Pentax K-5 II vs Sony NEX-C3
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Pentax K-5 II vs Sony NEX-C3 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 12800 (Expand to 51200)
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 760g - 131 x 97 x 73mm
- Announced June 2013
- Replaced the Pentax K-5
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 12800
- 1280 x 720 video
- Sony E Mount
- 225g - 110 x 60 x 33mm
- Released August 2011
- Earlier Model is Sony NEX-3
- New Model is Sony NEX-F3
Photography Glossary Pentax K-5 II vs Sony NEX-C3: Exploring Two APS-C Classics from Different Eras
Choosing your next camera is a journey filled with questions about technology, usability, and creative potential. Today, we dive deep into a thorough hands-on comparison of two APS-C sensor cameras from distinct segments and generations: the advanced DSLR Pentax K-5 II (2013) and the entry-level mirrorless Sony Alpha NEX-C3 (2011). Both have carved unique niches but offer surprisingly different experiences and outcomes.
As a Sony and Pentax user and longtime reviewer having tested thousands of cameras over the years, I’ll guide you through their technical strengths, real-world performance across various photography disciplines, and ultimate value. This side-by-side assessment will help you choose the model that best suits your creative ambitions and shooting style.
Getting Acquainted: Design, Build, and Handling
Size and Ergonomics: DSLR vs Mirrorless Essentials
You’ll first notice a stark difference in physical size and weight between these cameras.
| Feature | Pentax K-5 II | Sony NEX-C3 |
|---|---|---|
| Dimensions (mm) | 131 x 97 x 73 | 110 x 60 x 33 |
| Weight (g) | 760 (body only) | 225 (body only) |
| Body Style | Mid-size DSLR with pentaprism viewfinder | Compact rangefinder-style mirrorless |

Hands-on, the K-5 II feels substantial and solid - built for extended sessions with a firm grip and larger buttons designed for quick access. This ergonomic advantage means fewer dropped shots when tracking fast-moving subjects or working in cold weather with gloves.
The NEX-C3 is unmistakably compact and lightweight, perfect for travel or casual shooting. It’s pocketable with a pancake lens attached and doesn’t fatigue your arm during long walks. But this also means smaller controls and a lighter build that may feel less robust in rigorous conditions.
Controls and Interface: Decisive for Speed and Precision
Both cameras opt for a traditional external control layout but reflect their category differences.

The K-5 II boasts dedicated dials for shutter speed, ISO, and exposure compensation - exactly what advanced shooters appreciate for direct tactile control without digging into menus. A top LCD displays shooting info at a glance, complementing the optical pentaprism viewfinder that covers 100% of the field.
Conversely, the NEX-C3 lacks a built-in viewfinder, relying solely on the rear LCD for composition. Its minimalist control set streamlines entry-level usability but at the expense of quick access to certain settings. The tilting rear screen compensates somewhat for this but slows operation during action photography or manual exposure adjustments.
Building for the Elements: Weather Sealing
If you shoot outdoors regularly, the K-5 II’s partial weather sealing is a distinct advantage - crucial for protection against moisture and dust.
The NEX-C3 does not feature any weather resistance, making it less suited for harsh environments or heavy-duty professional use.
Sensor and Image Quality: The Heart of the Matter
Both cameras share an APS-C sized sensor with approximately 16 megapixels, but there are important distinctions in sensor design and output that affect image quality.
| Feature | Pentax K-5 II | Sony NEX-C3 |
|---|---|---|
| Sensor Type | CMOS with anti-aliasing filter | CMOS with anti-aliasing filter |
| Sensor Size (mm) | 23.7 x 15.7 (372.09 mm²) | 23.4 x 15.6 (365.04 mm²) |
| Maximum Resolution | 4928 x 3264 (about 16 MP) | 4912 x 3264 (about 16 MP) |
| Native ISO Range | 100–12800 (expandable to 80–51200) | 100–12800 |
| DxOMark Overall Score | 82 | 73 |
| Color Depth (bits) | 23.8 | 22.7 |
| Dynamic Range (EV stops) | 14.1 | 12.2 |
| Low-Light ISO Score | 1235 | 1083 |

What This Means in Practice
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Dynamic Range: The K-5 II’s sensor delivers a wider dynamic range (up to 14 stops), allowing better retention of details in highlights and shadows, essential for landscape, outdoor, and HDR photography.
