Sony a3500 vs Sony W380
69 Imaging
62 Features
54 Overall
58


96 Imaging
36 Features
25 Overall
31
Sony a3500 vs Sony W380 Key Specs
(Full Review)
- 20MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 16000
- 1920 x 1080 video
- Sony E Mount
- 411g - 128 x 91 x 85mm
- Introduced March 2014
- Previous Model is Sony A3000
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.4-5.9) lens
- 117g - 91 x 52 x 20mm
- Announced January 2010

Sony a3500 vs Sony W380: A Comprehensive Comparison for Photography Enthusiasts
Selecting the ideal camera can be a daunting challenge given the multitude of options that span from compact point-and-shoots to entry-level mirrorless systems. In this in-depth comparison, we pit two Sony models from different categories and eras - the Sony Alpha a3500 mirrorless and the Sony Cyber-shot DSC-W380 ultracompact - against each other. Both appeal to entry-level photographers, yet their design philosophies and technical characteristics diverge significantly. Drawing from over 15 years of hands-on testing of hundreds of cameras, this review meticulously examines core aspects such as sensor technology, ergonomics, autofocus, image quality, and all major photographic disciplines. Our goal is to help you understand which camera aligns best with your photographic ambitions, practical needs, and budget.
Introducing the Contenders: A Snapshot of Sony a3500 and Sony W380
Before diving into detailed comparisons, here’s a clear overview of the targets. The Sony a3500 - launched in March 2014 - positions itself as an entry-level mirrorless camera with an APS-C sensor, interchangeable lens mount (Sony E-mount), and fundamental manual controls aimed at beginners and enthusiasts transitioning into interchangeable lens systems. By contrast, the Sony W380, released in early 2010, epitomizes an ultracompact fixed-lens point-and-shoot designed for casual photographers seeking simple operation and portability.
Feature | Sony a3500 | Sony W380 |
---|---|---|
Category | Entry-Level Mirrorless | Ultracompact Point-and-Shoot |
Sensor | APS-C CMOS, 20MP | 1/2.3" CCD, 14MP |
Lens Mount | Sony E-mount (interchangeable) | Fixed lens, 24-120mm (5x zoom) |
Max Aperture | Variable based on lens | f/2.4-5.9 |
ISO Range | 100–16,000 | 80–3,200 |
Viewfinder | Electronic (100% Coverage) | None |
LCD Screen | 3.0" Fixed TFT LCD | 2.7" Fixed LCD |
Continuous Shooting | 4fps | 2fps |
Video Resolution | Full HD 1080p | HD 720p |
Weight | 411g | 117g |
Price (At Launch) | ~$398 | ~$44 |
This high-level overview reveals that the a3500 is substantially more sophisticated, packing larger sensor technology and richer control options. However, the highly portable W380 comes at a fraction of the price, emphasizing convenience and ease of use. We unpack what these differences mean across real-world photography use cases and technical dimensions in the following sections.
Size, Ergonomics, and Handling: Balancing Bulk with Usability
Often underestimated, physical design and ergonomics significantly impact the shooting experience. The Sony a3500’s DSLR-style mirrorless body measures roughly 128x91x85 mm and weighs 411 grams (battery and card included). Its larger form factor accommodates a robust grip, dedicated buttons for exposure compensation, manual modes including shutter priority, and an interactive electronic viewfinder with a 0.47x magnification. Conversely, the W380 is a classic pocketable compact, measuring a mere 91x52x20 mm and weighing just 117 grams. Its minimalist body offers limited buttons and a small rear screen.
During extensive handling tests, the a3500 impresses with its commanding presence and well-laid controls, facilitating quick adjustments and comfortable shooting over extended periods - a crucial aspect for users advancing their skills or shooting professionally. The W380’s slim silhouette and lightness favor spontaneous photography, travel, or as a backup camera but compromise on grip security and shooting stability, especially in low light or rapid-action situations.
In sum, the a3500’s ergonomics benefit serious photographers prioritizing control and stability, whereas the W380 excels for highly portable, casual use where convenience trumps manual fine-tuning.
