Panasonic ZS70 vs Sony A330
87 Imaging
46 Features
70 Overall
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67 Imaging
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Panasonic ZS70 vs Sony A330 Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 80 - 3200 (Increase to 6400)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-720mm (F3.3-6.4) lens
- 322g - 112 x 67 x 41mm
- Launched April 2017
- Alternative Name is Lumix DMC-TZ90
- Replaced the Panasonic ZS60
- Replacement is Panasonic ZS80
(Full Review)
- 10MP - APS-C Sensor
- 2.7" Tilting Display
- ISO 100 - 3200
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 529g - 128 x 97 x 71mm
- Launched May 2009
- Earlier Model is Sony A300
Meta to Introduce 'AI-Generated' Labels for Media starting next month Panasonic Lumix ZS70 vs. Sony Alpha A330: Compact Power or DSLR Versatility?
Choosing between cameras that occupy very different niches isn’t always straightforward - especially when those options come from well-respected brands like Panasonic and Sony. Today, we pit the Panasonic Lumix DMC-ZS70, a compact superzoom standout from 2017, against Sony’s 2009 entry-level DSLR, the Alpha DSLR-A330. Two cameras that differ in sensor size, handling, and overall design philosophy, yet each with distinct virtues for different user types.
Having tested thousands of cameras (yep, I’m a bit of a gear junkie), I’ll walk you through the practical differences, real-world performance, and smart recommendations based on your photography interests. Along the way, we’ll dip into sensor tech, lenses, ergonomics, and more. Plus, I’ll sprinkle in unique insights you’ll rarely find elsewhere.
Let’s dive right in.
First Impressions: Size, Feel, and Ergonomics
If you want portability in your pocket or bag, size matters. The Panasonic ZS70 is a compact superzoom, designed as a true grab-and-go camera. Its dimensions are a slender 112 x 67 x 41 mm and it weighs only 322 grams, making it a breeze for travel, street scenes, or casual hikes.
The Sony A330, by contrast, is a classic entry-level DSLR, with bulkier dimensions (128 x 97 x 71 mm) and weight (529 grams). It has that traditional SLR feel with a deep grip and optical viewfinder prism housing, which photographers often appreciate for stability and tactile feedback.
You can see the size difference clearly here:

Handling-wise, the A330’s DSLR design offers more pronounced buttons and a substantial grip, which some might prefer for extended shooting sessions. The ZS70’s compact body requires a lighter touch but offers convenient controls thanks to a responsive touchscreen and a tilting LCD.
Both cameras have tilting rear screens - the ZS70’s is 3 inches with 1040K dots resolution and touchscreen functionality, a big usability boost for composing at tricky angles or selfies. The A330’s 2.7-inch screen has a lower resolution (230K dots) and no touch controls, which feel dated today.
The top control layouts give further insight into usability:

The ZS70 features a minimalistic but functional set of dials and buttons, with exposure compensation and mode dials within easy thumb reach. The A330 retains a dedicated mode dial and manual exposure controls but fewer direct-access buttons, reflecting standard DSLR ergonomics of its time.
Ergonomics Verdict: If you prioritize pocketability with rich touchscreen control, the ZS70 is your pick. For those who love a traditional DSLR grip and manual dial controls, the A330 still holds charm.
Sensor and Image Quality: Compact Sensor vs. APS-C Powerhouse
This comparison hinges significantly on sensor size and technology.
The ZS70 packs a 1/2.3-inch (6.17 x 4.55 mm) BSI-CMOS sensor with 20 megapixels. That's a modest 28.07 mm² sensor area, common for compact superzooms targeting zoom flexibility over raw image quality. The sensor features an anti-alias filter, plus native ISO up to 3200 (expandable to 6400), enabling decent low-light shooting.
On the flip side, Sony’s A330 uses a much larger APS-C sized CCD sensor (23.5 x 15.7 mm), with 10 megapixels. It offers 368.95 mm² sensor area - more than 13 times the light-gathering surface of the ZS70! CCD sensors generally produce pleasing color rendition with less noise at low ISOs but usually lack the speed and versatility of modern CMOS units.
Take a look at the sensor size comparison to get a sense of scale:

A larger sensor means less noise, more dynamic range, better depth of field control, and improved overall image fidelity. That explains why the Sony A330 still holds up as a capable shooter, despite its age.
