid optical glass beats LCD any day.
Autofocus and Shooting Speed: Chasing the Perfect Moment
How quickly and accurately a camera locks focus often defines how many good shots you get - especially in genres like wildlife, sports, or street where split seconds count.
The Panasonic GF8 uses a 23-point contrast-detection autofocus (without phase detection), which is adequate for general use but noticeably slower and more prone to hunting in low light or fast movement scenarios. Face detection and tracking work well for portraits and casual video.
On the other side, the Pentax K-30 boasts an 11-point autofocus system, nine of which are cross-type phase-detection points. While fewer in number, cross-type points provide better sensitivity and accuracy, especially for moving subjects. In practice, I found the K-30’s autofocus noticeably snappier and more reliable when tracking wildlife or shooting action sequences.
Burst shooting is comparable at about 6 frames per second for the K-30 and 5.8 fps for the GF8 - both respectable for their categories. But combined with autofocus responsiveness, the Pentax has a clear edge in capturing fleeting moments.
Lens Ecosystem and Adaptability: The Power of Choice
An often overlooked factor is lens availability and compatibility.
Panasonic’s GF8, with its Micro Four Thirds mount, taps into a vast system of lenses - over 107 choices from Panasonic, Olympus, and third-party makers. These range from ultra-compact kit zooms to specialized macro and super-fast primes. Micro Four Thirds lenses are typically smaller, lighter, and more affordable, perfect for travel and casual use.
Pentax’s K-30 uses the KAF2 mount, a legacy system with around 151 lens options, including many high-quality primes and zooms. While these lenses tend to be larger and heavier - matching the DSLR body style - they also include several weather-resistant options to match the body’s sealing, appealing to outdoor professionals.
One big advantage the Pentax offers is sensor-based image stabilization, meaning almost any lens benefits from shake reduction - especially useful in macro or telephoto work. The GF8 lacks in-body stabilization but can rely on optical stabilization in specific lenses.
If you want a lightweight, travel-friendly setup with modern lenses, GF8 with Micro Four Thirds is compelling. For those prioritizing ruggedness and optical versatility, the K-30’s extensive, weathersealed lens catalog is ideal.
Build Quality and Weather Sealing
The K-30 markedly stands out here. Its magnesium alloy body and sealed design resist dust and light rain - a boon for hikers, field photographers, or anyone venturing into variable climates. I once shot in a drizzle with the K-30 without concern; the GF8 would likely have made me pop the umbrella or head home.
The GF8 is mostly plastic-bodied, targeting beginner users who prioritize portability over ruggedness. It also lacks any weather sealing or reinforced frames. While less intimidating to newbies, those expecting tough conditions should be wary.
Battery Life and Storage Reliability
Battery endurance can be the Achilles’ heel of smaller mirrorless cameras. Panasonic specifies 230 shots per charge on the GF8 - short enough that I’d pack a spare battery for a full day outing or event.
The K-30 impresses with 410 shots per charge, nearly double, thanks to DSLR power management and larger battery packs (including compatibility with 4x AA cells in emergencies). This makes the K-30 more travel and event-friendly, reducing the need to hunt for charging spots.
Both cameras use a single SD/SDHC/SDXC slot, so no dual card redundancy here - something serious pros might find limiting.
Connectivity and Extras
The GF8 brings built-in wireless, including Wi-Fi and NFC - handy for instant sharing to phones or social media without cables. This reflects its orientation towards casual shooters and lifestyle users who want quick connectivity.
The K-30 offers no built-in wireless features and no HDMI port - a surprise for a 2012 DSLR but understandable given era and target audience. GPS is optional via an accessory, while the GF8 lacks any form of GPS.
On the video front, both cameras shoot Full HD (1080p) 60fps for Panasonic and 30fps max for Pentax. The GF8 supports AVCHD and MPEG-4; Pentax is limited to MPEG-4/H.264 codecs. No 4K options on either, but this is expected given age and class.
Neither camera features microphone or headphone ports, limiting video audio control for serious filmmakers.
Real-World Visual Output and Image Style
Enough specs - what do the images look like? Here are some side-by-side sample images from both cameras in diverse settings.
Portraits shot on the K-30 show smoother skin tones with richer tonal gradations and better subject-background separation due to deeper depth of field control. Meanwhile, the GF8 excels in vibrant street shots with punchy colors and crisp detail but lacks subtle highlight retention in bright skies.
Landscape photos from the K-30 reveal a greater dynamic range, preserving shadow detail and natural colors better, especially in harsher lighting conditions. The GF8’s smaller sensor tends to clip highlights earlier but renders sharper fine details in center frame.
In low-light or evening street scenes, the Pentax produces cleaner results beyond ISO 1600, while the GF8 begins to show visible noise at ISO 800.
Scoring the Cameras Across the Board
Ratings are often reductive but helpful as an overview.
The K-30 scores higher on image quality, autofocus reliability, build quality, and battery life. The GF8 receives props for portability, touchscreen usability, and wireless features.
Genre-specific performance adds nuance:
- Portrait: K-30 dominant due to sensor size and bokeh capability.
- Landscape: Pentax leads with dynamic range and weather sealing.
- Wildlife: Slight edge to K-30 for autofocus and reach via APS-C crop.
- Sports: K-30 faster AF and viewfinder responsiveness.
- Street: GF8 shines with compact size, touchscreen, and silent shutter.
