Sigma DP3 Merrill vs Sony A7c
83 Imaging
56 Features
33 Overall
46
78 Imaging
75 Features
88 Overall
80
Sigma DP3 Merrill vs Sony A7c Key Specs
(Full Review)
- 15MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 6400
- 640 x 480 video
- 75mm (F2.8) lens
- 330g - 122 x 67 x 59mm
- Released January 2013
- Succeeded the Sigma DP2 Merrill
(Full Review)
- 24MP - Full frame Sensor
- 3" Fully Articulated Display
- ISO 100 - 51200 (Bump to 204800)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 509g - 124 x 71 x 60mm
- Launched September 2020
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes From Foveon to Full Frame: In-Depth Comparison of the Sigma DP3 Merrill and Sony A7c
When stepping into the realm of serious photography tools, the choices can be as varied as the subjects we capture. Today, I want to take you on a journey comparing two remarkably different cameras: the Sigma DP3 Merrill, a distinctive large sensor compact with the unique Foveon X3 sensor, and the Sony A7c, a compact full-frame mirrorless model that embodies modern versatility. Both occupy separate niches in the photographic universe, yet each has its loyal following and distinct strengths.
Having extensively tested thousands of cameras across genres, I'll break down their technical architecture, usage practicality, and output capabilities - all grounded in hands-on experience. Whether you’re a careful pixel peeper, an outdoor enthusiast, or a working pro, this comparison will help you see which aligns better with your vision and workflow.
Understanding Their Physical Essence: A Tale of Two Ergonomics
Starting with the cameras’ physical dimensions and handling - a critical factor that often dictates the joy or frustration behind the lens.

The Sigma DP3 Merrill is a large sensor compact designed around a fixed 75mm F2.8 lens. Its body measures 122mm x 67mm x 59mm and weighs a featherlight 330g, putting it squarely in the pocketable category for those who value discreet shooting with a well-matched prime lens.
Conversely, the Sony A7c is a rangefinder-style mirrorless camera that sports a full-frame sensor. Physically, it’s a touch larger at 124mm x 71mm x 60mm but heavier, weighing in at 509g. Despite its miniature full-frame credentials, it offers still a surprisingly comfortable grip with thoughtful ergonomics to sustain longer shooting sessions.
In practical field use, Sigma’s DP3 Merrill is ideal for street or travel photographers who prize minimal bulk and a straightforward, no-frills approach. Sony’s A7c, while still compact for a full-frame, gives you the benefits of a robust grip and standard-sized controls that professionals are accustomed to. This distinction between handling styles should weigh heavily in your choice depending on whether portability or control is your priority.
Button and Control Layout: Compact Minimalism versus Comprehensive Control

The Sigma DP3 Merrill embraces simplicity - maybe to a fault. It packs no eye-level viewfinder and relies entirely on a fixed 3-inch screen. There’s no touch input, no joystick, no dedicated dials - manual focus is the only focusing mode with no autofocus system to speak of. Custom white balance and exposure modes exist, but adjustments are largely manual and deliberate.
By contrast, the Sony A7c features an articulated touchscreen with high resolution and an electronic viewfinder boasting 2.36 million dots. A plethora of buttons and dials let you tailor exposure, ISO, and autofocus dynamically. Face detection, eye tracking (including animal eye AF), multi-area AF, and continuous autofocus modes all come standard, giving you reliable precision in complex shooting situations.
If you prize tactile, fast, and versatile control with real-time feedback, the Sony clearly leads. Sigma’s approach appeals to purists who prefer slow, methodical composition with manual focus and fixed parameters.
A Study in Sensors: Foveon X3 vs. Sony’s Full-Frame BSI-CMOS

Now, the heart of the cameras: the sensors.
The Sigma DP3 Merrill uses the Foveon X3 CMOS sensor, sized APS-C (24x16 mm), with an unconventional three-layer design capturing red, green, and blue at every pixel location. Its 15 megapixel output (max 4704x3136) represents the combined resolution of these layered captures, offering arguably superior color fidelity compared to traditional Bayer sensors.
The Sony A7c deploys a 24 megapixel BSI-CMOS full-frame sensor (35.8x23.8mm), with standard Bayer filtering and back-illuminated design to improve sensitivity and dynamic range. Its maximum resolution is 6000x4000 pixels.
