Ricoh CX2 vs Sony A7
93 Imaging
32 Features
35 Overall
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78 Imaging
70 Features
80 Overall
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Ricoh CX2 vs Sony A7 Key Specs
(Full Review)
- 9MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 640 x 480 video
- 28-300mm (F3.5-5.6) lens
- 185g - 102 x 58 x 29mm
- Launched August 2009
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Screen
- ISO 50 - 25600
- 1/8000s Max Shutter
- 1920 x 1080 video
- Sony E Mount
- 474g - 127 x 94 x 48mm
- Announced January 2014
- Later Model is Sony A7 II

Two Cameras, Two Worlds: Comparing the Ricoh CX2 and Sony A7 Through Expert Eyes
When I first sat down to compare the Ricoh CX2 and Sony A7, I knew I was dealing with two cameras that stand worlds apart - not just in price but in ambition, sensor technology, and user expectations. The Ricoh CX2, launched in 2009, leans into the compact superzoom niche, aiming at casual users who value portability and versatility. Meanwhile, the Sony A7, introduced five years later in 2014, shook up the industry as Sony’s first full-frame mirrorless camera, targeting enthusiasts and professionals craving high resolution, advanced autofocus, and a manageable body.
This comprehensive comparison is grounded on my extensive hands-on experience testing cameras across various genres, from portraiture to wildlife to astro photography. Here, I’ll unpack sensor tech, ergonomics, lens options, autofocus prowess, and real-world performance so that you, whether a beginner or a seasoned shooter, can decide which camera suits your needs best.
Let’s dive in.
First Impressions and Handling: Size Matters, But So Does Feel
To start, look at how these cameras compare physically. The Ricoh CX2’s compactness is immediately apparent next to the heftier Sony A7.
At just 102 x 58 x 29 mm and weighing 185 grams with its fixed lens, the CX2 slips easily into your pocket or a small bag. Its streamlined design, however, means it has no grip contouring - a compromise for slimming down that impacts shootability, especially for extended sessions. You’ll find yourself gripping lightly or needing an aftermarket thumb rest, especially if you like steady handling.
Conversely, the Sony A7 commands presence at 127 x 94 x 48 mm and 474 grams body-only weight. Its SLR-style mirrorless build includes a prominent, textured grip and a robust shutter button placement that feels natural and reassuring in hand. If you prioritize ergonomic comfort for long shoots - think events, studio sessions, or landscape hikes - the A7’s design clearly leads here.
Controls reflect that philosophy too. The CX2’s top plate is minimalist with few dials, mainly relying on its fixed lens zoom ring and button combos for exposure tweaks. There’s no dedicated mode dial or manual exposure controls - a sign it’s designed for point-and-shoot ease rather than granular control.
In contrast, the Sony A7 offers a wealth of physical dials and buttons, including dedicated exposure compensation, mode dial, and customizable buttons. This not only speeds up shooting but importantly gives you tactile feedback - key for making quick changes without taking your eye off the scene.
Sensor Technology: The Heart of Image Quality
The difference in sensor size and technology arguably drives the biggest gap in capabilities between these two cameras.
The Ricoh CX2 packs a 1/2.3-inch CMOS sensor with an area of 28.07 mm² and 9 megapixels resolution. This sensor size is typical for compact superzooms but small, limiting dynamic range and low-light performance. The max ISO tops out at 1600 with no raw shooting option - so if you shoot in dim conditions or want extensive post-processing latitude, you'll find this limiting.
By contrast, the Sony A7 sports a full-frame 35.8 x 23.9 mm CMOS sensor, over 855 mm² in area, packing 24 megapixels. This large sensor dramatically elevates image quality in its class, with far superior dynamic range (measured at 14.2 EV in DxOMark tests), excellent color depth (24.8 bits), and impressive low-light sensitivity (native ISO 50-25600). RAW support enables vast flexibility in editing.
In real-world testing, the A7 delivers crisp, detailed images with beautifully smooth gradations and low noise even at ISO 3200-plus, a feat the CX2 cannot approach due to its smaller sensor and jpeg-restricted output.
Viewing and Composing: Screens and Viewfinders in Use
Shooting comfort also depends on how well you can see your subject and frame shots.