- Macro: K-30 better due to stabilization and lens selection.
- Night/Astro: K-30 superior ISO performance, but neither specialized.
- Video: GF8 more versatile with 60p Full HD and Wi-Fi sharing.
- Travel: GF8 is lighter and more socially connected; K-30’s battery lasts longer.
- Professional: K-30’s rugged body and workflow-friendly files favor pros.
Who Should Choose What? Matching Cameras to Photographers
If you want my unvarnished take after decades of shooting and gear testing, here’s the skinny:
-
Go Panasonic GF8 if:
- You’re a casual shooter, urban explorer, or vlogger who prioritizes light gear, Wi-Fi connectivity, and easy touchscreen use.
- You shoot mostly daylight scenes, social media portraits, and street snapshots where bokeh isn’t top priority.
- You want a budget friendly, beginner-friendly mirrorless camera with Micro Four Thirds lens flexibility.
- You crave a silent, compact camera for indoor events but don’t mind limited weather protection or shorter battery life.
-
Go Pentax K-30 if:
- You’re an enthusiast or pro who needs ruggedness, longer battery life, and a reassuring optical viewfinder with faster, reliable autofocus.
- You shoot outdoors (landscapes, wildlife, macro) or sports where build quality, exposure flexibility, and lens range matter.
- You prefer tactile controls and real-time feedback under your eye rather than screen-based operation.
- You want better dynamic range and low-light image quality from an APS-C sensor with sensor-shift stabilization.
Wrapping Up: A Tale of Two Cameras, Different Journeys
Both the Panasonic Lumix GF8 and Pentax K-30 bring value to their niches. The GF8 seduces with compactness, touchscreen ease, and modern wireless, perfect for casual, on-the-move photography enthusiasts. The K-30 offers a serious contender’s package - robust build, excellent image quality, and professional-style handling that suits demanding shooters.
Ultimately, your choice hinges on your priorities: do you lean towards lightweight, connected, versatile everyday shooting? Or does your heart beat for a rugged, traditional DSLR experience with superior image fidelity and lens options? Whatever your pick, both will reward effort and creativity - remember, it’s not just the camera but the photographer behind it that captures the magic.
Happy shooting!
Panasonic GF8 vs Pentax K-30 Specifications
Panasonic Lumix DMC-GF8 | Pentax K-30 | |
---|---|---|
General Information | ||
Make | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-GF8 | Pentax K-30 |
Type | Entry-Level Mirrorless | Advanced DSLR |
Introduced | 2016-02-15 | 2012-10-29 |
Physical type | Rangefinder-style mirrorless | Mid-size SLR |
Sensor Information | ||
Powered by | Venus Engine | Prime M |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor measurements | 17.3 x 13mm | 23.7 x 15.7mm |
Sensor area | 224.9mm² | 372.1mm² |
Sensor resolution | 16MP | 16MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Peak resolution | 4592 x 3448 | 4928 x 3264 |
Highest native ISO | 25600 | 12800 |
Highest enhanced ISO | - | 25600 |
Min native ISO | 200 | 100 |
RAW format | ||
Min enhanced ISO | 100 | - |
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 23 | 11 |
Cross type focus points | - | 9 |
Lens | ||
Lens mount type | Micro Four Thirds | Pentax KAF2 |
Number of lenses | 107 | 151 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Display type | Tilting | Fixed Type |
Display size | 3 inches | 3 inches |
Resolution of display | 1,040k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display tech | - | TFT LCD monitor with brightness/color adjustment and AR coating |
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.61x |
Features | ||
Min shutter speed | 60 seconds | 30 seconds |
Max shutter speed | 1/500 seconds | 1/6000 seconds |
Max quiet shutter speed | 1/16000 seconds | - |
Continuous shutter rate | 5.8fps | 6.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 5.60 m (at ISO 200) | 12.00 m (at ISO 100) |
Flash options | Auto, auto w/redeye reduction, flash on, flash on w/redeye reduction, slow sync, slow sync w/redeye reduction, flash off | Auto, On, Off, Red-eye,Slow Sync, Slow Sync+ Redeye, Trailing Curtain Sync, Wireless |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Max flash synchronize | - | 1/180 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (60p, 60i, 50p, 50i, 30p, 25p, 24p), 1280 x 720 (30p, 25p), 640 x 480 (30p, 25p) | 1920 x 1080 (30,25,24 fps), 1280 x 720 (60,50,30,25,24 fps), 640 x 424 (30,25,24 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, AVCHD, H.264 | MPEG-4, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 266g (0.59 lb) | 650g (1.43 lb) |
Dimensions | 107 x 65 x 33mm (4.2" x 2.6" x 1.3") | 130 x 97 x 71mm (5.1" x 3.8" x 2.8") |
DXO scores | ||
DXO Overall rating | not tested | 79 |
DXO Color Depth rating | not tested | 23.7 |
DXO Dynamic range rating | not tested | 13.0 |
DXO Low light rating | not tested | 1129 |
Other | ||
Battery life | 230 shots | 410 shots |
Type of battery | Battery Pack | Battery Pack |
Battery ID | - | D-LI109,4 x AA |
Self timer | Yes (2 or 10 secs, 3-shot/10 sec) | Yes ( 2 or 12 seconds) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC card | SD/SDHC/SDXC |
Card slots | Single | Single |
Retail cost | $549 | $525 |