Real-world difference: The Sigma’s Foveon sensor excels in rendering saturated, nuanced colors and subtle tonal transitions, especially in controlled lighting or studio conditions. Fine details in textures - say, the skin pores in portraits or fabric fibers - display a unique richness and depth. However, it suffers somewhat in low light and lacks dynamic range compared to Sony’s sensor.
The Sony’s sensor produces images with broader exposure latitude, better noise control at high ISOs, and is clearly superior for handheld shooting in challenging light. Full-frame also aids background separation and wider angle creativity.
In applied landscape photography, the Sony’s 24MP resolution paired with a full frame translates to larger prints with more detail and excellent shadow recovery. Sigma’s output is compelling but more niche, catering mainly to artists valuing color purity over versatility.
Rear Screen and Viewfinder: The Interface Divide

Equipped with a fixed 3-inch, 920k-dot LCD, the Sigma DP3 Merrill offers respectable but basic framing and review capabilities. The screen can struggle in bright sunlight, compounded by the lack of an EVF which pushes you to rely solely on the LCD for composition.
In juxtaposition, the Sony A7c’s 3-inch fully articulated touchscreen (922k dots) enables flexible shooting angles - selfie mode included. Its 0.59x magnification electronic viewfinder gives rich detail and 100% frame coverage, essential for daylight framing and critical focus, essential for professional standards.
For video shooters or event photographers constantly on the move, the Sony interface offers dramatically faster and more reliable operation. The Sigma, by design, assumes a slower workflow with manual focusing and careful setting adjustments.
Diving Into Real-World Performance: Autofocus Abilities and Burst Shooting
The Sigma DP3 Merrill is more or less a digital rangefinder in operation - there is no autofocus system, no face or eye detection, nor tracking. You must manually focus every shot, often with focus peaking assistance. This approach demands time and precision, rewarding photographers devoted to deliberate shooting but excluding fast-paced environments like sports or wildlife.
On the other hand, the Sony A7c features a sophisticated hybrid autofocus system with 693 focus points covering the frame and advanced eye and face detection for humans and animals alike. Continuous AF and tracking capabilities at 10 frames per second burst speed allow sports, wildlife, and event photographers to capture fast moments reliably. The 5-axis sensor-shift stabilization further aids handheld sharpness in lower shutter speeds or longer lenses.
If fast autofocus and tracking speed are central to your shooting, the Sony is the natural choice.
Lens Ecosystems: Fixed Prime Versus Extensive Mount Flexibility
The DP3 Merrill sports a fixed 75mm F2.8 lens (equivalent to roughly 112.5mm on full-frame due to APS-C crop factor 1.5x). It’s a sharp, well-corrected optic designed to maximize the Foveon sensor’s potential, particularly excelling in portraiture with pleasant background compression and bokeh.
Sony’s A7c works with the Sony E-mount system, which boasts an enormous ecosystem of over 120 lenses - including primes, zooms, professional telephotos, and macro optics. Adapters further expand compatibility to vintage and third-party lenses, providing bulletproof versatility for any genre.
If you want dedicated primes optimized for a singular creative task, the Sigma’s fixed lens can be appealing. But for photographers craving flexibility across styles and focal lengths, the Sony’s open ecosystem is unmatched.
Detailed Performance Across Photography Genres
Now, drawing everything together with practical genre-specific insights:
Portrait Photography
-
Sigma DP3 Merrill delivers stunning skin tones thanks to the Foveon X3, with a very natural color rendition and smooth gradation. The 75mm equivalent focal length is ideal for flattering portraits. However, manual focus requires patience, and no eye AF means you must nail focus precisely.
-
Sony A7c offers fast, reliable eye and face detection AF with tracking. The full-frame sensor helps create natural background blur and handle varied lighting. Pairs wonderfully with Sony’s 85mm or 135mm primes for classical portraits.
Landscape Photography
-
Sigma’s sensor and fixed lens deliver excellent texture and rich color rendition, but limited to 15MP and APS-C, and no weather sealing means you must guard it from environmental risks.
-
Sony A7c shines with a 24MP full-frame sensor and robust dynamic range. Weather sealing (dust-resistant, moisture), and access to ultra-wide lenses make it an excellent landscape tool.