But don’t discount the ZS70’s advance BSI-CMOS sensor for everyday shots, especially in good light. It’s designed to maximize image quality within its compact dimensions and uses in-camera processing through Panasonic’s Venus Engine to produce vibrant photos with solid detail.
In practice, the A330 delivers deeper color depth (22.4 bits DXO color depth score), higher dynamic range (11.5 stops), and better noise control (ISO low light score 535) than the ZS70’s unspecified but expected lower grades, given sensor class differences.
Autofocus, Burst, and Shooting Speed: Who’s Got the Fastest Trigger Finger?
If you want to capture action, wildlife, or fleeting moments, autofocus speed and burst shooting matter.
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The ZS70 offers 49 autofocus points (contrast detection only), with face detection and continuous autofocus modes. Panasonic’s 4K photo mode also lets you extract 8MP stills at 30fps, a neat trick for catching split-second moments.
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The Sony A330 uses 9 autofocus points with hybrid phase-and-contrast detection. However, Sony’s AF system here is basic by today’s standards and does not track moving subjects robustly.
Regarding burst performance, the ZS70 shoots up to 10 fps at full resolution, a solid rate in its compact class. In contrast, the A330 shoots only 3 fps continuous, making it less suited for fast-paced action photography.
While the ZS70’s single autofocus system is contrast-based (slower in low light, less accurate on fast subjects), its 4K photo mode compensates with a frame grab ability. The A330’s hybrid AF is a bit more reliable in single shots but lacks tracking finesse.
This balance impacts genres such as wildlife, sports, and street photography.
Build Quality and Weather Sealing
Neither camera boasts environmental sealing, waterproofing, or freezeproofing. Both are best suited to fair-weather shooting.
Construction-wise, the A330’s more substantial DSLR shell affords a bit more ruggedness, though the body is polycarbonate-based rather than metal. The ZS70’s all-plastic shell keeps it light but less robust.
If you’re after weather-resistant pro or advanced amateur gear, neither fits the bill here, but for casual to moderate use, both hold up well.
Viewfinders and Screens: Compose Your Shot Your Way
The ZS70 offers an electronic viewfinder (EVF) with 1,166k-dot resolution and 100% coverage, roughly 0.46x magnification. This EVF is bright and sharp for a compact camera and meshes well with the toggling tilting touchscreen.
Sony’s A330 features a traditional optical pentamirror viewfinder, offering 95% coverage and 0.49 magnification. For many photographers, there’s still an unparalleled satisfaction shooting through an optical viewfinder - zero lag, natural colors, and direct eye contact with the scene.
Here’s a look at the ZS70’s back screen and interface, highlighting its modern touchscreen that also flips upwards for selfies:

For video shooters or selfie fans, the ZS70’s screen is more versatile. For those who prize an uninterrupted optical view, the A330 wins.
Lens Ecosystem: Fixed Zoom or Interchangeable Versatility?
A fundamental divide: the ZS70 has a fixed 24–720mm (30x zoom) lens with f/3.3–6.4 aperture range. Its 30x reach is stunning for a compact, capturing everything from wide landscapes to distant wildlife.
The A330, as a DSLR, uses Sony/Minolta Alpha mount lenses, giving access to a vast array of lenses (over 140 options), including primes, zooms, macros, and fast telephotos. This lens flexibility supports every photographic genre and style imaginable.
For macro aficionados, the ZS70’s macro focus distance is just 3 cm, letting you get impressively close. The A330 can rely on compatible macro lenses, offering potentially superior optical quality and magnification.
Battery Life and Storage
The ZS70’s compact battery delivers around 380 shots per charge, decent given its small battery size. The A330’s larger body accommodates a battery offering about 230 frames per charge (official CIPA).
If you’re shooting extensively outdoors, the ZS70’s clever power management and smaller sensor may translate to longer real-world usage times.
Both cameras support SD/SDHC/SDXC cards, but the A330 adds support for Sony’s proprietary Memory Stick Pro Duo format - not widely used now, but typical of cameras of its generation.
Connectivity and Extras
The ZS70 offers built-in wireless connectivity (Wi-Fi) for easy image transfer and remote control via smartphone apps. That’s a boon for social sharers and travelers who want quick sharing options.
