Samsung Galaxy Camera vs Sony S2000
90 Imaging
39 Features
55 Overall
45


93 Imaging
33 Features
17 Overall
26
Samsung Galaxy Camera vs Sony S2000 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 4.8" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 23-481mm (F2.8-5.9) lens
- 300g - 129 x 71 x 19mm
- Introduced February 2013
- Additionally referred to as Wi-Fi
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- 640 x 480 video
- 33-105mm (F3.1-5.6) lens
- 167g - 98 x 61 x 27mm
- Revealed January 2010

Samsung Galaxy Camera vs Sony Cyber-shot DSC-S2000: A Hands-On Comparison for Photography Enthusiasts
Having put both the Samsung Galaxy Camera and Sony Cyber-shot DSC-S2000 through their paces over many shooting scenarios, I’m ready to dissect their core strengths and limitations. These two compact cameras epitomize the transitional era of early 2010s consumer digital cameras - one leaning heavily on smartphone convergence, the other on traditional ease and simplicity. Today, I’ll walk you through each key aspect based on extensive field testing and technical evaluation to help you decide which fits your photographic needs best.
Ergonomic Footing: Size, Build, and Handling
Starting with their physical presence, the Samsung Galaxy Camera is notably larger and thicker than the Sony S2000. Measuring 129x71x19 mm and weighing 300 grams, the Galaxy Camera pushes the boundary between compact cameras and compact system models. The substantial heft lends a feeling of solidity and durability, though it reduces pocketability and one-handed use ease.
Conversely, the Sony S2000 is svelte and lightweight at 98x61x27 mm and 167 grams. Its smaller dimensions cater nicely to casual snapshooters or travelers prioritizing absolute portability. The trade-off is less robust grip comfort and slightly less refined button placement due to size constraints.
Samsung’s control layout is far more elaborate thanks to its touchscreen with manual exposure controls - including shutter and aperture priority - with dedicated dials and buttons. This complexity appeals to those who want direct control without navigating menus.
Sony’s S2000 sticks to a minimal control scheme with no manual exposure modes and a single continuous shooting speed, streamlining operation for point-and-shoot users but leaving those wanting creative freedom wanting.
Sensor and Image Quality: Technology Under the Hood
Both cameras pack a small 1/2.3-inch sensor measuring roughly 6.17 by 4.55 mm with an area of around 28 mm², but the sensor technologies differ markedly.
The Samsung Galaxy Camera favors a 16MP back-illuminated CMOS sensor, which generally provides superior sensitivity and noise performance compared to traditional CCDs of the era. The back-illuminated design helps capture more light, an asset in indoor and low-light conditions, translating to cleaner, sharper images up to its native ISO 3200 ceiling. However, it provides no RAW support, limiting post-processing latitude.
Sony’s Cyber-shot S2000 employs a 10MP CCD sensor - a standard choice in 2010 but less efficient for noise control. Images tend to be softer, especially at higher ISOs, and dynamic range is modest. ISO coverage also stops at 3200 but with fewer usable results above ISO 800.
In practical shooting, the Samsung’s sensor delivers richer colors and detail, particularly in high-contrast scenes. Landscapes benefit notably from improved dynamic range, while portraits reveal better skin tone gradation.
The Lens: Optics and Zoom Capabilities
Samsung’s Galaxy Camera sports a versatile 23-481mm equivalent zoom lens boasting a massive 20.9× zoom range and optical image stabilization (OIS). Max aperture ranges from a speedy f/2.8 at wide-angle to f/5.9 at telephoto, making low-light shooting accessible at the short end. The 4.8-inch HD touchscreen aids composition, but the absence of a viewfinder can challenge precise framing in bright outdoors.
Sony’s S2000’s lens is more modest with a 33-105mm equivalent zoom offering a 3.2× zoom range and maximum apertures of f/3.1–5.6. It lacks OIS entirely, a major drawback when shooting at telephoto or in dim light. The 3-inch, relatively low-res fixed screen supports live view but no touch capability.
For wildlife or sports shooters, the Galaxy Camera’s reach and stabilization give it a definitive advantage. Macro focusing is technically unsupported on Samsung but practically limited on the Sony as well, though the Sony allows close focus down to 5cm, better enabling small subject capture.
