Panasonic TS20 vs Pentax WG-2
95 Imaging
39 Features
28 Overall
34


91 Imaging
39 Features
37 Overall
38
Panasonic TS20 vs Pentax WG-2 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-100mm (F3.9-5.7) lens
- 142g - 101 x 58 x 19mm
- Released January 2012
- Also referred to as Lumix DMC-FT20
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 125 - 6400
- 1920 x 1080 video
- 28-140mm (F3.5-5.5) lens
- 192g - 122 x 61 x 30mm
- Announced February 2012

Panasonic Lumix DMC-TS20 vs. Pentax Optio WG-2: A Hands-On Comparison of Two Rugged Waterproof Compacts
When it comes to rugged, waterproof point-and-shoot cameras, enthusiasts and professionals alike often face a perplexing trade-off between durability, image quality, and versatility. I’ve spent years testing and carrying various tough compacts in every environment - from tropical beaches and freezing mountain peaks to bustling urban streets - to see which models genuinely deliver beyond their rugged exteriors.
In this deep-dive comparison, I pair two waterproof compacts launched within a week of each other in early 2012: the Panasonic Lumix DMC-TS20 (aka Lumix DMC-FT20) and the Pentax Optio WG-2. Both cameras boast weather sealing, shockproof construction, and fully fixed lenses, but they differ in sensor design, feature set, controls, and real-world usability.
Drawing from extensive hands-on tests, lab measurements, and field trials across multiple photographic disciplines, I will analyze each camera’s technical prowess, practical performance, and value proposition. Whether your focus is landscape, wildlife, travel, or casual adventure snaps, this comparison will help clarify which rugged compact is best suited to your needs.
Comparing Physical Dimensions and Ergonomics: Compactness vs. Control
First impressions matter, especially outdoors. Both cameras fit comfortably in a jacket pocket or backpack but emphasize different design philosophies.
The Panasonic TS20 slices a slim profile at 101x58x19mm and weighs a mere 142g, making it extremely pocketable. Its body feels smooth and subtly contoured but lacks pronounced grips, which sometimes makes handling slippery or awkward when wet or gloved. The buttons are compactly arranged with limited tactile differentiation, requiring a bit of 'hunt and peck' in low-light or fast-paced scenarios.
The Pentax WG-2, by contrast, is chunkier at 122x61x30mm and about 50% heavier (192g). This bulkier footprint prioritizes ruggedness and grip security. The WG-2 features a molded rubberized grip and spaced, sizeable control buttons with some illumination - critical improvements when operating with wet hands or outside in dim conditions. The build exudes confidence and withstands harsher environments (including crushproof claims that Panasonic lacks).
In summary, if pocketability and minimal weight are your priorities for travel or casual street use, the TS20 earns points. Should you require a more tactile and rugged experience for adventure shooting, WG-2’s ergonomic advantages justify its heft.
Top Controls and Interface: User Experience Underwater and On the Trail
The top control layout defines how quickly one can adjust exposure modes, zoom, and shooting options under challenging conditions.
Panasonic’s TS20 has a fairly minimalist top plate without dedicated zoom controls. It relies on rear toggles and on-screen menus, which can slow responsiveness but reduce accidental triggers. The single shutter button feels crisp but slightly shallow.
Conversely, the Pentax WG-2 features dedicated zoom rocker switches with a textured finish for intuitive thumb operation - ideal for underwater dives or rugged terrain photo ops where quick focal length changes are crucial. The power and shutter buttons are logically spaced, reducing command errors during rapid shooting moments.
Neither camera offers physical dials for aperture or shutter priority, reflecting their entry-level positioning. But WG-2 being slightly more manual control friendly (including actual manual focus capability) is a noteworthy bonus for users who want some creative authority.
Under the Hood: Sensor Technology and Imaging Performance
Here is where the cameras fundamentally diverge - sensor architecture and consequent image quality consequences alone can sway a serious buyer.
-
Panasonic TS20 captures images on a 16MP 1/2.3" CCD sensor. While CCDs historically emphasize lower noise and better color rendition, this sensor is more dated in 2012 standards and less forgiving at higher ISOs. The maximum native ISO is 6400, with a real-world practical ceiling around 800 before noise becomes intrusive.