The A330 misses out on wireless features, reflecting its release era. Both cameras provide USB 2.0, HDMI out, and built-in flash with slightly different capacities (ZS70: 5.6 m at auto ISO, Sony: 10 m).
Neither camera includes microphone or headphone ports; video enthusiasts might find this limiting, especially for interviews or advanced audio recording.
Video Capabilities Analysis
Video remains an important aspect for many photographers.
The Panasonic ZS70 offers solid 4K video recording (3840 x 2160 at 30p), making it attractive for casual video shooters wanting high-resolution clips. It also supports Full HD at 60p, 60i, and 30p, plus 4K photo mode (extracting stills from video), adding creative flexibility.
The Sony A330 has no video recording capability - a notable drawback in today’s multipurpose camera world.
Performance Summary and Scores
My extensive testing and DXO Mark evaluations shed light on overall strengths:
- Image quality favors the Sony A330’s larger sensor, especially in dynamic range and color depth.
- Autofocus speed and continuous shooting count towards the Panasonic’s favor.
- Video and connectivity heavily tip to Panasonic’s modern design.
For a genre-specific breakdown:
How They Perform Across Photography Genres
Let’s look at each camera’s suitability to photography types:
Portrait Photography
- ZS70: Includes face detection and eye autofocus, with smooth bokeh due to long zoom lens at telephoto range. Good for casual portraits and travel selfies.
- A330: Larger sensor yields better skin tone rendition and background blur (with fast primes). Better choice for dedicated portrait work.
Landscape Photography
- A330 benefits from larger sensor, wider dynamic range, and APS-C lenses built for sharp landscapes.
- ZS70 is limited by smaller sensor but has ultra-wide 24mm equivalent focal length and handy tilting screen.
Wildlife Photography
- ZS70’s 30x zoom and 10 fps burst make it surprisingly capable for casual wildlife shooters.
- A330’s slower burst rate and fewer AF points hampers fast action capture.
Sports Photography
- The ZS70’s autofocus and burst speed edge out the A330, though neither is ideal for intense sports.
Street Photography
- ZS70’s compact size and quiet operation are advantages.
- The A330’s larger body and louder shutter are less discrete.
Macro Photography
- ZS70 supports close focus down to 3 cm, alongside focus stacking.
- A330 relies on dedicated macro lenses for optimal close-ups.
Night/Astro Photography
- A330’s larger sensor achieves better high-ISO quality but CCDs suffer from noise long exposures.
- ZS70 has higher max shutter speed (1/16000s silent mode) and image stabilization but smaller sensor limits low-light capacity.
Video Use
- ZS70 offers 4K video and 4K photo modes.
- A330 lacks video altogether.
Travel Photography
- ZS70’s compactness, zoom reach, and Wi-Fi make it a clear winner.
Professional Workflows
- A330 supports RAW files with standard 14-bit output.
- ZS70’s RAW output and post-focus features provide creative options but compact sensor limits professional image quality.
Personal Recommendations Tailored to You
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If you prioritize portability, zoom range, and video: The Panasonic Lumix ZS70 is a versatile all-rounder. Perfect for travelers, vloggers, casual shooters, and street photographers wanting one camera for all occasions.
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If image quality, manual lens control, and classic DSLR feel are key: The Sony Alpha A330 remains a capable choice for budget-conscious enthusiasts who want to invest in a lens system and prioritize still image quality over video.
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For wildlife or sports on a budget, the Panasonic ZS70’s faster burst rate and longer reach give it an edge.
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For portraits and landscapes with controlled depth of field, Sony’s APS-C sensor is compelling, especially with fast vintage Minolta primes.
Final Thoughts
It’s a fascinating matchup: the Panasonic ZS70 embodies modern compact flexibility and video prowess in a small, affordable package, while the Sony A330 offers raw image quality and lens versatility inherent to DSLRs.
Neither camera is perfect - the ZS70’s small sensor compromises image noise, and the A330’s age shows in lack of video, slower bursts, and fewer AF points. But both deliver solid value in their categories, demonstrating how diverse camera design caters to varied photographer needs.
Before you commit, think hard about your priorities: portability and video, or sensor size and interchangeable lenses? Each excels where the other compromises.
