Panasonic ZS50 vs Sony W730
90 Imaging
36 Features
57 Overall
44
96 Imaging
39 Features
33 Overall
36
Panasonic ZS50 vs Sony W730 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.3-6.4) lens
- 243g - 111 x 65 x 34mm
- Launched January 2015
- Alternate Name is Lumix DMC-TZ70
- Superseded the Panasonic ZS45
- Refreshed by Panasonic ZS60
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 25-224mm (F3.3-6.3) lens
- 122g - 93 x 52 x 22mm
- Introduced January 2013
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Panasonic Lumix ZS50 vs Sony Cyber-shot W730: A Hands-On Compact Camera Showdown for Every Photographer
Choosing the right compact camera can be tricky when you’re balancing performance, features, and budget. I’ve spent weeks running both the Panasonic Lumix DMC-ZS50 (aka Lumix TZ70) and the Sony Cyber-shot DSC-W730 through their paces - covering everything from portraits to night imaging, landscapes to wildlife, and even video. Two small-sensor compacts from different eras but both aiming to hook casual shooters needing versatility.
If you’re considering a small, affordable, easy-to-carry camera that punches above its weight, this detailed comparison will help you decide which one fits your style and wallet. I’m going to draw heavily on my hands-on experience, technical measurements, and real-world imaging tests to break down how these stack up in multiple photography scenarios.
Ready to get into it? Let’s start by looking at the physical handling and design because no matter how good the specs, cameras need to feel right in your hands.
Size, Build, and Handling: More Than Just Pocketability

First off, the Panasonic ZS50 and Sony W730 are both pocket-friendly, but they cater to slightly different pockets - the ZS50 is a bit chunkier but offers a more substantial grip and clubs-for-thumbs layout that fits naturally under your fingers during one-handed shooting. The Sony W730 walks the thin and light route, making it ideal if absolute pocketability and minimal carry weight top your list.
To be specific:
- Panasonic ZS50: 111 × 65 × 34 mm, 243 grams
- Sony W730: 93 × 52 × 22 mm, 122 grams
The ZS50’s larger frame isn’t just bulk; it allows more buttons and dials for manual control - something I found invaluable when in the field wanting quick access without fumbling menus. Sony takes a minimalist approach with fewer physical controls and a small body that’s easy to clutch but can feel cramped for people with larger hands.
In terms of build, neither camera offers weather sealing or a rugged design. Both demand gentle treatment outdoors - no dustproof, shockproof, or waterproof features here. If your adventures involve unpredictable weather or rough terrain, you’ll need external protection for either.
Top Controls and Design Layout: Navigating Your Tools at a Glance

Looking down on the cameras, Panasonic packs the ZS50 with more dedicated controls, including a mode dial, a zoom lever-bar sculpted around the shutter button, and a top display panel. These clubs-for-thumbs controls were refreshing, making manual exposure tweaks or quick mode switching intuitive.
The Sony W730’s top layout, however, is simpler - just a shutter button and zoom rocker. This friendlier design suits beginners who want to shoot auto and not get bogged down by settings, but advanced users might find the lack of direct exposure control limiting. No dedicated manual focus or aperture priority modes here, unlike the ZS50.
Sensor, Image Quality, and Core Technology: The Heart of the Image

This is where things get technically juicy, and the Panasonic ZS50 pulls a considerable lead. Both cameras share a sensor size of 1/2.3-inch (about 6.17 x 4.55 mm), which means they're fighting the same small sensor physics with limited light gathering. But that’s where the similarity mostly ends.
- Panasonic ZS50: 12 MP CMOS sensor with raw support
- Sony W730: 16 MP CCD sensor, no raw support
The ZS50 uses a relatively modern CMOS sensor, which outperforms CCDs like the one in the W730 in noise handling, dynamic range, and overall image quality. Having raw support on the Panasonic allows you, the photographer, to wrestle more detail out of tricky shadows and highlights during post-processing - not something possible with Sony’s JPEG-only W730.
In lab tests, Panasonic’s ZS50 offered better dynamic range (~11.2 EV, per DxO), deeper color depth (20 bits), and cleaner low-light performance, officially scoring an overall DxOmark score of 44 compared to no official rating available for the Sony due to its older technology.
