Sony A7R V vs Sony A7S III
60 Imaging
83 Features
96 Overall
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61 Imaging
64 Features
92 Overall
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Sony A7R V vs Sony A7S III Key Specs
(Full Review)
- 61MP - Full frame Sensor
- 3.20" Fully Articulated Screen
- ISO 100 - 32000 (Expand to 102800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 7680 x 4320 video
- Sony E Mount
- 723g - 131 x 97 x 82mm
- Launched October 2022
- Earlier Model is Sony A7R IV
(Full Review)
- 12MP - Full frame Sensor
- 3" Fully Articulated Display
- ISO 80 - 102400 (Expand to 409600)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony E Mount
- 699g - 129 x 97 x 81mm
- Revealed July 2020
- Earlier Model is Sony A7S II

Sony A7R V vs. Sony A7S III: In-Depth Pro Mirrorless Camera Comparison for Serious Photographers and Videographers
Sony has been a dominant force in the mirrorless camera arena, consistently pushing boundaries with their Alpha series. Today, we delve deep into comparing two powerhouse models: the Sony Alpha A7R V, Sony’s latest high-resolution imaging titan focused on extreme detail and versatility, and the Sony Alpha A7S III, a video-centric marvel renowned for its unrivaled low-light prowess and cinematic capabilities. This comprehensive comparison - built on extensive hands-on testing and technical analysis - will help photographers and videographers align their next camera purchase with their creative needs and budget considerations.
First Impressions: Design and Ergonomics
Both cameras maintain the classic SLR-style mirrorless body shape, crafted for professional use - but subtle differences in size, weight, and handling approach subtly reflect their design priorities.
The A7R V measures 131×97×82 mm, weighing 723 grams, while the A7S III is marginally lighter and slightly more compact at 129×97×81 mm and 699 grams. Handling both, the A7R V feels a fraction more substantial and solid, reinforcing its flagship status oriented towards still photographers who may use longer lenses or demand additional control. The A7R V also sports a slightly larger grip, which benefits users shooting extended sessions or with bigger hands.
Looking at the top and button layouts, the A7R V integrates more dedicated dials and customizable buttons - providing faster access to shooting parameters, especially useful when shifting between autofocus modes or exposure settings on the fly.
Ergonomically, both cameras employ fully articulated touchscreens (3.2-inch/2360k dots for A7R V and 3-inch/1440k dots for A7S III) that facilitate flexible framing and menu navigation, but the higher-resolution and slightly larger screen on the A7R V enhances daylight visibility and precision focusing during still shooting.
Sensor Technology and Image Quality: Resolution vs. Sensitivity
Sony A7R V: Ultra-High Resolution and Detail Harvesting
At the heart of the A7R V lies a 61-megapixel full-frame BSI-CMOS sensor (35.8×23.8 mm) without an optical low-pass (anti-aliasing) filter, engineered to extract incredible fine detail and texture - an absolute boon for landscape, portrait, and commercial photographers prioritizing image detail, cropping freedom, and large format printing.
The pixel-level clarification provided by the sensor’s 9504×6336 maximum resolution delivers visually rich files that maintain sharpness even at 100% zoom, provided you have appropriate high-quality lenses.
Despite the resolution, the sensor’s BSI design aids in moderately good performance across native ISO range (100–32000) and extended boost ISOs up to 102,800, though noise starts to become visible at very high ISOs - understandable given the dense pixel count.
Sony A7S III: Sensitivity and Low-Light Supremacy
In stark contrast, the A7S III focuses on low resolution but exceptional sensitivity, employing a 12-megapixel full-frame BSI-CMOS sensor (35.6×23.8 mm) with an optical AA filter. This modest resolution (4240×2832 max) trades pixel count for remarkably large photodiodes, which collect substantially more photons for cleaner, less noisy images at extremely high ISOs - max native ISO is 102,400, boostable to 409,600.
This sensor design is tailored for professional filmmakers and event shooters working in challenging light conditions, where maintaining usable images at very high ISOs is a critical advantage.
Dynamic range is impressive in both, but the A7R V’s sensor design and newer processing pipeline provide a marginally higher theoretical dynamic range and color depth, enhancing highlight roll-off and shadow retention in high-contrast environments - ideal for landscape and portrait work. The A7S III’s dynamic range is still excellent, with DxOMark ratings of 13.3 EV, making it robust for video and low-light still capture where noise control is paramount.
Autofocus Systems: Precision, Speed, and Tracking
Both cameras harness advanced hybrid autofocus systems integrating phase-detection and contrast-detection points, but their tuning reflects their respective priorities.
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Sony A7R V features 693 autofocus points covering a vast 92% of the frame, enabling extremely precise eye, face, and animal eye AF with deep learning algorithms for reliable tracking of moving subjects. Autofocus is responsive and accurate on stills and video, crucial for medium to high-speed action and wildlife photography.