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Color Depth: Higher color depth on the Pentax provides smoother tonal gradations and more latitude in post-processing - particularly evident in skin tones and subtle color transitions.
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Low-Light Performance: Both cameras reach ISO 12800 natively, but Pentax’s sensor offers cleaner images at high ISO, crucial for night, indoor, and event photography.
This leads the K-5 II to produce richer raw files with more editing flexibility, while the NEX-C3 still captures sharp, well-exposed images in good light, though noise becomes more evident at higher ISO.
Autofocus Systems Compared
A camera’s autofocus (AF) system is a decisive factor for many genres, especially when subjects are moving.
| Feature | Pentax K-5 II | Sony NEX-C3 |
|---|---|---|
| AF Type | Phase Detect + Contrast | Contrast Detect |
| AF Points | 11 (9 cross-type) | 25 (contrast only) |
| Face Detection | Yes | No |
| Continuous AF | Yes | Yes |
| AF Tracking | Yes | No |
| Animal Eye AF | No | No |
The K-5 II employs a hybrid autofocus system combining phase-detection and contrast-detection, helping achieve sharp focus quickly and reliably, even tracking moving subjects. The center 9 points are cross-type, improving precision in low contrast scenes.
Sony’s NEX-C3 relies solely on contrast-detection AF, inherently slower and less effective for action or wildlife photography. However, the higher count of AF points gives finer compositional flexibility for static scenes.
Face detection on the Pentax adds convenience for portrait and candid photography, and continuous AF reliability is stronger, making the K-5 II the clear winner for sports, wildlife, and dynamic situations.
Looking Through the Viewfinder and Screen Quality
A critical user experience factor is how you compose and review photos.
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Pentax K-5 II: Features a bright optical pentaprism viewfinder with 100% coverage and 0.61x magnification, delivering a natural and lag-free view.
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Sony NEX-C3: Omits a viewfinder entirely, relying on its tilting 3-inch TFT Xtra Fine LCD with 920k dots for composing - great for live view but challenging in very bright outdoor conditions.

For photographers who prefer composing through the eye with tactile response, the Pentax offers a more traditional and precise experience. Conversely, the NEX-C3’s screen tilts up and down, which benefits low or high-angle shooting, appealing to street or travel photographers who want creative framing flexibility.
Burst Speed and Buffer: Capturing the Decisive Moment
- Pentax K-5 II: 7 fps continuous shooting - excellent for sports, wildlife, and fast-action work.
- Sony NEX-C3: 6 fps continuous shooting - respectable but slightly slower.
With better AF tracking and a robust buffer, the K-5 II can keep shooting longer at full speed, better suited to demanding bursts. The difference might be negligible for casual shooters but influential for professionals capturing peak sports moments.
Built-in Features and Image Stabilization
| Feature | Pentax K-5 II | Sony NEX-C3 |
|---|---|---|
| In-Body Image Stabilization | Yes (Sensor-shift) | No |
| Built-in Flash | Yes | No |
| External Flash Support | Yes | Yes |
| White Balance Bracketing | Yes | Yes |
| Timelapse Recording | Yes | No |
The K-5 II includes sensor-based image stabilization, providing vibration reduction regardless of lens choice - hugely beneficial in low light, macro, and handheld video.
Sony’s mirrorless design does not support in-body stabilization here, requiring stabilized lenses to help reduce blur.
Furthermore, Pentax’s built-in flash with multiple modes adds convenience, though it’s limited compared to external units. Sony NEX-C3 users must attach an external flash for fill or creative lighting effects.
Video Capabilities
- Pentax K-5 II: Full HD 1920×1080 at 25 fps using Motion JPEG; microphone input available but no headphone output.
- Sony NEX-C3: HD 1280×720 at 30 fps using MPEG-4; no microphone or headphone ports.
While neither excels in video by today’s standards, the Pentax offers better resolution and more flexible audio recording options. The K-5 II’s video quality and controls will satisfy casual videographers or those needing occasional clips, whereas the NEX-C3’s video is more basic.
Battery Life and Storage
| Specification | Pentax K-5 II | Sony NEX-C3 |
|---|---|---|
| Battery Life (CIPA) | 980 shots | 400 shots |
| Battery Model | D-LI90 | NPFW50 |
| Storage Slot | 1 x SD / SDHC / SDXC | 1 x SD / SDHC / SDXC + Memory Stick Pro |
Battery endurance is a tangible benefit here: the K-5 II more than doubles the number of shots per charge compared to the NEX-C3, ideal for extended trips or professional assignments. The K-5 II’s battery may feel less convenient to carry spares due to weight and bulk, but you’ll recharge less often.