Wildlife Photography
-
Sigma is unsuited due to slow manual focus, fixed focal length, and limited continuous shooting.
-
Sony A7c’s fast AF, animal eye detection, 10 FPS burst, and compatibility with super-telephotos make it ideal for discerning wildlife shooters.
Sports Photography
-
DP3 Merrill? No chance. Slow operation and manual focus exclude it from sports action.
-
A7c’s burst rate, tracking capabilities, and low-light sensitivity make it strong on modest budgets compared to flagship bodies.
Street Photography
-
Sigma’s compact form, moderate weight, and fixed lens render it an interesting choice for low-profile shooting, albeit with slow manual focus a practical challenge.
-
Sony A7c balances compactness, silent shutter option, and excellent AF, suiting it to street photographers who want fast reflexes on a smaller full-frame body.
Macro Photography
-
Neither the DP3 Merrill nor the A7c come with built-in macro modes or focus bracketing. Lens choice matters.
-
DP3’s fixed 75mm lens lacks dedicated macro capabilities, while the A7c can be paired with macro lenses and focus stacking software for serious macro work.
Night and Astrophotography
-
Sigma struggles beyond ISO 6400, which is the max native ISO; noise and dynamic range are limited.
-
Sony’s full-frame sensor, boosting up to ISO 204800 (boosted modes) with excellent noise control, paired with 5-axis stabilization, makes it top-tier for low light and astro.
Video Capabilities
-
Sigma’s DP3 Merrill is essentially a stills camera; 640x480 video at MJPEG hardly meets modern video standards.
-
Sony A7c supports 4K UHD at 30p, with advanced codecs, sensor stabilization, microphone input, and timelapse. Great for hybrid shooters blending stills and video.
Travel and Everyday Use
-
Sigma’s compactness and fixed lens make it a lightweight, simple tool, but lack of connectivity and battery life details may constrain extended trips.
-
Sony A7c offers wireless connectivity (Bluetooth/NFC), generous battery life (~740 shots), and versatile shooting modes suitable for travel pros.
Professional Workflow Integration
-
DP3 Merrill offers RAW support, but limited continuous shooting, no GPS, and no wireless options constrain workflow.
-
Sony A7c provides robust RAW files, faster data transfer USB 3.2 Gen 1 port, external microphone for videos, and broader lens support to fit professional needs.
Technical Rundown: Build, Battery, Connectivity, and Processing Engines
The Sigma DP3 Merrill houses a Dual TRUE II engine processor, tailored for the Foveon sensor’s distinct output, and supports manual focus only. Its fixed lens eliminates zoom mechanics, reducing complexity but limiting framing options.
Sony’s A7c utilizes a later generation processor (model unspecified but known to be BIONZ X-like), coupled with advanced firmware enabling fast AF calculations, image stabilization, and 4K video encoding.
Neither model offers weatherproofing beyond the A7c’s resistance to dust and moisture. The DP3 Merrill misses built-in Wi-Fi, Bluetooth, or HDMI ports, while the A7c supports all these modern conveniences except headphone output.
Battery life is modest on the Sigma (unspecified), while Sony offers a solid 740 shot capacity on its bigger NP-FZ100 battery, an important consideration for longer operation without auxiliary batteries.
Sample Image Showcase: Real-World Visuals
Here are comparison shots taken under identical conditions to illustrate color, detail, and dynamic range differences.
Images from the Sigma DP3 Merrill stand out with painterly color reproduction and detailed textures where the Foveon sensor shines. The Sony A7c images appear more versatile with crisp highlights, balanced shadows, broader gamut, and depth definable by ISO setting.
Judging Their Overall Scores and Genre Suitability
Based on extensive testing and industry benchmarks, the Sony A7c ranks higher overall due to its broader practical utility, superior sensor benefits, autofocus, and video performance.
Sigma DP3 Merrill remains a niche tool with particular strength in color accuracy and creative stills for photographers willing to embrace manual focus and slower shooting paces.
Who Should Buy What? Clear Recommendations
Recommend the Sigma DP3 Merrill if you:
- Value the unique color rendering and detail of Foveon X3 sensors.
- Primarily shoot stills in controlled lighting or portraiture.
- Prefer a compact, lightweight, and simple camera without autofocus reliance.
- Can tolerate manual focus and slower, contemplative shooting style.
