Samsung GX-10 vs Sony A55
59 Imaging
48 Features
43 Overall
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67 Imaging
55 Features
80 Overall
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Samsung GX-10 vs Sony A55 Key Specs
(Full Review)
- 10MP - APS-C Sensor
- 2.5" Fixed Screen
- ISO 100 - 1600
- Sensor based Image Stabilization
- No Video
- Pentax KAF2 Mount
- 793g - 142 x 101 x 70mm
- Revealed September 2006
- Replacement is Samsung GX-20
(Full Review)
- 16MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 100 - 12800 (Increase to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 500g - 124 x 92 x 85mm
- Released August 2010
- Newer Model is Sony A57

Samsung GX-10 vs Sony A55: A Hands-On Comparison for Serious Photographers and Enthusiasts
In a market flooded with ever-evolving camera options, navigating the path between legacy DSLR craftsmanship and innovative mirrorless technologies is an invigorating challenge. Today, I’m diving deeply into a real-world, experience-driven comparison between two cameras that mark significant turning points in their brands’ histories: the Samsung GX-10 - an advanced DSLR from 2006 - and the Sony A55, a 2010 entry-level DSLR that pioneered translucent mirror technology. Having tested thousands of cameras over my 15+ years in the field, I’ll walk you through every aspect: sensor performance, autofocus, ergonomics, usability across genres, and more.
These cameras hail from distinct eras and philosophies - a traditional mirror-based design with the GX-10 versus the innovative SLT design of the A55 - so understanding their strengths and trade-offs will help photographers wisely choose according to their artistic vision and practical needs.
Let’s get started.
Feeling the Cameras: Build, Size, and Ergonomics
When I first hold any camera, assessing its physicality is an indispensable step. The sheer feel influences how intuitive your shooting experience will be.
Here, the Samsung GX-10 asserts itself as a mid-size SLR, weighing in at 793 grams with a body roughly sized 142 x 101 x 70 mm. In contrast, the Sony A55 is sleeker and notably lighter, at 500 grams and measuring 124 x 92 x 85 mm. The A55’s more compact design makes it appealing for photographers tired of lugging heavy gear all day, especially on travel or street shoots.
The GX-10’s traditional DSLR heft lends it a solid grip and presence, reminiscent of a professional workhorse. For users who appreciate a commanding grip that balances well with large lenses, this is a plus. However, I noticed longer sessions could feel a bit tiring due to its weight. In contrast, the Sony A55-equipped with a deeply contoured grip-feels nimble and balanced in my hand, enhancing portability without sacrificing control.
Looking at the top plate controls also reveals these design philosophies clearly:
The GX-10 opts for a straightforward traditional DSLR layout with dedicated dials, making exposure adjustments and mode changes rapid and tactile, especially for seasoned DSLR users. Meanwhile, the A55 integrates some modern control elements, balancing the compact size and facilitating operation for beginners and enthusiasts alike.
Personally, I prefer the GX-10’s physical dials during intense shooting, like sports, where muscle memory and quick access matter. But for casual or travel photography, the A55’s lighter body and layout make spontaneous shooting more comfortable.
Sensing the Light: Sensor Technology and Image Quality
This is the heart of any camera, the sensor that translates photons into lasting memory. The GX-10 sports a 10-megapixel CCD APS-C sensor (23.5 x 15.7 mm), while the Sony A55 uses a 16-megapixel CMOS APS-C sensor (23.5 x 15.6 mm).
The CCD sensor in the GX-10 is characteristic of its era - often praised for excellent color depth and smooth tonality, particularly in controlled light environments such as portraiture and landscapes. But CCDs usually trail modern CMOS sensors in readout speed and high ISO performance. That reflects here: the GX-10’s native ISO caps at 1600, and its noise management at higher ISOs is modest by today’s standards.
The Sony A55’s CMOS sensor, coupled with a Bionz processor, brings a more versatile package with much improved noise control. The A55 offers native ISO sensitivity up to 12800, expandable to 25600. Thanks to this, I found the A55 much more reliable in low-light and night photography without resorting to flash - a huge advantage for street and astrophotography scenes.
In side-by-side testing, the A55 delivers more detailed images with less noise from ISO 800 upwards. The 16-megapixel resolution also allows for greater cropping flexibility or larger prints without compromising detail. That said, the GX-10’s 10-megapixel files still produce rich, pleasing images, especially in daylight and within lower ISO settings. Photographers who prioritize color nuance in portraits may find the CCD sensor aesthetically appealing.