Sensor Technology and Image Quality: The Heart of the Matter
Sensor size and imaging pipelines fundamentally differentiate image quality, dynamic range, noise performance, and ultimately, creative potential. The a3500 employs a large APS-C sized CMOS sensor measuring 23.5 x 15.6 mm with 20 megapixels resolution. This sensor area (approximately 367 mm²) affords superior light-gathering capabilities, greater depth of field control, and enhanced dynamic range potential. The BIONZ processor supports RAW capture, manual white balance, and advanced exposure modes. By contrast, the W380 houses a significantly smaller 1/2.3" CCD sensor (6.17 x 4.55 mm, ~28 mm²) with 14 megapixels. While sufficient for casual snapshots, it inherently lacks the noise control and shallow depth-of-field rendering characteristic of larger APS-C sensors.
In real-world testing under various light conditions:
- The a3500 delivers clearer images, richer colors, and notably better detail retention in shadows and highlights, enabling more aggressive post-processing latitude.
- The W380 exhibits more noise at moderate ISO levels, limited highlight detail, and tends toward softer images due to its smaller sensor and less sophisticated optics.
For photographers invested in portraiture, landscape, or any discipline demanding fine tonal gradations and crisp details, the a3500 is head and shoulders above. The W380’s sensor and JPEG processing pipeline are optimized for straightforward family albums and social media sharing rather than intricate print or professional work.
Autofocus Systems: Precision and Speed in Diverse Scenarios
Autofocus (AF) technology has evolved quickly, and the distinction between phase detection and contrast detection remains critical to real-world usability, especially for moving subjects.
The Sony a3500’s AF system uses 25 contrast-detection points with face detection capabilities and continuous autofocus modes. While it lacks phase detection, its ability to track subjects across areas and maintain focus during burst shooting (up to 4 frames per second) is commendable for an entry-level model. Eye-detection autofocus - now common in newer models - is missing, but face priority works well for portraits and casual shooting.
In stark contrast, the Sony W380 relies on a simpler 9-point contrast-detection system with no face or eye detection. The autofocus is slower, less accurate on moving subjects, and there is no continuous AF mode, limiting its effectiveness in sports or wildlife photography.
Photographers interested in wildlife, sports, or action genres will find the a3500’s autofocus markedly preferable, offering faster lock-on and improved reliability in challenging lighting. The W380 is better suited for stationary subjects or static scenes.
Viewing and User Interface: Navigating Your Shooting Experience
The rear LCD screen and viewfinder are critical for composing frames, checking focus, and reviewing images. The a3500’s 3.0” TFT LCD boasts 230k-dot resolution with a fixed angle - not a touchscreen, but paired with the electronic viewfinder (EVF) offering 100% frame coverage and 0.47x magnification, it facilitates precise framing in bright environments where LCDs can be compromised.
The W380 uses a smaller 2.7” LCD screen with identical 230k dots resolution but lacks any EVF, requiring composition through the LCD only. This may hinder usability in bright sunlight and reduces shooting flexibility.
The a3500’s dedicated buttons and manual mode menus provide quick access to exposure and focus adjustments, essential for learning photographers needing to experiment with settings rapidly. The W380 operates through simpler menus and limited control options, designed for point-and-shoot simplicity.
Optical Versatility and Lens Compatibility
One of the a3500’s greatest strengths lies in its Sony E-mount lens compatibility, supporting a wide selection of over 120 lenses ranging from ultra-wide primes to telephoto zooms, including macro and specialty lenses, thus facilitating creative exploration across photographic genres. Its APS-C sensor also benefits from a 1.5x crop factor, extending reach for telephoto applications.
The W380 has a fixed 24-120mm equivalent zoom lens (5x optical zoom) with a relatively slow aperture range (f/2.4-5.9), suitable for everyday snapshots but without scope for lens swapping or specialty optics. The close macro focus distance is 5cm, adequate for casual close-ups but without advanced focusing precision.
This lens ecosystem flexibility makes the a3500 the natural choice for users who want to grow and experiment, while the W380 remains good for simple, grab-and-go photography but limiting in creative reach.
Performance Across Photography Genres
Let’s evaluate these two cameras through the lens of common photographic applications, highlighting practical strengths and limitations:
Portrait Photography
Capturing natural skin tones and attractive bokeh requires good sensor performance, accurate autofocus, and lens options with wide apertures. The a3500’s larger sensor and interchangeable lenses allow shallow depth-of-field effects that isolate subjects crisply. Its 25-point AF with face detection aids reliable focusing on eyes and faces.
The W380’s small sensor and fixed lens limit bokeh control and introduce more noise in low light, and lack of face detection reduces autofocus accuracy on portraits.
Verdict: Sony a3500 excels at portraiture for enthusiasts; W380 can handle casual close-ups but lacks depth and control.