Autofocus and Performance: Speed, Accuracy, and Usability
Autofocus is one of the most critical differentiators. The Galaxy Camera offers no dedicated autofocus modes beyond touchscreen-point AF. There is no face detection or continuous AF, and the system is contrast-detection only, leading to fairly slow focus lock and no tracking abilities during burst shooting.
In contrast, the Sony S2000 features 9 contrast-detection AF points with multi-area, center-weighted, and spot metering options. It has limited continuous autofocus capability, but the 1 fps continuous shooting speed is practically pedestrian. No face or eye detection technology is present on either, typical of their age and category.
In fast-moving scenarios like wildlife or sports, both cameras will struggle. The Galaxy may give some advantage due to OIS allowing steadier telephoto shots, but focusing sluggishness is a compelling limitation for action photography.
Display and Interface: Composing and Reviewing Shots
Samsung’s large 4.8-inch HD Super Clear touchscreen (308 ppi) offers an exceptionally bright, sharp interface with intuitive touch focus and menu navigation. It is a joy for reviewing images and browsing settings.
Sony’s 3-inch fixed LCD is adequate but by 2020s standards feels dimmer and mushier at 230k dots resolution, with no touch functionality. This limits quick tapping or swipe gestures for focus or playback, making it less convenient in dynamic street or travel photography contexts.
Samsung’s touchscreen functionality, paired with manual exposure modes, makes it a much more creative tool, whereas Sony’s simpler interface caters better to casual or beginner users.
Video Capabilities: Moving Images and Sound
Samsung Galaxy Camera can capture full HD 1080p video at standard frame rates using H.264 compression, and includes a built-in microphone input jack, a rarity for cameras of this type and time. Unfortunately, it lacks a headphone jack for audio monitoring.
Sony S2000 records VGA resolution (640×480) videos at 30 fps in Motion JPEG format - fairly basic and outdated, resulting in bulky files and lower image quality. There is no external mic input.
For vlogging or casual video capture, Samsung stands far ahead with superior resolution, better codec, and input options for improved sound recording.
Battery, Storage, and Connectivity: On the Road Longevity
The Samsung uses a proprietary rechargeable battery (exact life unstated), with microSD card storage compatibility up to microSDXC. Notably, it has built-in GPS, Wi-Fi for online connectivity, and an HDMI port, but no USB port - a curious omission limiting tethering or direct computer connection.
Sony’s S2000 runs on readily available 2x AA batteries, making power replacement easy anywhere without chargers. It supports Memory Stick Duo/Pro Duo cards natively, with an option for SD cards. Connectivity is minimal with USB 2.0 and HDMI ports, but no wireless features or GPS.
Samsung’s Galaxy Camera is better suited for connected, on-the-go users who want geotagging and instant sharing. Sony’s camera excels if you need convenience and battery replacement flexibility in remote areas.
Durability and Environmental Protection
Neither camera offers environmental sealing, waterproofing, dust resistance, or shockproof features. Their compact plastic builds are relatively fragile compared to modern rugged compacts; careful handling is advised.
Price and Value Proposition: What Your Money Buys
At the time of writing, Samsung’s Galaxy Camera was priced around $450 new, reflecting its advanced processor (1.4 GHz quad-core), large touchscreen, integrated GPS, and superzoom prowess.
Sony’s S2000, an older and more entry-level model launched in 2010, runs about half that cost at roughly $225. It’s a budget-friendly, no-frills option for casual use without ambitions for creativity or advanced features.
Performance Summary: Raw Scores and Genre Ratings
The technical rundown shows Samsung scoring significantly higher in dynamic range, noise handling, and video resolution, with a strong advantage for travel and wildlife photography due to zoom and connectivity. Sony holds slight edge in compactness and ease of use for street and everyday snapshot genres.
Photography Discipline Breakdown: Picking Your Best Fit
Portrait Photography
Samsung’s wider aperture at f/2.8, larger sensor resolution, and improved dynamic range help create better subject isolation and richer skin tones. Although no autofocus face or eye detection is regrettable, manual exposure modes and touchscreen focusing allow skilled users to craft flattering shots.
Sony’s f/3.1 max aperture and lower megapixel count yield less bokeh and detail. Its lack of face detection and slower autofocus can frustrate fast-paced portraits.
Landscape Photography
Samsung’s higher resolution, broader zoom capabilities, and superior sensor dynamic range make it a more compelling choice for outdoor landscapes. However, absence of weather sealing requires care in harsh conditions.
Sony’s lack of image stabilization and limited zoom narrows compositional flexibility.