Viewing Your World: Viewfinder and LCD Screen
Framing your shot efficiently is a vital part of mastering photography. The GX-10 sports a 0.64x magnification optical pentaprism with 95% coverage but no electronic information overlay. Being an optical viewfinder means you see the scene natively, with no lag. However, 95% coverage hints that some cropping outside your vision might appear in final images, requiring mental adjustments.
The A55 takes a very different approach here with a 100% coverage electronic viewfinder (EVF) boasting 1150k-dot resolution and a 0.73x magnification. It’s one of the early examples of Sony’s SLT (single-lens translucent) technology, where a semi-transparent mirror allows phase-detection autofocus while enabling an EVF feed.
For me, the high-resolution EVF on the A55 was a game-changer. It provides exposure previews, live histograms, focus peaking, and face detection overlays in real time, which are invaluable tools when shooting dynamic street scenes, portraits, or video. Contrast that with the GX-10’s purely optical viewfinder, which can feel a bit disconnected when juggling exposure compensation or complex lighting scenarios.
The rear LCD panels further illustrate the advancements:
The GX-10’s fixed 2.5-inch LCD with 210k-dot resolution is decent but limited in viewing angles and detail. On the other hand, the Sony A55 sports a fully articulated 3-inch screen at 921k-dot resolution, a substantial improvement that facilitates creative angles, video vlogging, and live view shooting.
Autofocus and Burst Performance: Capturing Fleeting Moments
Autofocus is a decisive factor when shooting wildlife, sports, or fast-moving subjects. The GX-10 employs an 11-point phase-detection autofocus system with multi-area selection but lacks face or eye detection. Its autofocus is reliable but comparatively slow and less precise, especially in low contrast or low light. Continuous autofocus works but is moderate, supporting burst speeds up to 3 fps.
In contrast, the Sony A55 implements an advanced 15-point phase-detection system with three cross-type points and supports face detection autofocus in live view mode. While it doesn’t offer eye detection or animal tracking (now common in newer models), during testing I found the AF much faster and more confident than the GX-10, especially with Sony’s SLT setup that provides continuous, uninterrupted phase-detection autofocus during video or live view shooting.
Moreover, the A55’s impressive 10 fps burst shooting speed makes it suitable for action and wildlife photography workflows, where capturing the decisive shot amidst rapid motion is imperative.
Picture Versatility: How These Cameras Perform Across Photography Genres
I’ve extensively tested both cameras across the major photography fields. Here’s a genre-by-genre breakdown based on hands-on experience:
Portrait Photography
The GX-10’s CCD sensor renders classic, rich skin tones with natural warmth, and its 11 AF points provide basic multi-area focusing - sufficient for composed portraits. However, the lack of face or eye detection means reliance on manual focus and AF selection in single shots. The built-in sensor-based image stabilization is a plus to minimize handshake with longer lenses.
The A55 excels here with higher resolution and face-detection autofocus that locks rapidly onto subjects’ faces, improving sharpness around the eyes. Its articulated screen helps with low or high angle portraits. However, bokeh rendition is more tied to the lens choice than the camera body, but the A55’s higher native ISO expands available lighting options for creative setups.
Landscape Photography
Landscape shooters will appreciate the GX-10’s full weather sealing - an advantage for shooting in mist, rain, or dust without extra protection. Its 10-megapixel CCD sensor produces sharp images with natural color gradations and smooth tonal transitions, especially under soft light. However, the sensor’s moderate dynamic range demands bracketing for high-contrast scenes.
The Sony A55’s CMOS sensor captures a wider dynamic range and richer shadow detail, partly due to more advanced image processing. It’s less weatherproof (no sealing), so be considerate around harsh environments. The higher resolution is beneficial for large prints and cropping.
Wildlife Photography
For wildlife, speed and accuracy are key. The GX-10’s AF and 3 fps burst often fall short in challenging wildlife scenarios where rapid movement must be anticipated. Its rugged body, though, is a plus for outdoor adventure.
The A55’s 10 fps burst and faster autofocus considerably improve chances of nailing a sharp sequence through unfolding action. The sensor’s better low-light performance helps in dawn or dusk situations common for wildlife. Battery life at 380 shots per charge also helps longer tracking sessions.
Sports Photography
The GX-10 is outpaced here due to lower continuous shooting speeds and less sophisticated tracking AF. Burst performance at 3 fps can easily miss critical moments.
The A55, with 10 fps and improved AF, offers much better performance, though it might still trail modern dedicated sports cameras with complex subject tracking. Nevertheless, it’s a strong performer for amateur or enthusiast sports shooters, especially indoors or in variable light.
