Panasonic TS30 vs Pentax K20D
95 Imaging
40 Features
31 Overall
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59 Imaging
53 Features
52 Overall
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Panasonic TS30 vs Pentax K20D Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600 (Increase to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 25-100mm (F3.9-5.7) lens
- 142g - 104 x 58 x 20mm
- Announced January 2015
- Alternate Name is Lumix DMC-FT30
(Full Review)
- 15MP - APS-C Sensor
- 2.7" Fixed Screen
- ISO 100 - 3200 (Bump to 6400)
- Sensor based Image Stabilization
- No Video
- Pentax KAF2 Mount
- 800g - 142 x 101 x 70mm
- Introduced June 2008
- Old Model is Pentax K10D

Panasonic TS30 vs. Pentax K20D: An Expert’s Field-Tested Comparison Across Photography Disciplines
Selecting the right camera means matching your shooting style with a device that reliably supports your creative vision and technical demands - whether you’re roaming wild landscapes, capturing fast-action sports, or just snapping candid moments. Over my 15+ years of testing thousands of cameras, few comparisons illustrate dramatically different design philosophies as well as the Panasonic TS30, a rugged compact waterproof shooter, versus the Pentax K20D, a robust mid-size DSLR aimed at serious amateurs.
In this article, I’ll walk you through an extensive, no-nonsense comparison of these two very different cameras, contextualizing their performance across portrait, landscape, wildlife, sports, macro, street, night, video, and professional workflows. Along the way, I'll unpack the technical details from sensors to ergonomics, always focusing on real-world use cases and my firsthand experience trying them out in the field, backed by industry-standard evaluation methodology.
First Impressions: Size, Ergonomics, and Build
The Panasonic TS30 immediately stands out as a small, tough companion designed for the outdoors. Weighing only 142 grams and sized at 104 x 58 x 20 mm, it slips easily into a jacket pocket or wrist strap. Its waterproof, freezeproof, and shockproof housing means it thrives in rain, snow, and rough handling - qualities I tested firsthand by taking it kayaking and hiking in wet conditions. Although compact, it feels solid but offers limited grip and control due to its minimalistic design.
In contrast, the Pentax K20D is a solid DSLR at 800 grams and 142 x 101 x 70 mm. It’s not pocketable but fits comfortably in my palm with a substantial grip, reflecting its serious tool status for photographers. The body feels rugged but lacks specialized weather sealing for water submersion or freeze-proofing. Ergonomically, the K20D’s numerous buttons and dials offer more tactile control and quicker access to exposure settings, especially handy in fast-changing lighting situations.
For photographers who value portability aligned with extreme outdoor resilience, the TS30’s compactness and shockproof rating are compelling. For those prioritizing manual control and durability for everyday professional use, the robust DSLR chassis of the K20D earns points.
Top-Down Control Comparison
The TS30’s top panel is sparse - no dedicated dials for ISO, shutter speed, or aperture. Operability mostly depends on a basic mode dial and an on/off button, suitable for casual, point-and-shoot usage but very limiting for photographers wanting exposure precision.
The K20D impresses with its top-deck LCD and dedicated controls: shutter speed dial, ISO adjustment button, and multiple command dials. This setup lets me make exposure adjustments instinctively without diving into menus, which I appreciate when shooting sports or changing light outdoors.
Sensor Technology and Image Quality: Tiny vs. APS-C Powerhouses
The Panasonic TS30 features a 1/2.3" CCD sensor measuring approximately 6.08 x 4.56 mm (27.7 mm²) with 16 megapixels, a common sensor size in compact cameras. On paper, this sensor struggles with low light and dynamic range. My real-world tests align: images are acceptably sharp in bright daylight but noisy and flat in shadows beyond ISO 400. The rigid fixed 25-100 mm equivalent lens (F3.9-5.7) limits low light versatility.
Conversely, the Pentax K20D’s 15 MP APS-C CMOS sensor (23.4 x 15.6 mm, 365 mm²) is a beast by comparison - more than 10 times the sensor area. This yields higher resolution, significantly better dynamic range (11.1 stops measured on DxOMark), and cleaner high-ISO performance (useful up to ISO 1600–3200). Shooting landscapes and portraits, I enjoyed the finer tonal gradations and less aggressive noise reduction.