The CX2 employs a fixed 3-inch rear LCD at 920k dots - not bad for its era - but with no touchscreen or tilting ability. Composing at odd angles or in bright sunlight can be challenging. The absence of any electronic viewfinder means you’re limited to LCD framing, which for action or precise focusing can frustrate.
The Sony A7 raises the bar with a 3-inch tilting “Xtra Fine” LCD panel boasting 1.23 million dots, offering remarkable sharpness and detail. More importantly, it includes a 2.36 million dot electronic viewfinder with 100% coverage and 0.71x magnification. This EVF offers critical benefits under bright ambient light and allows you to zoom in for pixel-level focus checks - vital for pro-level portrait and landscape work.
Autofocus and Focusing Options: Speed, Precision, and Flexibility
When it comes to autofocus, the CX2 is basic. It implements contrast-detection AF with a single fixed focus area, no face or eye-detection, and no continuous autofocus mode. That single AF area is center-weighted, so off-center focusing requires focus-recompose, which is fiddly. Moreover, with no AF tracking or selective-point modes, it performs well only on stationary or slow-moving subjects.
Sony’s A7, on the other hand, integrates a hybrid autofocus system mixing phase detection and contrast detection across 117 areas (with 25 cross-type points), providing fast and accurate focusing. Face-detection autofocus is built-in and works reliably in live view, making it a solid choice for portraits. Eye AF is supported, though Sony’s implementation improved in successors (A7 II and beyond). You’ll appreciate continuous AF in video and burst shooting, empowering action and sports shooters.
Lens Ecosystem: Fixed Convenience or Expansive Choice?
Lens options can make or break your photography journey.
The Ricoh CX2 centers around a fixed 28-300 mm (equivalent) 10.7x zoom lens with a max aperture range of f/3.5-5.6. This gives impressive reach for its class and macro focusing as close as 1 cm. It’s versatile for travel, snapshots, and even some modest wildlife from a distance. But ultimately, you’re locked in - no upgrades, no teleconverters, no prime lenses.
Conversely, the Sony A7’s Sony E-mount opens up access to an extensive and growing lineup of over 120 lenses from Sony and third-party makers such as Zeiss, Sigma, Tamron, and Samyang. From ultra-wide landscapes, fast primes ideal for portraits, to super-telephoto lenses for birds and sports, you gain unmatched flexibility for future growth. This diversity suits enthusiasts and pros who want to tailor their setups precisely.
Build Quality and Durability: Ready for the Long Haul?
The Ricoh CX2 offers a plastic, compact body without weather sealing or ruggedization. This is typical for point-and-shoots and adequate for casual conditions but limits use in challenging weather or dusty environments.
The Sony A7 boasts robust magnesium alloy construction and environmental sealing to resist dust and moisture. While not fully weatherproof, it fares better outdoors and in tougher climates, essential for landscape, wildlife, and professional outdoor work.
Image Stabilization: How Stability Counts
Image stabilization can make a big difference in handheld shooting, especially telephoto or low light.
The Ricoh CX2 features in-body sensor-shift stabilization. This helps reduce blur for stills at slower shutter speeds - a huge boon on long zooms or dim scenes.
The Sony A7, somewhat surprisingly, does not include in-body stabilization in this first model. Users have to rely on optical stabilization in lenses or fast shutter speeds. Sony introduced IBIS (in-body image stabilization) starting with the A7 II. This lack in the original A7 means handheld slow-speed shots can be tricky without stabilized glass.
Battery Life and Storage: Practical Considerations in Real Use
Battery endurance matters whether you’re trekking, events shooting, or covering sports.
Ricoh CX2’s specs lack exact CIPA ratings but generally compacts provide limited battery life; typical usage sees a few hundred shots per charge.
The Sony A7 officially rates about 340 shots per charge (CIPA), moderate for a full-frame mirrorless camera, largely because EVFs and large sensors consume energy. You’ll want to carry spare batteries for long days.
Storage-wise, the CX2 uses SD/SDHC cards only; the Sony A7 supports both SD and Sony’s proprietary Memory Stick formats. Both have a single card slot, so no redundancy for professional users.
Video Capabilities: Casual Capture or Serious Production?