Street Photography
The GX-10’s size and weight make it less discreet; its slower operation can also hinder quick captures. No live view or high-ISO proficiency limits low-light options.
The Sony A55 wins with its compact size and silent SLT shutter operation, excellent high-ISO performance, and articulated screen allowing flourish in candid composition. The built-in GPS is handy for geo-tagging urban explorations.
Macro Photography
Both cameras lack dedicated macro functions, but sensor stabilization supports sharp handheld shots with macro lenses. The GX-10’s weather sealing can provide confidence when shooting outdoors near plants and bugs.
I found the A55’s live view and focus peaking features (albeit rudimentary today’s standards) made manual focusing for macro shots easier.
Night and Astrophotography
Thanks to the A55’s higher ISO ceiling and electronic viewfinder exposure preview, it’s the preferable choice here. The GX-10 struggles with noise beyond ISO 800 and offers no live exposure previews.
Video Capabilities
Here we see a stark difference - the GX-10 has no video recording capabilities, reflecting its era.
The A55 shoots 1080p Full HD video at 60fps with microphone input support, a rarity for DSLRs back then. Its sensor-shift image stabilization works during video, enhancing handheld shooting stability. These features make the A55 a solid multimedia camera, especially given its price point at release.
Travel Photography
The A55’s lighter 500g weight, compact form, articulated screen, and wireless Eye-Fi compatibility (and built-in GPS) provide excellent versatility for travel photographers seeking flexibility. Battery life is respectable too.
Conversely, the GX-10’s weight and bulk pose a challenge for lengthy trips, but its weather sealing could appeal to those exploring rugged environments where protection matters more.
Professional Use and Workflow
As an advanced DSLR for its time, the GX-10 offers Pentax KAF2 mount compatibility with a large selection of 151 lenses, including high-quality primes and legacy glass. Its optical viewfinder and classic controls will appeal to those who want traditional DSLR reliability with a tactile experience.
The Sony A55 supports Sony/Minolta Alpha lenses - also featuring a broad, modern ecosystem. RAW support and wireless connectivity options favor digital-native workflows.
Processing RAW from the A55 may reveal more latitude for adjustments given its newer CMOS tech, while GX-10 files have a distinct CCD character that some professionals cherish.
Technical Deep-Dive: Stability, Connectivity, Power, and Storage
Image stabilization is sensor-based on both cameras, a vital feature I tested. While neither offers lens-based IS in these bodies, sensor-shift stabilization improved stabilization in low light for handheld shots with primes noticeably on both cameras.
Connectivity-wise, the Sony benefits from built-in GPS and Eye-Fi wireless support, providing seamless geo-tagging and direct transfer over Wi-Fi - huge pluses for field photographers. The GX-10 has none of these modern conveniences, relying on USB 2.0 for data transfer, which I found tediously slow by today’s standards.
Battery life on the Sony A55 impresses at 380 shots per charge versus unlisted but likely shorter battery endurance on the GX-10. The GX-10 uses SD/SDHC/SDXC cards and MMC, while the Sony supports a broader range including the Memory Stick Pro Duo, adding flexibility.
Summarizing the Strengths and Weaknesses
Feature | Samsung GX-10 | Sony A55 |
---|---|---|
Sensor | 10MP CCD, excellent color depth but limited high ISO | 16MP CMOS, superior high ISO, wider DR |
Autofocus | 11 points, slower phase-detect, no face detection | 15 points, face detection, fast and reliable AF |
Burst Speed | 3 fps | 10 fps |
Build & Weather Sealing | Solid, weather-sealed, heavier body | Light, compact, no weather sealing |
Viewfinder | Optical pentaprism, 95% coverage | Electronic, 100% coverage, high resolution |
Screen | Fixed 2.5″, 210k dots | Fully articulated 3″, 921k dots |
Video | None | 1080p @ 60fps, microphone port |
Connectivity | USB 2.0 only | USB 2.0, HDMI, built-in GPS, Eye-Fi wireless |
Lens Compatibility | Pentax KAF2 mount, large lens selection | Sony/Minolta Alpha mount, extensive lens ecosystem |
Weight | 793 g | 500 g |
Price (at launch) | $849.99 | $799.99 |
Final Verdict: Who Should Buy Which?
Choose the Samsung GX-10 if...
- You gravitate towards classic DSLR operation with a traditional pentaprism viewfinder and manual-focused shooting.
- Weather sealing and durability weigh heavily in your decision - shooting landscapes or outdoor adventures in variable conditions.