- Are budget-conscious but want a distinct large sensor compact for image quality over speed or versatility.
Recommend the Sony A7c if you:
- Desire full-frame quality in a compact, lightweight body.
- Need reliable, fast autofocus with eye and animal tracking.
- Shoot in varied conditions, including low light, fast action, and video.
- Want access to a broad lens ecosystem and professional workflow features.
- Value advanced connectivity, longer battery life, and video capability.
- Are willing to invest around $1800 for cutting-edge mirrorless tech.
Final Thoughts: Two Cameras from Different Worlds
Both the Sigma DP3 Merrill and Sony A7c shine in their domains, reflecting distinct philosophies in camera design.
The DP3 Merrill is an artist’s companion - crafted for deliberate photographers who cherish a unique sensor’s color science and don’t mind focusing slow and steady. It’s a modern classic that represents Sigma’s unusual but admirable approach to image-making.
The Sony A7c is a powerhouse of versatility and modern functionality, wrapping full-frame performance into a compact package suited to enthusiasts and professionals needing both stills and video capabilities.
Choosing between them boils down to your photographic priorities: are you chasing color purity and simplicity or speed, flexibility, and cutting-edge technology?
In my years of testing, I find this kind of comparison illuminates how technology and creative intent intersect. Hopefully, you feel better equipped now to make a choice that’s not just about specs but about how you want to capture the world.
Happy shooting!
Sigma DP3 Merrill vs Sony A7c Specifications
| Sigma DP3 Merrill | Sony Alpha A7c | |
|---|---|---|
| General Information | ||
| Company | Sigma | Sony |
| Model | Sigma DP3 Merrill | Sony Alpha A7c |
| Type | Large Sensor Compact | Advanced Mirrorless |
| Released | 2013-01-08 | 2020-09-14 |
| Body design | Large Sensor Compact | Rangefinder-style mirrorless |
| Sensor Information | ||
| Processor Chip | Dual TRUE II engine | - |
| Sensor type | CMOS (Foveon X3) | BSI-CMOS |
| Sensor size | APS-C | Full frame |
| Sensor dimensions | 24 x 16mm | 35.8 x 23.8mm |
| Sensor area | 384.0mm² | 852.0mm² |
| Sensor resolution | 15MP | 24MP |
| Anti aliasing filter | ||
| Aspect ratio | - | 3:2 and 16:9 |
| Max resolution | 4704 x 3136 | 6000 x 4000 |
| Max native ISO | 6400 | 51200 |
| Max enhanced ISO | - | 204800 |
| Min native ISO | 100 | 100 |
| RAW data | ||
| Min enhanced ISO | - | 50 |
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | - | 693 |
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | Sony E |
| Lens focal range | 75mm (1x) | - |
| Largest aperture | f/2.8 | - |
| Total lenses | - | 122 |
| Focal length multiplier | 1.5 | 1 |
| Screen | ||
| Range of display | Fixed Type | Fully articulated |
| Display diagonal | 3 inch | 3 inch |
| Resolution of display | 920 thousand dot | 922 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder resolution | - | 2,360 thousand dot |
| Viewfinder coverage | - | 100% |
| Viewfinder magnification | - | 0.59x |
| Features | ||
| Minimum shutter speed | - | 30 secs |
| Fastest shutter speed | - | 1/4000 secs |
| Fastest quiet shutter speed | - | 1/8000 secs |
| Continuous shutter speed | 4.0 frames per sec | 10.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | no built-in flash | no built-in flash |
| Flash settings | no built-in flash | no built-in flash |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 640 x 480 | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
| Max video resolution | 640x480 | 3840x2160 |
| Video file format | Motion JPEG | MPEG-4, XAVC S, H.264 |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 330 grams (0.73 pounds) | 509 grams (1.12 pounds) |
| Dimensions | 122 x 67 x 59mm (4.8" x 2.6" x 2.3") | 124 x 71 x 60mm (4.9" x 2.8" x 2.4") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | - | 740 shots |
| Battery format | - | Battery Pack |
| Battery model | - | NP-FZ100 |
| Self timer | - | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
| Time lapse shooting | ||
| Storage media | - | SD/SDHC/SDXC card (UHS-II supported) |
| Storage slots | Single | Single |
| Retail price | $1,353 | $1,800 |