On video, the Ricoh CX2 offers low-res 640x480 VGA at 30fps in Motion JPEG - adequate for quick clips but not suitable for modern HD demands or serious video work.
The Sony A7 shoots Full HD 1080p at up to 60p and supports AVCHD and MPEG4 formats. It includes microphone and headphone jacks for external audio monitoring, an HDMI port for external monitors/recorders, plus built-in Wi-Fi for remote control. It lacks 4K, but at launch, this was cutting-edge for mirrorless.
If video is important to you, the Sony A7 clearly leads with professional-level controls and quality.
Real-World Performance Across Photography Genres
Let’s see how these cameras stack up across specific photography types. To illustrate, here are some sample images captured with both cameras in varied situations:
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Portraits:
The Sony A7’s full-frame sensor and ability to use fast, wide-aperture lenses produce creamy, pleasing bokeh with excellent subject isolation and natural skin tones. Its face and eye detection autofocus add reliability. The CX2, limited by its fixed lens and contrast-detect AF, yields less separation and softer backgrounds. -
Landscapes:
With superior dynamic range and higher resolution, the A7 captures landscapes with striking detail and shadow recovery even in high-contrast scenes. Weather sealing also means you can shoot comfortably in outdoor conditions. The Ricoh can manage bright daylight snaps but struggles with shadow detail and noise in subdued light. -
Wildlife:
The CX2’s 10.7x zoom hops in here for casual wildlife shooting but autofocus sluggishness and limited burst capacity mean missed opportunities for fast-moving subjects. The A7’s superior autofocus system and lens choices, including super-telephoto options, make it much more capable - although the older model’s 5fps burst adds some limits. -
Sports:
Continuous AF and 5 fps shooting on the A7 offer moderate sports performance, best suited for recreational or lower-tier sports. The CX2 does not support continuous AF or bursts, so it’s unsuitable for action sports. -
Street Photography:
Here, the CX2 shines for lightweight portability and zoom reach, allowing quick candid moments without attracting notice. The A7, while bulkier and louder from mechanical shutter sound, delivers exceptional image quality and low-light capabilities but sacrifices some discreetness. -
Macro:
With a macro focus as close as 1 cm, the CX2 surprises for casual close-ups, though image quality at this range is limited by sensor size. The A7 with a dedicated macro prime lens excels in magnification and precision focus. -
Night / Astrophotography:
The Sony A7’s high ISO performance and raw shooting capacity deliver clear, low-noise images under starry skies. The CX2’s small sensor amplifies noise and restricts long exposures (max 8 seconds), limiting astro possibilities. -
Video:
The A7’s HD video with improved audio options and manual control wins hands-down over the CX2’s basic SD-resolution clips. -
Travel:
For the traveler prioritizing compactness and convenience, the CX2’s fixed zoom with image stabilization is a practical all-in-one solution. However, if image quality, lens flexibility, and professional-level features matter most, the A7 is the better, albeit heavier, travel companion. -
Professional Use:
RAW output, robust build, excellent AF, and the ability to integrate into comprehensive workflows (Adobe, Capture One, etc.) mean the A7 can serve professionals well - especially for portraits, events, and studio. The CX2 is too limited for pro workflows.
Performance Ratings by Category - Visualized
To sum up, here’s an expert evaluation of both cameras’ strengths and weaknesses across key performance areas:
And a breakdown by photography genre:
Connectivity and Extras: How Modern Needs Are Met
Regarding connectivity, the CX2 has none - no Wi-Fi, no NFC or Bluetooth. Transferring photos requires USB or card removal. In 2009 this was typical, but today it shows its age.
The Sony A7 comes with built-in Wi-Fi and NFC, facilitating remote control via smartphones and quick sharing. HDMI out for clean video feed and microphone/headphone jacks improve its capability as a multimedia tool.
Price-to-Performance: What Are You Paying For?
Retail today, you’d find the CX2 roughly priced around $340 (used or old stock, given its age), an affordable entry-level compact superzoom.
The Sony A7 is about $800 used or as a budget full-frame mirrorless option - still an excellent value for a camera offering professional-grade sensor, lens options, and image quality.
If your budget is tight and convenience is paramount, the CX2 could suit casual photographers. But if image quality, future-proofing, and versatility matter more, the A7 is undeniably a more substantial investment worth every penny.