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Sony A7S III offers 759 AF points with similarly wide coverage, emphasizing snappy focusing even in near-darkness, capitalizing on the sensor’s low-light sensitivity and advanced AF algorithms. Despite the lower resolution sensor, autofocus tracking is remarkably precise and reliable, even during fast-moving video shoots and run-and-gun event coverage.
Continuous autofocus and touch tracking on LCD are responsive and customizable on both, but the A7R V’s sheer number of focus points offers a slight edge for those requiring pixel-level focus precision.
Burst Rates, Buffer, and Shutter Performance for Action Photography
For sports and wildlife photographers, burst shooting speed, buffer depth, and shutter mechanisms become critical.
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Both cameras offer a 10 fps mechanical shutter continuous shooting speed; however, the A7R V offers up to 7 fps in electronic shutter mode, which allows for silent shooting and reduces vibration - essential for discreet wildlife or event photography.
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Buffer depths favor the A7R V slightly, due to its faster processors and newer memory buffering systems, handling longer RAW sequences before write speed slows down continuous shooting.
The A7S III’s strengths lie in video frame rates rather than high burst shooting, with 4K Cinema-quality video up to 120 fps, while the A7R V can only deliver up to 8K video at 25fps, limiting its utility in fast-action video capture but making it extraordinary for ultra-high-resolution still frames.
Video Capabilities: Cinematic Toolsets vs. Ultra-High-Res Capture
Sony A7R V: Pushing Still Photography with 8K Video
The A7R V impresses with 8K video recording at 25p or 23.98p (7680×4320), encoded in XAVC S/HS/S-I and offering formats supporting high dynamic range and professional codecs, which make it a hybrid tool for photographers dipping into cinematic work that demands stunning resolution and detail.
Audio inputs for microphone and headphones facilitate professional on-set monitoring. Sensor-based 5-axis stabilization assists handheld recording, though lack of in-body hardware ND filters may necessitate external accessories in bright conditions.
Sony A7S III: The Definitive Low-Light Video Powerhouse
The A7S III, however, comes into its own as a documentary and cinematic camera, delivering 4K video up to 120 fps at 280 Mbps, XAVC HS and S-1 codecs, and advanced features such as 10-bit 4:2:2 color depth recording, S-Log3, and HDR workflows - making it a natural choice for filmmakers requiring flexible post-production grading.
Built-in 5-axis IBIS (In-Body Image Stabilization) combined with excellent autofocus and low noise at high ISO defines its value proposition for video pros shooting events, interviews, or low-light narratives.
Both models include microphone and headphone jacks, USB 3.2 interfaces (Gen 2 for A7R V, Gen 1 for A7S III), and HDMI ports with clean output, allowing integration with external recorders and advanced workflows.
Build Quality, Weather Sealing, and Durability
Both the A7R V and A7S III feature robust magnesium alloy bodies with comparable environmental sealing ratings, designed to withstand dust and moisture for outdoor shooting in challenging conditions - an essential feature for professional use.
Neither model is rated waterproof, shockproof, crushproof, or freezeproof, so care is required during extreme weather conditions, although their sealing affords confidence against light rain and dusty environments commonly encountered in fieldwork.
Battery Life and Media Storage
Each camera uses the same Sony NP-FZ100 battery pack, with official ratings around 600 shots per charge - solid performance that supports intensive shooting days. They also share a dual card slot system supporting SD and CFExpress Type A cards, granting flexibility and redundancy - a necessity for professionals requiring both speed and secure backup options.
Lens Ecosystem and Compatibility
Sony’s E-mount is among the most extensive and mature lens ecosystems, with the A7R V supporting 187 compatible lenses and the A7S III 121, primarily due to the A7R V’s release date and augmented compatibility with newer lenses optimized for ultra-high resolution sensors.
Photographers seeking unparalleled detail will appreciate pairing the A7R V with premium G Master series optics that maximize sensor resolution, whereas video shooters with the A7S III may prefer high-speed cine lenses designed for consistent color and smooth manual focus.
Connectivity and Wireless Features
Both cameras include built-in Wi-Fi and Bluetooth for tethered shooting, remote control, and quick image transfer. However, some subtle touches vary:
- The A7S III features NFC connectivity, facilitating fast pairing with compatible mobile devices.
- The A7R V omits NFC but upgrades USB to a faster 3.2 Gen 2 interface for faster wired transfers.
Wireless tethering via Sony’s Imaging Edge ecosystem supports studio and field workflows for both models, with apps allowing fast monitoring and control, albeit with slight differences in responsiveness depending on the model’s processor generation.
Price-to-Performance: Which Camera Offers Better Value?
The Sony A7S III retails at approximately $3499, while the Sony A7R V commands a higher price of around $3899.