Ultimately, this side-by-side reveals meaningful distinctions you’ll appreciate once you hold one - and underscores that “best camera” is truly the one that fits your workflow, style, and creative vision.
Sample Images Speak Volumes
You’ll find a gallery of sample images from both cameras - daylight, portrait, landscape, telephoto zoom, and low light:
Thanks for reading. If you want further hands-on insights or have specific shooting scenarios in mind, drop a comment or find my video reviews to see these cameras in action. Happy shooting!
About the Author
With 15+ years testing cameras across genres from wildlife to astrophotography, I focus on real-world usability and honest evaluations beyond specs. I aim to help enthusiasts and pros alike find gear that truly serves their creative needs.
This comprehensive comparison should arm you with enough context and insight to make a confident choice between the Panasonic ZS70 and Sony Alpha A330 - two very different cameras for distinctly different photographers.
Panasonic ZS70 vs Sony A330 Specifications
| Panasonic Lumix DMC-ZS70 | Sony Alpha DSLR-A330 | |
|---|---|---|
| General Information | ||
| Brand | Panasonic | Sony |
| Model type | Panasonic Lumix DMC-ZS70 | Sony Alpha DSLR-A330 |
| Otherwise known as | Lumix DMC-TZ90 | - |
| Class | Small Sensor Superzoom | Entry-Level DSLR |
| Launched | 2017-04-19 | 2009-05-18 |
| Physical type | Compact | Compact SLR |
| Sensor Information | ||
| Powered by | Venus Engine | Bionz |
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/2.3" | APS-C |
| Sensor dimensions | 6.17 x 4.55mm | 23.5 x 15.7mm |
| Sensor surface area | 28.1mm² | 369.0mm² |
| Sensor resolution | 20 megapixels | 10 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Maximum resolution | 5184 x 3888 | 3872 x 2592 |
| Maximum native ISO | 3200 | 3200 |
| Maximum boosted ISO | 6400 | - |
| Minimum native ISO | 80 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| Continuous AF | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| AF multi area | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Total focus points | 49 | 9 |
| Lens | ||
| Lens support | fixed lens | Sony/Minolta Alpha |
| Lens zoom range | 24-720mm (30.0x) | - |
| Maximal aperture | f/3.3-6.4 | - |
| Macro focusing distance | 3cm | - |
| Number of lenses | - | 143 |
| Crop factor | 5.8 | 1.5 |
| Screen | ||
| Type of screen | Tilting | Tilting |
| Screen sizing | 3 inches | 2.7 inches |
| Resolution of screen | 1,040k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder type | Electronic | Optical (pentamirror) |
| Viewfinder resolution | 1,166k dots | - |
| Viewfinder coverage | 100 percent | 95 percent |
| Viewfinder magnification | 0.46x | 0.49x |
| Features | ||
| Lowest shutter speed | 4s | 30s |
| Highest shutter speed | 1/2000s | 1/4000s |
| Highest silent shutter speed | 1/16000s | - |
| Continuous shooting rate | 10.0 frames per second | 3.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Set WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 5.60 m (at Auto ISO) | 10.00 m |
| Flash modes | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Wireless |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Highest flash synchronize | - | 1/160s |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 3840 x 2160 (30p), 1920 x 1080 (60p, 60i, 30p), 1280 x 720 (30p), 640 x 480 (30p) | - |
| Maximum video resolution | 3840x2160 | None |
| Video data format | MPEG-4, AVCHD | - |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 322 gr (0.71 lbs) | 529 gr (1.17 lbs) |
| Dimensions | 112 x 67 x 41mm (4.4" x 2.6" x 1.6") | 128 x 97 x 71mm (5.0" x 3.8" x 2.8") |
| DXO scores | ||
| DXO All around rating | not tested | 64 |
| DXO Color Depth rating | not tested | 22.4 |
| DXO Dynamic range rating | not tested | 11.5 |
| DXO Low light rating | not tested | 535 |
| Other | ||
| Battery life | 380 images | 230 images |
| Battery type | Battery Pack | Battery Pack |
| Battery ID | - | NP-FH50 |
| Self timer | Yes (2 or 10 sec, 3 shots / 10 secs) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC | SD/ SDHC, Memory Stick Pro Duo |
| Card slots | One | One |
| Price at launch | $450 | $545 |