The upside to Sony’s CCD is often a look many older CCDs impart - a distinct color rendition that some users find pleasing out-of-camera, but keep in mind the tradeoff here is image noise spikes at higher ISO and limited post-processing flexibility.
Viewing Experience: Find Your Composition with Confidence

The ZS50 sports a 3-inch, 1040k-dot fixed LCD screen with an electronic viewfinder (EVF) boasting 1166k dots and 100% coverage. That built-in EVF is a major plus in bright sunlight or when you want to hold the camera steady at eye level - particularly useful in wildlife or street photography. The Sony W730 has no EVF, relying solely on a small 2.7-inch, 230k-dot touchscreen LCD.
The touchscreen on Sony allows you to tap-to-focus and access simple menus, making it approachable for beginner shooters, but the low-resolution screen feels outdated and muddy in bright conditions. Panasonic’s screen, while not a touchscreen, offers clearer detail and better visibility outdoors. The EVF really shines for composition versatility and stability.
Zoom and Lens Versatility: Stretching Your Shooting Reach
Panasonic’s headline feature is its 30x optical zoom lens covering 24-720mm equivalent with an aperture range of f/3.3-6.4. This vast reach is genuinely impressive in a pocketable body - it covers wide landscapes and extreme telephoto use without switching lenses.
Sony’s W730 lens is shorter at 9x zoom with 25-224mm equivalent focal length, aperture f/3.3-6.3. While respectable, it limits your reach for distant subjects such as wildlife or sports.
If long reach telephoto photography is in your workflow, the Panasonic’s lens flexibility and superior autofocus system (contrast detect AF with 23 focus points) will be a boon. Sony’s simpler AF system and shorter zoom are better suited for casual snapshots or travel where a wide zoom range isn’t essential.
Autofocus Performance: Speed, Accuracy, and Tracking
For many users shooting moving subjects - especially in wildlife or sports - the autofocus system is a pivotal factor.
- Panasonic ZS50 uses contrast-detection autofocus with 23 focus points and face detection.
- Sony W730 also relies on contrast-detection AF but offers fewer focus options and slower autofocus speed.
During my continuous AF tracking tests, the Panasonic showed more reliability and smoother operation, especially under decent light. It was quicker to lock focus and maintain tracking on moving subjects, although it’s no professional-grade system. Sony’s AF lagged in low light or when zoomed at longer focal lengths, occasionally hunting before locking focus.
Burst Rates and Shutter Speeds: Catching the Decisive Moment
The ZS50 supports up to 10 frames per second burst shooting, which is quite impressive for this class, allowing more chances to nail action shots like kids running or birds flapping. The maximum shutter speed caps at 1/2000 sec. You also get manual exposure override with shutter priority and aperture priority.
Sony’s W730 maxes out at 1 fps burst and shutter speed only reaches 1/1600 sec. It lacks interchangeable exposure modes; everything runs in auto or scene presets - fine for snapshots but limiting for those wanting more creative control.
Video Capabilities: More Than Just a Side Note
Neither camera aims to rival dedicated camcorders, but the ZS50 offers solid video specs:
- Panasonic ZS50: Full HD 1080p video at 60p/60i/30p frame rates, dual MPEG-4 and AVCHD formats
- Sony W730: 720p HD at 30fps, also MPEG-4 and AVCHD
The Panasonic also boasts optical image stabilization that smooths zoomed footage nicely and better manual exposure during video capture. Audio connectivity is barebones on both - no mic or headphone jacks. Also, no 4K or ultra-high resolution video modes here, fitting their segment and price points.
In practice, the ZS50’s video looks crisper with richer details and less noise, offering more usable footage for vloggers or casual filmmakers.
Battery Life and Storage: How Long Can You Shoot?
- Panasonic ZS50: Rated at 300 shots per charge
- Sony W730: Rated at 240 shots per charge
While neither is a marathon runner, Panasonic’s marginally longer battery life is welcome given its more advanced feature set. Both accept SD/SDHC/SDXC cards with a single storage slot; Sony additionally supports Memory Stick formats for legacy users.
Connectivity and Extras: Staying Connected and Creative
Panasonic scores with built-in Wi-Fi and NFC for quick image transfer and remote control via smartphone apps - very handy for travel or content creators who share images on the fly.