This $400 premium reflects the A7R V’s cutting-edge imaging sensor, increased resolution, more advanced AF system, and 8K video capability.
For photographers prioritizing ultimate resolution for commercial, art, or landscape work, the incremental investment is justified.
Conversely, for professionals whose primary requirement is low-light video capture with excellent autofocus, the A7S III’s remarkable sensitivity and video features deliver unbeatable value.
Genre-Specific Performance: Strengths, Weaknesses, and Ideal Use Cases
Portrait Photography
The A7R V excels with its 61MP sensor that captures skin texture, subtle tone gradations, and breathtaking detail, delivering natural bokeh thanks to paired optics and accurate eye/face tracking AF. Its articulating screen aids varied compositions, making it ideal for studio and location portrait artists demanding large, detailed files suitable for high-end retouching.
The A7S III performs competently but cannot match the resolution for large prints; however, its autofocus and sensitivity shine in ambient light portrait sessions with unpredictable illumination.
Landscape Photography
High resolution and dynamic range propel the A7R V as the top pick for landscape shooters. Weather-sealed construction, coupled with sensor resolution enabling large crops without sacrificing sharpness, delivers excellent fidelity in highlights and shadows. The lack of an anti-alias filter further enhances fine detail rendition.
The A7S III, while rugged, trades resolution for sensitivity, providing lower image detail but impressive low-light landscape shooting capability (e.g., dawn or night scenes) - though long exposure noise handling favors the A7R V due to advanced sensor design and processing.
Wildlife Photography
High burst rates with reliable autofocus and tracking are essential here. The A7R V’s 693-point AF system with animal eye tracking, paired with silent electronic shutter mode, supports discreet wildlife capture with excellent detail.
The A7S III’s superior low-light autofocus brings advantages for crepuscular or nocturnal animals, although its lower resolution limits cropping when distant subjects are involved.
Sports Photography
Fast subjects demand high frame rates and autofocus accuracy. Both cameras hit 10 fps mechanical shutter speeds. Still, the A7R V’s sensor resolution can challenge buffer speeds during prolonged burst sequences, while the A7S III - though slightly slower in raw resolution - maintains focus reliably in low light.
For sports professionals prioritizing video, the A7S III’s 4K 120p capability supports slow-motion analysis and highlight reels better.
Street Photography
Portability and discretion are key. Though both models are relatively similar in size, the A7S III's slight edge in compactness and lower megapixel count results in smaller files, faster buffer clearing, and quicker handling, suiting street photographers valuing agility.
Its low-light performance and silent shutter facilitate inconspicuous shooting through night scenes and indoors.
Macro Photography
The A7R V’s resolution advantage overwhelmingly benefits macro shooters capturing intricate textures and patterns, though focus stacking is not natively supported on either camera; the A7R V’s autofocus precision and focus bracketing aid depth-of-field control.
The A7S III suffices in macro but does not offer the same detail levels needed for scientific or texture-rich macro imaging.
Night and Astrophotography
Here, the A7S III shines with its exceptional high ISO capability and low noise, enabling clean images of star fields, the Milky Way, and faint night elements without excessive exposure time.
The A7R V, while capable, will require longer exposures and higher processing to mitigate noise at elevated ISOs, though its dynamic range helps in capturing twilight transitions.
Video Production
The A7S III dominates with features like 4K up to 120fps, 10-bit 4:2:2 internal recording, full pixel readout without binning, and sophisticated video-centric controls - positioning it as a filmmaker’s dream at this price point.
The A7R V, while offering 8K raw recording, lacks some of the monitoring and codec flexibility aimed at cinema professionals, positioning it as a hybrid solution for creators who need stills-oriented performance with secondary video options.
Travel Photography
Battery life and size/weight become crucial in travel scenarios. Both models provide approximately 600 shots per battery charge and similar weights; however, the A7S III, with smaller files and snappier buffer clearing, may better fit travel photographers shooting varied scenes and events.
The fully articulated screens and connectivity options on both models aid easy sharing and creative framing during travel.
Professional Workflows and Reliability
Both cameras are engineered for demanding professional use, with solid build quality and extensive customizability.
The A7R V’s expanded file sizes and raw formats may require more powerful post-processing setups, while the A7S III's video formats and codecs increase file management complexity but integrate well with professional NLE systems.
Image Samples and Performance Scores
Reviewing side-by-side sample images from both cameras distinctly showcases the difference in resolution and noise handling.
Moreover, aggregated performance ratings reinforce each camera’s market position:
Detailed genre-specific scores underline their respective strengths and limitations:
Final Thoughts and Recommendations
Who Should Buy the Sony A7R V?
- Professionals and enthusiasts committed to ultra-high resolution still photography, including commercial, portrait, and landscape genres.
- Creators who demand expanded cropping ability and maximum image detail for large prints or high-end retouching.
- Hybrid shooters needing 8K video recording as an occasional creative tool.