-
Pentax WG-2, meanwhile, employs a 16MP BSI-CMOS sensor of the same size. BSI (Back-Side Illuminated) CMOS sensors offer enhanced light gathering efficiency and improved high-ISO performance. This translates to relatively cleaner images in dimmer settings and better dynamic range.
In my testing, landscape scenes displayed crisper detail in WG-2’s files, with marginally better color depth and dynamic handling of shadows and highlights. The Panasonic struggled more in complex lighting (sunrises/dusk), tending to clip highlights or produce denser noise in shadows.
Although both include an anti-aliasing filter to suppress moiré, the WG-2’s newer sensor tech yields clearer texture and finer detail preservation. For enthusiasts who plan to heavily crop or print large, WG-2 is the smarter choice.
Rear LCD and Viewfinder: Monitoring Shots in the Field
Neither is equipped with a dedicated viewfinder, but the rear screen is an indispensable tool, especially with waterproof bodies.
Panasonic’s TS20 offers a 2.7-inch, 230k-dot TFT LCD - functional but dim and with limited viewing angles. In bright sunlight or underwater, the display can become nearly illegible. This can complicate composition and reviewing images, especially when wearing polarized sunglasses.
Pentax WG-2 ups the ante with a 3-inch, 460k-dot widescreen TFT LCD featuring an anti-reflective coating. The benefit is immediately noticeable: sharper detail, richer colors, and improved visibility outdoors or underwater. I found this screen superb for framing intricate macro shots or critiquing wildlife photos on the spot.
In sum, the WG-2’s screen significantly boosts the shooting experience, while TS20’s LCD feels somewhat basic by comparison.
Lens and Focusing: Versatility and Precision in Rugged Settings
Lens specs and autofocus ability form the backbone of any camera’s shooting versatility.
- Panasonic TS20 sports a 25–100mm equivalent zoom with a 4x range, aperture from F3.9–5.7, and minimum macro focus distance of 5cm.
- Pentax WG-2 offers a 28–140mm equivalent, 5x optical zoom, with a slightly faster max aperture range of F3.5–5.5 and an impressively close 1cm macro focus distance.
The WG-2 provides more focal length versatility, which is especially useful for wildlife and sports where reach matters, without sacrificing wide-angle utility crucial for landscapes and travel.
Autofocus systems differ notably:
- TS20 utilizes contrast detection with 23 focus points, supporting continuous autofocus and tracking but lacking face or eye detection.
- WG-2 includes 9 focus points and implements face detection, which assists portrait and street shooters. However, it lacks continuous AF, which limits burst accuracy for fast action.
During wildlife and macro testing, WG-2’s close macro range and reliable AF lock consistently outperformed Panasonic’s more generalist system. However, TS20’s continuous focus capability is preferable for moving subjects when tracking is key, despite less sophisticated spotting.
Shooting Performance: Speed, Burst, and Stability Matters
Fast operations matter in sports, wildlife, and spontaneous moments.
- Burst rate on both cameras peaks at approximately 1 FPS, indicating neither is designed for rapid continuous shooting. This restricts their suitability for high-speed sports photography.
- Panasonic’s optical image stabilization offers a practical advantage in low light, effectively reducing blur from hand shake during telephoto or macro work.
- Pentax notably lacks stabilization, which can be a dealbreaker in certain low-light or telephoto scenarios.
Shutter speed ranges:
- TS20 fares from 8s to 1/1300s
- WG-2 stretches shutter speeds from 4s to 1/4000s
Pentax’s broader shutter speed coverage gives added creative freedom in bright light or when attempting motion freeze shots.
Weather Sealing and Durability: Built for Extreme Environments
Both cameras shine in environmental resistance, crucial for adventurous photographers.
- Panasonic TS20 is waterproof, dustproof, shockproof, and freezeproof (down to a certain temperature), but lacks crushproof rating.
- Pentax WG-2 ups the ante with waterproof to deeper depths, dustproof, shockproof, freezeproof, and crushproof claims.
The WG-2’s reinforced construction translates to confidence when shooting in rugged terrain or extreme climate zones. It survives drops, pressure, and cold better than most compacts I've tested, including the TS20.
For expeditions or demanding adventures, WG-2’s superior build earns a definite edge.
Size, Weight, and Travel Photography: Real-World Portability
While I already noted TS20's slimness and lightness, its compactness significantly aids in minimalist travel and street photography packs where every gram counts. Its smaller lens extends less from the body, making it less obtrusive.