Sony’s W730 has no wireless connectivity, relying on USB cables for file transfer, which feels dated in today’s nimble mobile workflows.
Neither camera has GPS, weather sealing, or specialized ruggedness features.
Real-World Photography Performance Across Genres
To give you practical insights, I tested both cameras in scenarios covering the major photography disciplines.
Portrait Photography
The ZS50’s raw capability, manual exposure modes, and customizable face detection deliver better skin tones and more flattering bokeh effects. Its lens aperture, while small at telephoto, can isolate subjects better than Sony’s limited zoom and auto exposure.
Sony’s W730 performs adequately for casual portraits but falls short in tricky lighting or when you want softer backgrounds. Lack of manual settings leaves you at the mercy of the camera’s auto modes, which tend to flatten tones.
Landscape Photography
Panasonic’s 12 MP sensor, better dynamic range, and wider zoom allow capturing vast scenes with more detail and tonal gradations. The ZS50’s bigger LCD and EVF assist composition outdoors.
Sony’s 16 MP bites the megabytes but the CCD sensor’s limited dynamic range curbs shadow recovery. The W730’s shorter lens limits wide-angle framing slightly but is mobile-friendly for commute shots.
Wildlife Photography
The ZS50’s 30x zoom and faster AF continuous mode shine here, giving you flexibility to isolate distant subjects and shoot bursts up to 10 fps. Wildlife photos were sharper and had less noise, especially in shaded woodland areas.
The W730 struggled to focus quickly on birds in flight and its maximum zoom limited reaching subjects far away. Sports and wildlife shooting, in general, favored Panasonic hands down.
Sports Photography
No contest here: Panasonic can shoot bursts faster and track subjects better, although still far from professional sports cameras. Sony W730 is more snapshot-based with single-shot drive preferable.
Street Photography
Sony’s smaller size and lighter weight make it more discreet and easier to slip into pockets. The touchscreen speeds up operation for casual street snaps. Panasonic’s EVF and more extensive controls favor deliberate shooting rather than grab-and-go.
Macro Photography
Panasonic’s minimum focus distance of 3 cm provides better close-up capabilities than Sony’s 5 cm. The ZS50’s manual focus option aids precision focusing on tiny subjects.
Night and Astrophotography
The Panasonic ZS50’s CMOS sensor and ISO sensitivity up to 6400 outperform Sony’s CCD limited to ISO 3200. Noise is better controlled, and having raw files is invaluable for mature night photography workflows.
Video Shooting
Panasonic leads by offering full HD 1080p at 60p, stabilizing hand-held footage better. Sony’s videos at 720p 30fps look softer and less fluid.
Travel Photography
Panasonic’s zoom versatility, better image quality, Wi-Fi connectivity, and longer battery life make it the more all-round travel companion despite the added bulk. Sony W730 appeals if you prioritize supreme portability and casual point-and-shoot.
Professional Use
Neither camera is a primary professional tool, but Panasonic’s raw support, manual controls, and Wi-Fi make it a better backup or travel camera for professionals needing flexibility in a lightweight package.
Sample Shots: Side-by-Side Quality Comparison
Viewing sample photographs side-by-side, the difference in clarity, color rendering, and noise control is evident. Panasonic’s images hold more detail and retain natural tones, especially in shadows and highlights. Sony’s images show visible digital artifacts and softer details under challenging light.
Final Scores and Performance Overview
From an authoritative benchmark standpoint, the Panasonic ZS50’s overall higher scores align with real-world testing across photography disciplines. Sony W730, being much more budget-oriented and older, lags but remains a competent casual shooter.
Pros and Cons Summary: Which Camera Wins for You?
| Feature | Panasonic Lumix ZS50 | Sony Cyber-shot W730 |
|---|---|---|
| Pros | Large 30x zoom lens; raw support; EVF; manual controls; superior image quality; Wi-Fi/NFC; longer battery life | Ultra-compact; light; user-friendly touchscreen; affordable price; simple interface |
| Cons | Larger and heavier; no touchscreen; no weather sealing; older model now discontinued | Limited zoom; no raw files; no manual exposure modes; weak video; no connectivity; image quality lags |
| Ideal For | Enthusiasts wanting versatile travel, wildlife, and video capability in a compact zoom | Beginners or casual snapshot fans wanting maximum portability and a low price |
Recommendations: Making the Choice That Fits Your Photography
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If you’re hunting for the most versatile and highest image quality pocket superzoom on a budget, I’d personally recommend the Panasonic ZS50. It’s a serious all-rounder that stains the vistas of landscapes, handles wildlife shots with its 30x zoom, and adds extra value with raw files and an EVF for composed shooting. Yes, it’s heavier and pricier, but that extra cost translates into real features you’ll appreciate beyond casual use.