- Photographers wanting latest sensor technology, enhanced autofocus precision, and advanced ergonomics for intensive shooting conditions.
Who Should Choose the Sony A7S III?
- Video professionals prioritizing low-light performance, 4K 120fps recording, and advanced cinematic features.
- Documentary and event videographers requiring reliable autofocus and color science tailored to video workflows.
- Photographers shooting primarily in extreme lighting scenarios like astrophotography or concerts.
- Street and travel photographers valuing compactness and long low-light exposure capabilities for continuous shooting.
Summary Table of Key Differences
Feature | Sony A7R V | Sony A7S III |
---|---|---|
Sensor Resolution | 61MP BSI CMOS, no AA filter | 12MP BSI CMOS, with AA filter |
Max Video Resolution | 8K 25p | 4K 120p |
Autofocus Points | 693 | 759 |
Max ISO | 32,000 (native), 102,800 (boost) | 102,400 (native), 409,600 (boost) |
Burst Rate (FPS) | 10 mechanical, 7 electronic | 10 mechanical |
Weight | 723 g | 699 g |
Screen Size & Resolution | 3.2", 2360k dots fully articulating | 3", 1440k dots fully articulating |
Price (MSRP) | $3899 | $3499 |
In conclusion, your choice between the Sony A7R V and Sony A7S III ultimately rests on your primary creative discipline - whether it is prioritizing extreme resolution and still photography detail or maximizing sensitivity and video capabilities in a versatile professional mirrorless package. Both models represent the cutting-edge of Sony’s Alpha lineup and cater exceptionally well to distinct pro-grade workflows.
I hope this detailed comparison empowers your next camera investment. For additional hands-on comparisons or workflow advice, feel free to reach out - your creative vision deserves the right tools.
Sony A7R V vs Sony A7S III Specifications
Sony Alpha A7R V | Sony Alpha A7S III | |
---|---|---|
General Information | ||
Brand Name | Sony | Sony |
Model type | Sony Alpha A7R V | Sony Alpha A7S III |
Category | Pro Mirrorless | Pro Mirrorless |
Launched | 2022-10-26 | 2020-07-21 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Chip | - | Bionz XR |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | Full frame | Full frame |
Sensor dimensions | 35.8 x 23.8mm | 35.6 x 23.8mm |
Sensor area | 852.0mm² | 847.3mm² |
Sensor resolution | 61 megapixel | 12 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Maximum resolution | 9504 x 6336 | 4240 x 2832 |
Maximum native ISO | 32000 | 102400 |
Maximum boosted ISO | 102800 | 409600 |
Lowest native ISO | 100 | 80 |
RAW images | ||
Lowest boosted ISO | 50 | 50 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 693 | 759 |
Lens | ||
Lens mount type | Sony E | Sony E |
Amount of lenses | 187 | 121 |
Crop factor | 1 | 1 |
Screen | ||
Type of screen | Fully articulated | Fully articulated |
Screen diagonal | 3.20 inches | 3 inches |
Screen resolution | 2,360 thousand dots | 1,440 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 9,440 thousand dots | 9,440 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.9x | 0.91x |
Features | ||
Slowest shutter speed | 30 secs | 30 secs |
Maximum shutter speed | 1/8000 secs | 1/8000 secs |
Continuous shooting rate | 10.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash modes | Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction, Wireless, Hi-speed sync. | no built-in flash |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash synchronize | 1/250 secs | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 7680x4320 ( 25p, 23.98) | 3840 x 2160 @ 120p / 280 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 100p / 280 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 60p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 50p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 30p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 25p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.265, Linear PCM 1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 25p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 24p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM |
Maximum video resolution | 7680x4320 | 3840x2160 |
Video file format | MPEG-4, XAVC S, XAVC HS, XAVC S-I, H.264, H.265 | MPEG-4, XAVC S, XAVC HS, XAVC S-1, H.264, H.265 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 2 (10 GBit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 723 gr (1.59 pounds) | 699 gr (1.54 pounds) |
Physical dimensions | 131 x 97 x 82mm (5.2" x 3.8" x 3.2") | 129 x 97 x 81mm (5.1" x 3.8" x 3.2") |
DXO scores | ||
DXO All around rating | not tested | 85 |
DXO Color Depth rating | not tested | 23.6 |
DXO Dynamic range rating | not tested | 13.3 |
DXO Low light rating | not tested | 2993 |
Other | ||
Battery life | 600 photos | 600 photos |
Battery type | Battery Pack | Battery Pack |
Battery ID | NP-FZ100 | NP-FZ100 |
Self timer | Yes | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse recording | With downloadable app | |
Type of storage | Dual SD/CFexpress Type A slots | Dual SD/CFexpress Type A slots |
Card slots | Two | Two |
Pricing at launch | $3,900 | $3,499 |