The WG-2, while obviously bulkier, still fits easily in backpack straps or jacket pockets designed for thicker gadgets. Its extra heft is a reasonable tradeoff for its enhanced durability and control ergonomics.
Battery life is comparable: Panasonic rated at about 250 shots per charge vs. 260 for Pentax, sufficient for casual day trips but necessitating spares for extended outings.
Image Quality in Practice: Evaluating Sample Shots
Examining real-world JPG outputs reveals telling differences:
-
Panasonic TS20 images feature bright, pleasant colors with slight warmth - particularly flattering on skin tones in portraits. However, under lower light, softness and noise creep in.
-
Pentax WG-2’s images are sharper with more accurate color rendition, especially in complex light and shadow areas. Macro images displayed excellent detail down to the millimeter, thanks to its 1cm minimum focus.
Dynamic range favors WG-2 as well. On landscape shots, WG-2 maintained better highlight retention (cloud details) and preserved shadow texture more consistently.
Video Recording Capabilities: Documentation Beyond Still Photos
Video is secondary in these models but worth noting:
- Panasonic TS20 shoots 1280x720 (HD) at 30fps.
- Pentax WG-2 records in Full HD 1920x1080 at 30fps, plus 720p at 60fps for slow-motion effects.
Both lack microphone or headphone ports, limiting professional use, but WG-2’s sharper, higher-res footage is more versatile for casual video capture. Neither offer in-body stabilization in video mode, so shooting steady hand-held requires care.
Connectivity and Storage: How Do They Link and Save?
Both cameras accept SD/SDHC/SDXC cards with a single slot. Panasonic additionally supports internal storage.
Connectivity is sparse:
- Panasonic TS20 offers only USB 2.0, without wireless or HDMI.
- Pentax WG-2 stands out with HDMI output and Eye-Fi compatibility for wireless image transfer.
While wireless features were nascent in 2012, WG-2’s Eye-Fi control ability screams ahead in convenience for quick sharing - an advantage for casual shooters wanting to offload shots on the go.
Price and Value: Stretching Your Dollar
Pricing at launch differed considerably:
- Panasonic TS20 retailed around $179.
- Pentax WG-2 commanded roughly $350.
This near doubling in price reflects WG-2’s more advanced sensor, improved ergonomics, build toughness, screen quality, and video specs. For budget-minded users prioritizing waterproof protection and basic photography, TS20 offers an entry point.
However, when value is measured by capability and image quality per dollar, WG-2 arguably delivers stronger overall performance and versatility, justifying the premium for enthusiasts willing to invest.
How These Cameras Perform Across Popular Photography Genres
Finally, I matched each model’s core strengths against typical genre demands:
Portrait: Panasonic’s warmer colors flatter skin tones but absence of face detection limits autofocus ease. WG-2’s sharper output and face detection enable crisper portraits despite cooler color tone.
Landscape: WG-2’s superior dynamic range, resolution, and weather sealing make it my pick for hiking and nature photographers.
Wildlife: WG-2’s longer zoom and pinpoint macro outperform TS20, but slow burst rates restrict action shots.
Sports: Neither suited for pro sports due to slow continuous shooting; both fall short in autofocus tracking.
Street: TS20’s smaller footprint wins in unobtrusiveness; WG-2 better for deliberate street photographers wanting manual focus control.
Macro: WG-2 delivers stunning macro with 1cm focusing and sharper detail.
Night/Astro: Both struggle at extremes but WG-2’s sensor outperforms Panasonic in noise control.
Video: WG-2 provides higher-res Full HD and slow-motion modes - a clear advantage.
Travel: TS20’s size and weight count for a lot on long trips, but WG-2’s ruggedness protects gear across environments.
Professional Work: Neither are prosumer quality, but WG-2 offers more file control, sharper results.
Overall Ratings Summary
Feature | Panasonic TS20 | Pentax WG-2 |
---|---|---|
Build Quality | Good (waterproof, shockproof) | Superior (adds crushproof) |
Ergonomics | Compact but less grip | Bulkier but excellent handling |
Sensor/Image Quality | 16MP CCD; decent daylight | 16MP BSI-CMOS; sharper, better dynamic range |
Autofocus | Contrast AF, continuous OK | Contrast AF, face detection, no continuous |
Video | 720p HD only | Full HD 1080p, 60fps slow motion |
Battery Life | 250 shots | 260 shots |
Connectivity | USB only | USB + HDMI + Eye-Fi wireless |
Price | Budget (~$179) | Mid-range (~$350) |
My Final Take: Which Tough Compact Should You Choose?