Landscape Photography
Landscape demands high resolution, wide dynamic range, and often weather-sealed bodies. The a3500’s 20MP APS-C sensor captures detailed textures and broad tonal range, crucial for capturing skies and shadowed foregrounds. While not weather-sealed, its durable SLR-style body is manageable in light elements.
The W380’s limited resolution and smaller sensor size reduce fine detail capture and dynamic range. No weather sealing hinders rugged outdoor use.
Verdict: a3500 is clearly superior for serious landscape photographers; W380 best kept for casual daylight scenes.
Wildlife and Sports Photography
Fast and accurate AF, high frame rates, and telephoto reach are key. The a3500 delivers 4fps continuous shooting and 25-point AF with tracking, rendering it more capable of capturing unpredictable subjects in motion. The broad lens selection includes telephoto zooms for distant wildlife.
The W380 shoots only 2fps with simpler AF, and the fixed zoom maxes at 120mm equivalent, insufficient reach for many wildlife or sports scenes.
Verdict: a3500 is far better suited for wildlife and sports due to AF speed, frame rate, and lens flexibility.
Street Photography
Here, discretion, portability, and fast operation are critical. The W380 shines with its ultra-compact size and light weight; it is less conspicuous and more convenient for candid street scenes. However, its slower autofocus can occasionally impede capturing decisive moments.
The a3500 is larger and more noticeable but offers better manual control for exposure and focus, which can be advantageous in tricky light or creative street shots.
Verdict: For minimalism and stealth, W380 wins; for precision and growth into manual photography, a3500 is preferable.
Macro Photography
Photographers need precision focusing and close focusing capabilities. The a3500 with compatible macro lenses delivers high magnification, critical sharpness, and creative control. The W380 enables casual macros at 5cm but lacks fine control or magnification power.
Night and Astrophotography
High native ISO and low noise are paramount. The a3500’s APS-C sensor excels at ISO up to 16000, with manageable noise, enabling cleaner night shots and astrophotography. The W380 tops out at ISO 3200 with significantly more noise, limiting low-light potential.
Video Capabilities
The a3500 provides Full HD 1080p video recording with AVCHD/H.264 compression, suitable for casual video but without advanced features like microphone input or 4K capture. No in-body stabilization means lens-based or external gimbal stabilization are advisable.
The W380 shoots at 720p with Motion JPEG format, resulting in larger files, lower quality, and limited editing flexibility. No external mic support or stabilization.
Travel Photography
Travel demands versatility, battery life, and reasonable size. The a3500 strikes a balance with strong versatility and 470-frame battery life but is significantly heavier and bulkier than the W380, which is ideal for those wanting a light, pocketable camera for snapshots.
Professional Use
For professional workflows, the a3500’s RAW support, manual controls, and lens ecosystem offer entry-level capabilities. The W380’s lack of RAW, limited resolution, and controls exclude professional use.
Build Quality and Reliability
Neither camera features environmental sealing or enhanced durability. The a3500’s more robust construction and familiar DSLR-style ergonomics contribute to a more confident handling experience. The W380 prioritizes compactness often at the expense of ruggedness.
Connectivity and Storage
Both cameras lack Wi-Fi, Bluetooth, or NFC wireless features, limiting modern instant sharing or remote control options. Both include USB 2.0 and HDMI ports, with a3500 having USB for faster data transfer.
Storage-wise, the a3500 supports SD cards (not explicitly listed but standard for E-mount cameras), while the W380 supports SD/SDHC and Memory Stick cards.
Battery Life Analysis
The a3500’s battery life rating of approximately 470 shots per charge is above average for mirrorless cameras of its era, facilitating extended shooting sessions without swapping out power often. The W380 specifications omit battery life data, but its small size and CCD sensor suggest moderate endurance.
Price-to-Performance Considerations
At launch, the a3500 was priced near $400 - a reasonable investment for users seeking an entry-level mirrorless camera capable of delivering solid image quality and manual control. The W380 is much more budget-friendly at under $50, making it an attractive choice for casual users or as a backup, but its performance and capability reflect the trade-off.
Quantitative Performance Metrics and Scores
Although neither camera has been rigorously tested by DxOMark or similar services, their hardware specifications allow some general inferences. The a3500’s larger APS-C CMOS sensor and more advanced processor typically outperform the W380’s tiny CCD sensor across key image quality parameters including color depth, dynamic range, and noise control. Continuous shooting speed and AF systems also strongly favor the a3500.
Final Recommendations: Who Should Buy Which Camera?