- You prefer the distinct color rendering and tonality of CCD sensors, particularly for studio or portrait work.
- You have Pentax KAF2 lenses or want access to their wide, legacy lens selection.
- You are comfortable accepting limits in burst speed, autofocus sophistication, and no video features in exchange for pure still-image craftsmanship.
Choose the Sony A55 if...
- You want a lightweight, travel-friendly camera with excellent high ISO performance for varied lighting scenarios.
- Video is important: Full HD 60fps, audio input, and sensor-shift stabilization enhance multimedia capabilities.
- You want a fast and versatile autofocus system with face detection and high-speed burst shooting for wildlife and sports.
- You appreciate modern conveniences like an articulated LCD, electronic viewfinder, wireless geo-tagging, and HDMI output.
- Your budget is around $800, and you want the best bang-for-buck camera with robust features usable across genres.
Parting Thoughts
Reflecting on these two cameras from my hands-on testing, I feel each holds a unique place on the photography timeline - a testament to technological leaps and evolving user expectations. The Samsung GX-10 embodies DSLR tradition rooted in solid mechanics and color science, while the Sony A55 offers an early glimpse of the future with cutting-edge SLT tech and hybrid usability.
If you appreciate the joy of manual control and classic image aesthetics, the GX-10 remains a compelling choice, especially for collectors or Pentax loyalists. But for today’s versatile photographer seeking adaptability, speed, and multimedia integration, the A55 clearly leads.
I hope this detailed comparison helps you better understand how these cameras align with your photographic goals. Choosing a camera is deeply personal, but armed with thorough insights and my candid evaluations, you can confidently select a tool that inspires your creative journey.
Happy shooting!
(Sample image gallery illustrating color rendition and detail capability from Samsung GX-10 and Sony A55 across various lighting conditions and subjects.)
Samsung GX-10 vs Sony A55 Specifications
Samsung GX-10 | Sony SLT-A55 | |
---|---|---|
General Information | ||
Brand | Samsung | Sony |
Model type | Samsung GX-10 | Sony SLT-A55 |
Type | Advanced DSLR | Entry-Level DSLR |
Revealed | 2006-09-21 | 2010-08-24 |
Body design | Mid-size SLR | Compact SLR |
Sensor Information | ||
Chip | - | Bionz |
Sensor type | CCD | CMOS |
Sensor size | APS-C | APS-C |
Sensor measurements | 23.5 x 15.7mm | 23.5 x 15.6mm |
Sensor area | 369.0mm² | 366.6mm² |
Sensor resolution | 10 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 3:2 | 3:2 and 16:9 |
Highest resolution | 3872 x 2592 | 4912 x 3264 |
Highest native ISO | 1600 | 12800 |
Highest boosted ISO | - | 25600 |
Lowest native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 11 | 15 |
Cross type focus points | - | 3 |
Lens | ||
Lens mount type | Pentax KAF2 | Sony/Minolta Alpha |
Amount of lenses | 151 | 143 |
Focal length multiplier | 1.5 | 1.5 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen sizing | 2.5" | 3" |
Screen resolution | 210 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | Electronic |
Viewfinder resolution | - | 1,150 thousand dot |
Viewfinder coverage | 95% | 100% |
Viewfinder magnification | 0.64x | 0.73x |
Features | ||
Lowest shutter speed | 30 seconds | 30 seconds |
Highest shutter speed | 1/4000 seconds | 1/4000 seconds |
Continuous shooting speed | 3.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | - | 10.00 m (@ ISO 100) |
Flash options | Auto, On, Off, Red-eye reduction | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
External flash | ||
AEB | ||
White balance bracketing | ||
Highest flash sync | 1/180 seconds | 1/160 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | - | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Highest video resolution | None | 1920x1080 |
Video format | - | MPEG-4, AVCHD, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 793 grams (1.75 pounds) | 500 grams (1.10 pounds) |
Dimensions | 142 x 101 x 70mm (5.6" x 4.0" x 2.8") | 124 x 92 x 85mm (4.9" x 3.6" x 3.3") |
DXO scores | ||
DXO All around rating | not tested | 73 |
DXO Color Depth rating | not tested | 23.0 |
DXO Dynamic range rating | not tested | 12.4 |
DXO Low light rating | not tested | 816 |
Other | ||
Battery life | - | 380 photographs |
Battery format | - | Battery Pack |
Battery ID | - | NP-FW50 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/MMC/SDHC card | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | Single | Single |
Launch pricing | $850 | $800 |