Lens Ecosystem and Compatibility
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Pentax K-5 II: Pentax KAF2 mount with around 151 compatible lenses, including many high-quality primes, macro, and telephoto options, plus legacy lenses with adaptation.
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Sony NEX-C3: Sony E-mount with 121 compatible lenses, mostly modern autofocus designs, and growing native mirrorless selections.
The extensive Pentax lens lineup supports many genres, including professional portrait, landscape, macro, and wildlife lenses. The Sony E-mount provides lightweight mirrorless glass optimized for portability, with an emphasis on primes and compact zooms.
Lens choice affects not just image quality but also camera handling, weight distribution, and creative possibility. Pentax’s ecosystem favors robust traditional glass, while Sony’s focuses on mirrorless efficiency and innovation.
Use Case Breakdown: Which Camera Excels Where?
Let’s analyze by photography genres and daily use scenarios.
Portrait Photography
- K-5 II: Superior color depth, face detection AF, and in-body stabilization enhance sharpness and bokeh rendition. Skin tones and subtle details show better gradation. Ideal for studio or outdoor portraits.
- NEX-C3: Good sharpness but limited AF features reduce ease for casual portraits. No face detection makes focus hunting more frequent.
Landscape Photography
- K-5 II: Greater dynamic range and weather sealing enable capturing high-contrast scenes outdoors with confidence. Higher resolution files support large prints.
- NEX-C3: Good but lower dynamic range and no sealing limit professional outdoor performance.
Wildlife Photography
- K-5 II: Fast AF, high burst rate, and rugged build win here.
- NEX-C3: AF is slower and tracking absent; better for still animal shots than fast action.
Sports Photography
- K-5 II: Strong continuous AF and 7 fps shooting deliver results.
- NEX-C3: Limited tracking; may struggle with fast sports.
Street Photography
- NEX-C3: Compact size and unobtrusive style suit candid shooting well.
- K-5 II: Larger size is less discreet.
Macro Photography
- K-5 II: In-body stabilization aids precise focusing; extensive lens options.
- NEX-C3: Fewer macro lenses and no stabilization limit potential.
Night and Astro Photography
- K-5 II: Better ISO performance and longer exposure shutter speeds allow clean night shots.
- NEX-C3: Usable up to mid-ISO but noisier; max shutter speed of 30 seconds standard.
Video Capabilities
- K-5 II: Better resolution and mic port.
- NEX-C3: Basic video, no mic input.
Travel Photography
- NEX-C3: Lightweight and portable; easy to pack.
- K-5 II: Bulkier but durable and versatile.
Professional Work
- K-5 II: RAW, enhanced battery life, weather sealing, extensive lens ecosystem, and robust controls support pro workflows.
- NEX-C3: Limited pro features; better as a secondary or casual camera.
Summary Performance Scores and Value Assessment
Pentax K-5 II leads across image quality, autofocus, build, and advanced features, reflecting its higher price point (~$830). Sony NEX-C3 scores well for portability, beginner accessibility, and affordability (~$340).
| Factor | Pentax K-5 II | Sony NEX-C3 |
|---|---|---|
| Image Quality | Excellent | Good |
| Autofocus | Fast, Accurate | Slower, Contrast-based |
| Build & Weatherproof | Robust, Weather Sealed | Lightweight, No sealing |
| User Interface | Advanced, Dedicated Controls | Simple, Minimal Controls |
| Battery Life | Long | Moderate |
| Video | Full HD, Mic input | HD only, No Mic input |
| Lens Choices | Extensive, Quality Optics | Growing Mirrorless Line |
| Price | Higher | Lower |
Final Recommendations: Who Should Choose Which?
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Pick the Pentax K-5 II if…
- You are an advanced enthusiast or professional needing a resilient DSLR capable of delivering exceptional image quality in diverse conditions.
- You shoot outdoors often, require fast and reliable autofocus for action or wildlife.
- You want in-body stabilization and robust controls for hands-on operation.
- You plan on extensive post-processing and need excellent dynamic range and color rendition.
- You want a camera that will blend well into professional workflow environments.
-
Pick the Sony NEX-C3 if…
- You are a beginner or enthusiast seeking a lightweight, compact camera for travel and street photography.