Choose the Sony a3500 if you are:
- An enthusiast or beginner aiming to grow into manual photography and interchangeable lenses.
- Focusing on portrait, landscape, nightlife, wildlife, or sports photography.
- Interested in decent video recording with HD quality.
- Needing a camera with substantial control, better image quality, and lens versatility.
- Willing to carry a larger camera and invest more in your photography gear.
Choose the Sony W380 if you are:
- Seeking the simplest, most affordable, and compact camera for casual snapshots.
- Prioritizing portability and ease over image quality or manual control.
- Using the camera chiefly for travel, street, or daytime social photography without advanced technical requirements.
- On a tight budget or requiring a beginner’s first camera or backup.
Conclusion: A Distinctive Choice Rooted in Usage and Expectation
This extensive comparison underscores how the Sony a3500 and Sony W380 cater to fundamentally different user profiles despite sharing the Sony name and entry-level positioning. The a3500 - with its larger APS-C sensor, electronic viewfinder, and manual exposure modes - equips users for creative growth and solid performance across diverse photography styles. Meanwhile, the W380’s compactness and simplicity make it an ideal grab-and-go solution for casual photographers, memory keepers, or those desiring minimal fuss.
Understanding these clear distinctions allows photographers to align their purchase with practical intentions rather than marketing hype. Whether embracing the versatility and control of the a3500 or opting for the convenience of the W380, you’ll be investing in a reliable tool suited to your photographic journey.
For additional detail on sensor specifications, build ergonomics, and real-world image samples discussed in this article, please refer to the integrated images within the text.
Sony a3500 vs Sony W380 Specifications
Sony Alpha a3500 | Sony Cyber-shot DSC-W380 | |
---|---|---|
General Information | ||
Brand Name | Sony | Sony |
Model | Sony Alpha a3500 | Sony Cyber-shot DSC-W380 |
Category | Entry-Level Mirrorless | Ultracompact |
Introduced | 2014-03-21 | 2010-01-07 |
Physical type | SLR-style mirrorless | Ultracompact |
Sensor Information | ||
Chip | BIONZ image | Bionz |
Sensor type | CMOS | CCD |
Sensor size | APS-C | 1/2.3" |
Sensor dimensions | 23.5 x 15.6mm | 6.17 x 4.55mm |
Sensor area | 366.6mm² | 28.1mm² |
Sensor resolution | 20 megapixel | 14 megapixel |
Anti aliasing filter | ||
Aspect ratio | 3:2 and 16:9 | 4:3 and 16:9 |
Highest Possible resolution | 5456 x 3632 | 4320 x 3240 |
Maximum native ISO | 16000 | 3200 |
Minimum native ISO | 100 | 80 |
RAW pictures | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 25 | 9 |
Lens | ||
Lens mount | Sony E | fixed lens |
Lens focal range | - | 24-120mm (5.0x) |
Highest aperture | - | f/2.4-5.9 |
Macro focus range | - | 5cm |
Amount of lenses | 121 | - |
Focal length multiplier | 1.5 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 3 inch | 2.7 inch |
Resolution of screen | 230 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen technology | TFT LCD | - |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.47x | - |
Features | ||
Minimum shutter speed | 30 seconds | 2 seconds |
Fastest shutter speed | 1/4000 seconds | 1/1600 seconds |
Continuous shutter rate | 4.0 frames per second | 2.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 6.00 m (at ISO200 / 4m at ISO100) | 4.80 m |
Flash settings | Flash off, Auto flash, Fill-flash, Slow Sync., Rear Sync. | Auto, On, Off, Slow syncro |
External flash | ||
AEB | ||
WB bracketing | ||
Fastest flash synchronize | 1/160 seconds | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 1920x1080 | 1280x720 |
Video file format | AVCHD, H.264 | Motion JPEG |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 411g (0.91 pounds) | 117g (0.26 pounds) |
Physical dimensions | 128 x 91 x 85mm (5.0" x 3.6" x 3.3") | 91 x 52 x 20mm (3.6" x 2.0" x 0.8") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 470 photos | - |
Type of battery | Battery Pack | - |
Battery model | NP-FW50 | NP-BN1 |
Self timer | Yes (2-sec. or 10-sec. delay) | Yes (2 sec or 10 sec, portrait1/portrait2) |
Time lapse feature | ||
Type of storage | - | SD/SDHC, Memory Stick Duo / Pro Duo / Pro HG-Duo, Internal |
Card slots | 1 | 1 |
Launch price | $398 | $44 |