Wildlife Photography
Virtually a toss-up given limited AF performance from both, but Samsung’s longer zoom range and OIS tip the scale in its favor for capturing distant subjects.
Sports Photography
Both cameras’ slow autofocus and low burst shooting make them unsuitable for serious sports work.
Street Photography
Sony wins in compactness and discreetness. Samsung’s bulk and reflective touchscreen risk drawing attention in candid street scenarios.
Macro Photography
Sony’s 5cm minimum focusing distance allows more macro exploration than Samsung’s unspecified macro range (effectively limited), though neither offers focus stacking or bracketing features.
Night and Astro Photography
Samsung, with superior sensor and ISO performance, is the better pick for dimly lit environments, though neither is ideal for astrophotography due to sensor size and controls.
Video
Samsung vastly outperforms Sony in video quality, codec efficiency, and audio connectivity.
Travel Photography
Samsung covers more ground with zoom, connectivity, and battery convenience in controlled settings. Sony’s light weight and universal AA battery support appeal to rugged travel scenarios.
Professional Work
Neither is professional-grade, but Samsung’s RAW absence and limited AF restrict professional workflows. Sony’s simplicity and lower cost suit casual backup roles.
Conclusion: Choosing Between Samsung Galaxy Camera and Sony Cyber-shot S2000
If you prioritize creative control, superior image quality, integrated connectivity, and video capability, and can accommodate the bulk and cost, the Samsung Galaxy Camera is clearly the better camera. It holds its own in landscapes, portraits, and travel contexts and edges ahead in image processing thanks to its modern sensor and powerful processor.
For casual photographers who want simple operation, light carrying load, and straightforward snaps with some zoom flexibility for everyday use, the Sony S2000 remains a solid budget choice, especially if portability and battery convenience are paramount.
In essence, the Galaxy Camera looks forward - embracing smartphone convergence trends early - while Sony’s S2000 represents the tried-and-true compact camera archetype of the previous decade. Neither will satisfy serious professionals or dedicated sports shooters, but for enthusiasts seeking an entry point or a capable travel companion, these cameras offer unique flavors at different price points.
In your photo journey, weighing these factors with your priorities in mind will lead you to the best match. I hope this detailed, experience-based comparison has illuminated their strengths and limitations from functional and technical standpoints.
Happy shooting!
Samsung Galaxy Camera vs Sony S2000 Specifications
Samsung Galaxy Camera | Sony Cyber-shot DSC-S2000 | |
---|---|---|
General Information | ||
Make | Samsung | Sony |
Model | Samsung Galaxy Camera | Sony Cyber-shot DSC-S2000 |
Also referred to as | Wi-Fi | - |
Type | Small Sensor Superzoom | Small Sensor Compact |
Introduced | 2013-02-19 | 2010-01-07 |
Physical type | Compact | Compact |
Sensor Information | ||
Processor | 1.4GHz Quad-Core | Bionz |
Sensor type | BSI-CMOS | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 16 megapixels | 10 megapixels |
Anti aliasing filter | ||
Aspect ratio | - | 4:3 and 16:9 |
Highest resolution | 4608 x 3456 | 3456 x 2592 |
Highest native ISO | 3200 | 3200 |
Minimum native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | - | 9 |
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 23-481mm (20.9x) | 33-105mm (3.2x) |
Highest aperture | f/2.8-5.9 | f/3.1-5.6 |
Macro focus distance | - | 5cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen sizing | 4.8 inch | 3 inch |
Screen resolution | 922k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen tech | 308 ppi, HD Super Clear Touch Display | - |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Lowest shutter speed | 16 seconds | 1 seconds |
Highest shutter speed | 1/2000 seconds | 1/1200 seconds |
Continuous shooting rate | - | 1.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | - | 3.30 m |
Flash modes | - | Auto, On, Off, Slow syncro |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 | 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1920x1080 | 640x480 |
Video file format | MPEG-4, H.264 | Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | none | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 300 gr (0.66 lbs) | 167 gr (0.37 lbs) |
Physical dimensions | 129 x 71 x 19mm (5.1" x 2.8" x 0.7") | 98 x 61 x 27mm (3.9" x 2.4" x 1.1") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery model | - | 2 x AA |
Self timer | - | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | micro SD/micro SDHC/micro SDXC | Memory Stick Duo/Pro Duo, optional SD, Internal |
Card slots | One | One |
Price at launch | $450 | $225 |