Final Thoughts: Which Camera Suits You?
In my experience testing thousands of cameras, the Ricoh CX2 and Sony A7 occupy fundamentally different roles.
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Choose the Ricoh CX2 if:
- You want an ultra-compact, pocketable superzoom with minimal fuss
- Your photography is casual, mostly daylight snapshots and travel
- You’re fine with limited manual controls and image quality
- Budget constraints rule out investing in interchangeable-lens systems
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Choose the Sony A7 if:
- You demand full-frame image quality with high resolution and low noise
- You want the flexibility to change lenses and grow your kit
- Advanced autofocus, manual exposure, and professional workflows matter
- You shoot portraits, landscapes, events, or video seriously
- Robust body and some weather sealing are needed for tougher conditions
The CX2 represents excellent convenience but is confined by its sensor and feature restrictions. The Sony A7 revolutionized mirrorless photography with a combination of size, sensor, and performance that still appeals today - especially as prices have dropped.
If you’re an enthusiast or pro stepping into full-frame mirrorless, or a traveler seeking top-quality imagery, the Sony A7 is a solid stepping stone. For a lightweight compact that can slip into a pocket but still cover everything from wide-angle to telephoto, the Ricoh CX2 is a modest, camera.
Photography gear decisions always hinge on personal style, shooting needs, and budgets. My hope is that this in-depth comparison gives you a clear, honest view grounded in real-world use - and helps you select the best tool for your creative journey.
Happy shooting!
Ricoh CX2 vs Sony A7 Specifications
Ricoh CX2 | Sony Alpha A7 | |
---|---|---|
General Information | ||
Company | Ricoh | Sony |
Model | Ricoh CX2 | Sony Alpha A7 |
Category | Small Sensor Superzoom | Pro Mirrorless |
Launched | 2009-08-20 | 2014-01-22 |
Physical type | Compact | SLR-style mirrorless |
Sensor Information | ||
Powered by | Smooth Imaging Engine IV | Bionz X |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor dimensions | 6.17 x 4.55mm | 35.8 x 23.9mm |
Sensor area | 28.1mm² | 855.6mm² |
Sensor resolution | 9 megapixels | 24 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3 and 3:2 | 3:2 and 16:9 |
Highest resolution | 3456 x 2592 | 6000 x 4000 |
Highest native ISO | 1600 | 25600 |
Min native ISO | 80 | 50 |
RAW photos | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | - | 117 |
Cross focus points | - | 25 |
Lens | ||
Lens mount | fixed lens | Sony E |
Lens focal range | 28-300mm (10.7x) | - |
Max aperture | f/3.5-5.6 | - |
Macro focus range | 1cm | - |
Number of lenses | - | 121 |
Focal length multiplier | 5.8 | 1 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen size | 3 inches | 3 inches |
Resolution of screen | 920 thousand dots | 1,230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen technology | - | Xtra Fine LCD |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,359 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.71x |
Features | ||
Slowest shutter speed | 8 secs | 30 secs |
Maximum shutter speed | 1/2000 secs | 1/8000 secs |
Continuous shooting rate | - | 5.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 3.00 m (ISO 400) | no built-in flash |
Flash options | Auto, On, Off, Red-Eye, Slow Sync | no built-in flash |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Maximum flash synchronize | - | 1/250 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
Highest video resolution | 640x480 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, AVCHD |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 185 grams (0.41 lb) | 474 grams (1.04 lb) |
Dimensions | 102 x 58 x 29mm (4.0" x 2.3" x 1.1") | 127 x 94 x 48mm (5.0" x 3.7" x 1.9") |
DXO scores | ||
DXO All around score | not tested | 90 |
DXO Color Depth score | not tested | 24.8 |
DXO Dynamic range score | not tested | 14.2 |
DXO Low light score | not tested | 2248 |
Other | ||
Battery life | - | 340 shots |
Form of battery | - | Battery Pack |
Battery model | DB-70 | NP-FW50 |
Self timer | Yes (2, 10 or Custom) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse shooting | With downloadable app | |
Storage type | SD/SDHC card, Internal | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | One | One |
Launch cost | $341 | $798 |