- You prioritize portability and easy handling over advanced controls.
- Your budget is more limited but you still want APS-C quality images.
- You shoot mostly static subjects or casual everyday moments.
- You want a camera that’s simple to use with decent video and live view.
Embracing Your Creative Journey
Both the Pentax K-5 II and Sony NEX-C3 offer strong entry points into photography with their unique approaches. The K-5 II stands out for those who want durable, highly capable DSLR performance, while the NEX-C3 opens doors to lightweight mirrorless convenience.
If you have the opportunity, I highly recommend handling both cameras in person. Feel the ergonomics, explore the menu systems, and test focus responsiveness with your preferred lenses. This experience - combined with the insights above - will set you on the right path to a camera matching your creative needs.
Find the right accessories too - good lenses, extra batteries, and protective gear extend your shooting capabilities tremendously. Whichever camera you choose, it’s your vision and passion that matter most.
So, get out there and start capturing the world exactly as you see it! The right tool in your hands makes all the difference.
Thank you for reading this detailed Pentax K-5 II vs Sony NEX-C3 comparison. I hope it empowers your purchasing decision with clarity and confidence.
Pentax K-5 II vs Sony NEX-C3 Specifications
| Pentax K-5 II | Sony Alpha NEX-C3 | |
|---|---|---|
| General Information | ||
| Company | Pentax | Sony |
| Model type | Pentax K-5 II | Sony Alpha NEX-C3 |
| Type | Advanced DSLR | Entry-Level Mirrorless |
| Announced | 2013-06-04 | 2011-08-22 |
| Body design | Mid-size SLR | Rangefinder-style mirrorless |
| Sensor Information | ||
| Powered by | Prime II | Bionz |
| Sensor type | CMOS | CMOS |
| Sensor size | APS-C | APS-C |
| Sensor measurements | 23.7 x 15.7mm | 23.4 x 15.6mm |
| Sensor surface area | 372.1mm² | 365.0mm² |
| Sensor resolution | 16 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | 3:2 | 3:2 and 16:9 |
| Highest Possible resolution | 4928 x 3264 | 4912 x 3264 |
| Maximum native ISO | 12800 | 12800 |
| Maximum enhanced ISO | 51200 | - |
| Min native ISO | 100 | 100 |
| RAW format | ||
| Min enhanced ISO | 80 | - |
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Total focus points | 11 | 25 |
| Cross type focus points | 9 | - |
| Lens | ||
| Lens support | Pentax KAF2 | Sony E |
| Number of lenses | 151 | 121 |
| Focal length multiplier | 1.5 | 1.5 |
| Screen | ||
| Range of display | Fixed Type | Tilting |
| Display diagonal | 3 inch | 3 inch |
| Resolution of display | 921 thousand dot | 920 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Display tech | TFT LCD monitor | TFT Xtra Fine LCD |
| Viewfinder Information | ||
| Viewfinder type | Optical (pentaprism) | None |
| Viewfinder coverage | 100% | - |
| Viewfinder magnification | 0.61x | - |
| Features | ||
| Minimum shutter speed | 30 secs | 30 secs |
| Fastest shutter speed | 1/8000 secs | 1/4000 secs |
| Continuous shutter speed | 7.0 frames per second | 6.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 13.00 m (at ISO 100) | no built-in flash |
| Flash options | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Fastest flash sync | - | 1/160 secs |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 480 (25, 30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Maximum video resolution | 1920x1080 | 1280x720 |
| Video data format | Motion JPEG | MPEG-4 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Optional | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 760 gr (1.68 lbs) | 225 gr (0.50 lbs) |
| Physical dimensions | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") | 110 x 60 x 33mm (4.3" x 2.4" x 1.3") |
| DXO scores | ||
| DXO Overall rating | 82 | 73 |
| DXO Color Depth rating | 23.8 | 22.7 |
| DXO Dynamic range rating | 14.1 | 12.2 |
| DXO Low light rating | 1235 | 1083 |
| Other | ||
| Battery life | 980 pictures | 400 pictures |
| Type of battery | Battery Pack | Battery Pack |
| Battery ID | D-LI90 | NPFW50 |
| Self timer | Yes ( 2 or 12 seconds) | Yes (2 or 10 sec, 10 sec 3 or 5 images) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
| Storage slots | Single | Single |
| Retail cost | $830 | $343 |