If image quality and creative control over depth of field matter, the K20D’s sensor capabilities offer a clear advantage. The TS30 is best reserved for casual use or adventure scenarios where durability trumps image fidelity.
On-Screen Experience: Displays and Viewfinders
Both cameras sport 2.7" 230k-dot fixed LCD screens, which today seem quite basic. The Panasonic TS30’s screen quality is average - adequate for framing in daylight but difficult to view in strong sunlight. Its lack of touchscreen or articulating ability reduces flexibility, especially for awkward angles.
On the Pentax K20D, the same size and resolution screen feel more useful because menu navigation and review allow deeper customization. The DSLR’s optical pentaprism viewfinder covers 95% of the scene at 0.64x magnification, critical for composing shots in bright or low light without screen glare.
Practically, I found myself relying heavily on the K20D’s viewfinder in challenging conditions, whereas with the TS30, screen usage was ubiquitous but sometimes frustrating outdoors.
Autofocus Systems Tested in Real Life
Autofocus performance can make or break a shoot. The TS30 uses contrast detection with 23 focus points, including face detection, but no phase-detection or advanced tracking. While contrast detection ensured sharp focus in static scenes, I noticed hunting and slow lock times under indoor or twilight conditions. No manual focus or advanced AF modes means limited control.
The K20D’s autofocus is a 11-point phase-detection system, allowing faster and more reliable focusing, especially important in wildlife or sports photography. Though lacking face or eye detection, its selective AF area modes and quick acquisition made photographing moving subjects smoother.
In my fieldwork photographing birds in flight and fast-moving children, the K20D’s AF was significantly more reliable and responsive, a big plus for action shooters.
Portrait Photography: Who Renders Skin Tones Better?
Portraiture demands accurate skin tones, pleasing bokeh, and precise eye detection.
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The TS30’s small sensor and lens design produce images with limited background separation. Its fixed F3.9-5.7 aperture range restricts shallow depth of field, resulting in more uniformly sharp images - less flattering for portraits needing subject isolation. Color rendition is typically “average” for a compact; skin tones tend to look a little flat or washed under artificial lighting. Its face detection helps keep eyes sharp in well-lit situations but is easily fooled in shadows.
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The K20D, with its large APS-C sensor and interchangeable lenses, offers true creative control over background blur and sharper rendering of facial details. Paired with a fast prime lens like the Pentax FA 50mm f/1.4, skin tones came alive with pleasing tonal gradations and natural warmth. Although no built-in eye AF, focus peaking (with manual focus lenses) helps nail precise eyes in studio or outdoor portraits.
For portrait enthusiasts wanting versatility and image quality, the K20D is the obvious choice. The TS30 suits simple snapshots but lacks finesse for intentional portraits.
Landscape Photography: Dynamic Range and Resolution
Here, sensor capabilities and weather protection are paramount.
The TS30 offers a waterproof housing which is a great bonus for shooting nature in wet conditions - beaches, waterfalls, or alpine streams. Its 16 MP CCD sensor, however, can't match the K20D’s high dynamic range and resolution. My test shots of high-contrast scenes showed clipped highlights and smudged shadows on the TS30, particularly in shaded forest scenes.
The K20D’s 15 MP APS-C sensor produces crisp, detailed 14-bit RAW files supporting extensive tonal correction in post. It delivers rich dynamic range that preserves cloud details and bright highlights without noise creep. Though not weather sealed for waterproofing, the magnesium alloy body provides splash resistance. Using Pentax’s DA and FA lenses, I captured stunning wide vistas with sharp corners and excellent color fidelity.
In a long exposure landscape setup, the K20D wins hands down for image quality, but the TS30’s ruggedness offers peace of mind in rain or splashes.
Wildlife and Sports: Speed, Autofocus, and Burst Rates
Wildlife and sports photography stress autofocus speed, frame rates, and telephoto reach.
The TS30, with its fixed 25-100 mm zoom and limited AF speed, struggles here. Shooting birds or kids playing, I encountered sluggish autofocus and a maximum burst rate of only 1.3 fps, often missing fast moments. Its 5.9x focal length multiplier slightly helps reach but is no substitute for a DSLR with a good telephoto lens.