In my experience testing these cameras extensively over diverse conditions, the Pentax WG-2 emerges as the more capable, versatile, and rugged choice for photographers seeking serious waterproof durability with improved image quality, longer zoom range, and better video features.
The Panasonic TS20 excels as a lightweight, highly pocketable waterproof camera that simplifies outdoor shooting for casual users or travelers on a budget. It offers respectable image results in good light and proves reliable as a backup point-and-shoot in wet or cold conditions.
Choose Panasonic TS20 if you:
- Want the smallest, lightest waterproof compact
- Prioritize ease of carry over advanced features
- Prefer warmer color palette for casual portraits
- Shoot mostly daylight stills and snapshots
Choose Pentax WG-2 if you:
- Need ruggedness that tolerates drops and pressure
- Desire sharper images, longer zoom reach, and macro prowess
- Record Full HD video with better display usability
- Want face detection and wireless image transfer
- Can invest a bit more for enhanced control and performance
Closing Thoughts and Practical Tips
Both the Panasonic TS20 and Pentax WG-2 hold their own in the waterproof compact niche. Yet, only through real-world deployments can you appreciate their nuanced performance differences.
When testing, I always verify:
- Actual waterproof depth compliance matching your adventure type
- Lens sharpness across focal lengths
- Continuous shooting usability in your chosen subject matter
- LCD visibility in ambient lighting (sun or underwater)
- Ergonomic comfort during extended handheld shooting
I recommend trying both cameras in person when possible to gauge button feel and menu navigation. Your shooting style and environment ultimately dictate which rugged compact is an indispensable travel and adventure partner.
This camera comparison is based on hands-on evaluations, lab sensor tests, and extensive field use by an experienced photography reviewer with no manufacturer affiliations influencing findings. Photographers seeking detailed, trustworthy insights will find balanced pros and cons here, helping make confident purchase decisions.
Thank you for reading! Feel free to reach out with questions or share your own experiences capturing moments with rugged point-and-shoot cameras. Happy clicking!
End of Article
Panasonic TS20 vs Pentax WG-2 Specifications
Panasonic Lumix DMC-TS20 | Pentax Optio WG-2 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Pentax |
Model | Panasonic Lumix DMC-TS20 | Pentax Optio WG-2 |
Also called | Lumix DMC-FT20 | - |
Category | Waterproof | Waterproof |
Released | 2012-01-31 | 2012-02-07 |
Body design | Compact | Compact |
Sensor Information | ||
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor area | 27.7mm² | 28.1mm² |
Sensor resolution | 16 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3 and 16:9 |
Peak resolution | 4608 x 3456 | 4288 x 3216 |
Highest native ISO | 6400 | 6400 |
Lowest native ISO | 100 | 125 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 23 | 9 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 25-100mm (4.0x) | 28-140mm (5.0x) |
Highest aperture | f/3.9-5.7 | f/3.5-5.5 |
Macro focus range | 5cm | 1cm |
Focal length multiplier | 5.9 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen diagonal | 2.7 inches | 3 inches |
Resolution of screen | 230 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen tech | TFT LCD | Widescreen TFT color LCD with anti-reflective coating |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 8 seconds | 4 seconds |
Max shutter speed | 1/1300 seconds | 1/4000 seconds |
Continuous shutter speed | 1.0 frames per second | 1.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 4.40 m | 5.40 m |
Flash modes | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-eye, Soft |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30fps), 320 x 240 (30, 15 fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video file format | MPEG-4 | MPEG-4, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 142g (0.31 pounds) | 192g (0.42 pounds) |
Physical dimensions | 101 x 58 x 19mm (4.0" x 2.3" x 0.7") | 122 x 61 x 30mm (4.8" x 2.4" x 1.2") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 250 photos | 260 photos |
Form of battery | Battery Pack | Battery Pack |
Battery model | - | D-LI92 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC card, Internal |
Storage slots | Single | Single |
Launch price | $179 | $350 |