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If you’re a cheapskate, tightly budgeted beginner, or someone who just wants a simple lightweight camera for occasional use without fuss, Sony’s W730 is a decent choice. Don’t expect stellar image quality or advanced controls, but for straightforward family or street photos with a fixed focal range, its compact form shines.
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For content creators needing video, the Panasonic’s full HD at 60fps and stabilization are gold compared to Sony’s limited 720p at 30fps.
Closing Thoughts: Two Small Cameras, Very Different Missions
While Panasonic’s ZS50 and Sony’s W730 sit in a broadly similar compact camera category, their capabilities and user experiences branch apart drastically.
The ZS50 is a small-sensor superzoom packed with enthusiast-grade controls, image flexibility, and real-world versatility. Sony’s W730 is a pint-sized, no-frills compact designed for simplicity and an ultra-light footprint.
Determining which is “better” depends on what you prioritize: image quality and zoom versatility vs. ultimate cost savings and portability.
I hope my hands-on experiences, technical insights, and comparisons across multiple photography types help steer you toward a camera you’ll enjoy shooting with day after day.
Happy snapping!
Disclaimer: All images and data referenced in this article come directly from tested units and authoritative industry measurements to ensure accuracy and trustworthiness.
Panasonic ZS50 vs Sony W730 Specifications
| Panasonic Lumix DMC-ZS50 | Sony Cyber-shot DSC-W730 | |
|---|---|---|
| General Information | ||
| Make | Panasonic | Sony |
| Model type | Panasonic Lumix DMC-ZS50 | Sony Cyber-shot DSC-W730 |
| Also called | Lumix DMC-TZ70 | - |
| Type | Small Sensor Superzoom | Small Sensor Compact |
| Launched | 2015-01-06 | 2013-01-08 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Sensor type | CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12MP | 16MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Highest resolution | 4000 x 3000 | 4608 x 3456 |
| Highest native ISO | 6400 | 3200 |
| Lowest native ISO | 80 | 100 |
| RAW data | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| AF multi area | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Total focus points | 23 | - |
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 24-720mm (30.0x) | 25-224mm (9.0x) |
| Max aperture | f/3.3-6.4 | f/3.3-6.3 |
| Macro focusing distance | 3cm | 5cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 3 inch | 2.7 inch |
| Resolution of display | 1,040 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Display tech | - | TFT LCD display |
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Viewfinder resolution | 1,166 thousand dot | - |
| Viewfinder coverage | 100% | - |
| Viewfinder magnification | 0.46x | - |
| Features | ||
| Slowest shutter speed | 4 seconds | 2 seconds |
| Maximum shutter speed | 1/2000 seconds | 1/1600 seconds |
| Continuous shooting speed | 10.0fps | 1.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | - |
| Custom WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 6.40 m | 2.80 m |
| Flash modes | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off | Auto, On, Off, Slow Sync, Advanced Flash |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60p/60i/30p), 1280 x 720 (60p/30p), 640 x 480 (30p) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Highest video resolution | 1920x1080 | 1280x720 |
| Video format | MPEG-4, AVCHD | MPEG-4, AVCHD |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 243g (0.54 lbs) | 122g (0.27 lbs) |
| Physical dimensions | 111 x 65 x 34mm (4.4" x 2.6" x 1.3") | 93 x 52 x 22mm (3.7" x 2.0" x 0.9") |
| DXO scores | ||
| DXO All around rating | 44 | not tested |
| DXO Color Depth rating | 20.0 | not tested |
| DXO Dynamic range rating | 11.2 | not tested |
| DXO Low light rating | 138 | not tested |
| Other | ||
| Battery life | 300 pictures | 240 pictures |
| Battery form | Battery Pack | Battery Pack |
| Battery ID | - | NP-BN |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse shooting | ||
| Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
| Storage slots | One | One |
| Retail price | $350 | $138 |