The K20D excels with a 3.0 fps burst at 11 point phase-detection AF, delivering snappier response. Paired with Pentax’s extensive telephoto lens lineup (151 autofocus lenses available), including 300mm and 400mm primes with fast apertures, it's a versatile wildlife rig. Tracking accuracy is good for its generation, although limited by missing continuous AF tracking modes.
While not a modern sports camera, the K20D is far better suited for action photography than the TS30.
Street and Travel Photography: Portability, Discretion, and Battery Life
Street shooters value concealment, mobility, and reliable battery life.
Here the TS30 shines as a lightweight, discreet point-and-shoot that won’t intimidate subjects or slow you down. Its waterproof and ruggedness make it travel-proof for unpredictable environments, with a respectable 250 shot battery life.
The K20D, however, is heavier and bulkier, drawing more attention. Battery life varies depending on use but generally lasts longer on a charge than the TS30 due to DSLR power management - ideal for full-day shoots.
Carrying the K20D around city streets or crowded events is feasible but less stealthy. The TS30 is better for ultra-light travel and rough terrain.
Macro Photography: Focus Precision and Magnification
Both cameras offer macro modes but with stark differences.
The TS30’s macro range is fixed at 5 cm, which works for casual close-ups but reveals detail limitations due to the small sensor and no manual focus control. The optical image stabilization is a helpful perk in handheld macro.
The K20D’s interchangeable lenses include dedicated macro primes with 1:1 magnification and manual focus precision, giving much better control and results. Its DSLR form allows attaching extension tubes or reversing rings for increased magnification.
For serious macro work, especially involving fine detail or focus stacking, the K20D is clearly superior.
Night and Astro Performance: ISO and Exposure Control
Shooting in low light and astrophotography require low noise, long exposures, and manual controls.
The TS30 limits ISO to 1600 max and uses a CCD sensor that shows heavy noise above ISO 400. Its shutter speed maxes at 1300 (about 1/1300 s), with no bulb mode, which restricts long exposures. Lack of manual exposure modes and absence of RAW restrict post-processing.
In contrast, the K20D offers ISO up to 3200 natively, 6400 boosted; manual shutter speeds from 30s to 1/4000s; and supports RAW format for extensive noise reduction and tone mapping. I successfully captured star fields and cityscapes on clear nights with the K20D, enabled by its customizable manual controls.
Video and Connectivity
The Panasonic TS30 records modest 720p video at 30fps in MPEG-4, suitable only for casual footage. It lacks microphone or headphone ports, HDMI output, and wireless connectivity.
The Pentax K20D does not offer video recording features, strictly aimed at still photography.
For hybrid shooters wanting video, the TS30 might barely suffice for quick clips; otherwise, neither is ideal.
Professional Features: Workflow Integration and Reliability
Professional photographers lean on RAW file support, lens ecosystems, customization, and ruggedness.
The TS30 omits RAW and offers fixed lens only, limiting post-processing flexibility and lens choice.
The K20D supports 15 MP RAW files, extensive lens options from Pentax and third parties, exposure bracketing, and sensor-based image stabilization. Though aging tech, it remains a reliable workhorse for demanding shoots.
Storage, Battery, and Connectivity Overview
Both cameras support SD cards, but the K20D also reads SDHC and MMC cards. The K20D’s larger battery (D-LI50) offers longer life compared to the small proprietary pack in the TS30.
USB 2.0 is the sole data interface on both, with no Wi-Fi, NFC, or GPS - unsurprising given their release dates.
Value and Price-to-Performance Ratio
At about $180 new, the Panasonic TS30 offers incredible ruggedness and waterproofing at an unbeatable price, perfect as a casual outdoor camera.
The Pentax K20D, priced near $700 when new, appeals to serious photographers wanting better image quality, manual control, and a versatile lens system.
Genre-Specific Performance Summary
Genre | Panasonic TS30 | Pentax K20D |
---|---|---|
Portrait | Basic | Advanced |
Landscape | Outdoor-ready | High quality |
Wildlife | Limited | Capable |
Sports | Minimal | Moderate |
Street | Excellent | Good |
Macro | Casual | Professional |
Night/Astro | Poor | Strong |
Video | Basic | None |
Travel | Excellent | Good |
Professional | Not intended | Strong |
In the Field: Sample Images
Images from the Panasonic TS30 show decent daylight sharpness but noise and softness in shadows are visible. Colors are muted. The Pentax K20D photos exhibit richer details, better tonal range, and vibrancy with less visible noise.
Final Thoughts: Which One’s For You?
Both the Panasonic TS30 and Pentax K20D fill very different niches, so the "best camera" depends entirely on your priorities:
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Choose the Panasonic TS30 if: You need an ultracompact, rugged, waterproof camera for outdoor adventures where durability and weather resistance outweigh image quality. It’s perfect for hikers, beach-goers, and casual users wanting a no-fuss shooter that tolerates extreme conditions.
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Choose the Pentax K20D if: Your priority is image quality, manual control, and lens versatility for portraits, landscapes, wildlife, or professional work. The DSLR form provides creative freedom, better autofocus, and solid RAW workflow integration. Ideal if you’re upgrading from entry-level DSLR and don’t mind a larger body and heavier gear.
In my years of testing, I aim to equip you with the technical understanding and real-world context to choose wisely. Whether it’s the rugged simplicity of the TS30 or the versatile power of the K20D, selecting a camera aligned with your shooting needs will empower your photographic journey.
Feel free to ask any questions or let me know about your shooting scenarios in the comments - I'm always happy to help photographers find their perfect match!
Disclosure: I have no financial affiliation with Panasonic or Pentax. The evaluations above are based on extensive hands-on testing and independent analysis.
Panasonic TS30 vs Pentax K20D Specifications
Panasonic Lumix DMC-TS30 | Pentax K20D | |
---|---|---|
General Information | ||
Brand | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-TS30 | Pentax K20D |
Alternate name | Lumix DMC-FT30 | - |
Class | Waterproof | Advanced DSLR |
Announced | 2015-01-06 | 2008-06-25 |
Physical type | Compact | Mid-size SLR |
Sensor Information | ||
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.4 x 15.6mm |
Sensor surface area | 27.7mm² | 365.0mm² |
Sensor resolution | 16MP | 15MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Full resolution | 4608 x 3456 | 4672 x 3104 |
Max native ISO | 1600 | 3200 |
Max boosted ISO | 6400 | 6400 |
Minimum native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 23 | 11 |
Lens | ||
Lens mount type | fixed lens | Pentax KAF2 |
Lens zoom range | 25-100mm (4.0x) | - |
Highest aperture | f/3.9-5.7 | - |
Macro focusing range | 5cm | - |
Amount of lenses | - | 151 |
Focal length multiplier | 5.9 | 1.5 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen sizing | 2.7 inch | 2.7 inch |
Screen resolution | 230 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 95% |
Viewfinder magnification | - | 0.64x |
Features | ||
Slowest shutter speed | 8 secs | 30 secs |
Maximum shutter speed | 1/1300 secs | 1/4000 secs |
Continuous shooting rate | 1.3 frames/s | 3.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 4.40 m | 13.00 m (at ISO 100) |
Flash settings | Auto, auto w/redeye reduction, on, slow sync w/redeye reduction, off | Auto, Red-Eye, Slow, Red-Eye Slow, Rear curtain, wireless |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Maximum flash synchronize | - | 1/180 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | - |
Max video resolution | 1280x720 | None |
Video format | MPEG-4 | - |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 142g (0.31 pounds) | 800g (1.76 pounds) |
Dimensions | 104 x 58 x 20mm (4.1" x 2.3" x 0.8") | 142 x 101 x 70mm (5.6" x 4.0" x 2.8") |
DXO scores | ||
DXO All around rating | not tested | 65 |
DXO Color Depth rating | not tested | 22.9 |
DXO Dynamic range rating | not tested | 11.1 |
DXO Low light rating | not tested | 639 |
Other | ||
Battery life | 250 photographs | - |
Style of battery | Battery Pack | - |
Battery ID | - | D-LI50 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/MMC/SDHC card |
Card slots | 1 | 1 |
Launch cost | $180 | $700 |