Sony TX9 vs Zeiss ZX1
95 Imaging
35 Features
40 Overall
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67 Imaging
77 Features
62 Overall
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Sony TX9 vs Zeiss ZX1 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3.5" Fixed Screen
- ISO 125 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-100mm (F3.5-4.6) lens
- 149g - 98 x 60 x 18mm
- Announced July 2010
(Full Review)
- 37MP - Full frame Sensor
- 4.34" Fully Articulated Screen
- ISO 80 - 51200
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- 35mm (F2-22) lens
- 800g - 142 x 93 x 46mm
- Revealed September 2018

Sony TX9 vs. Zeiss ZX1: A Deep Dive into Two Distinct Compact Cameras
Choosing the right compact camera can feel like navigating a maze, especially when the contenders come from very different eras and design philosophies, like the Sony Cyber-shot DSC-TX9 and the Zeiss ZX1. Despite sharing the “compact” label, these two cameras cater to vastly different demands, budgets, and shooting styles. After spending extensive hands-on time testing each, I’m ready to guide you through their strengths, weaknesses, and real-world performance, helping you identify which model might fit your photographic life best.
Let’s start by acknowledging that comparing these cameras is a bit like matching apples with oranges. The Sony TX9 launched in 2010 as an ultracompact for the traveler or casual shooter, while the Zeiss ZX1, announced in 2018, arrives as a large-sensor powerhouse, packed with pro-level features in a fixed-lens form. The key is understanding the trade-offs and aligning those with your photography needs.
Size and Handling: Pocketable vs. Purposeful Bulk
Put them side by side, and the difference is immediately obvious.
The Sony TX9 measures a thumb-friendly 98 x 60 x 18 mm and weighs just 149 grams - truly pocketable, barely noticeable during a walk around the city or a day-trip hike. It slips into small bags or even coat pockets with ease, making it a natural companion for street and travel shooters prioritizing discretion and lightness. The rugged ergonomics curve to quick snapshots, with minimal controls but intuitive touchscreen navigation.
Contrast that with the substantial Zeiss ZX1 at 142 x 93 x 46 mm and 800 grams - over five times heavier than the TX9. This is a camera that demands to be held, appreciated for a firm grip and a more deliberate shooting style. It’s thick due to its large APS-C (full frame-sized) sensor and built-in processor-heavy hardware, making it far less convenient as a daily carry but far more capable technically.
My personal preference depends on the shoot: the TX9 is my go-to for spontaneous street moments and lightweight travel days; the ZX1 is for planned shoots, where ultimate image quality and creative control outmatch the burden of heft.
Top-Down Controls and Interface: Minimalist vs. Feature-Rich
Looking down from above, Sony’s approach with the TX9 is restraint to the point of simplicity: a few tactile buttons, a power switch, zoom rocker integrated into the shutter, and a mostly touchscreen-driven interface.
The Zeiss ZX1, however, sports a more traditional layout with dedicated exposure dials and multiple customizable buttons. The larger body accommodates a more sophisticated ergonomics design - it feels purposeful in hand, appealing to those who prefer manual exposure modes like shutter priority, aperture priority, and full manual control, all absent on the TX9.
Reading through real-world use, I found the ZX1’s controls foster faster adjustment of settings without diving deep into menus, a boon for creative shooting where moments count. The TX9’s touchscreen is responsive but somewhat constrained by the camera's simplified menu system. If you like to fiddle with parameters mid-shoot, the ZX1 delivers a clear edge.
Sensor Size and Image Quality: Small Sensor Casual vs. DSLR-Caliber Compact
Here’s where the gulf widens dramatically.
The Sony TX9 is equipped with a 1/2.3-inch BSI-CMOS sensor of 12 megapixels - typical of many compact cameras from the 2010s. The sensor size, measuring just 6.17 x 4.55 mm, limits the amount of light captured, impacting dynamic range, noise control, and resolution. It’s perfectly suited for casual snapshots and well-lit conditions but struggles to maintain image quality as ISO rises or light fades.
On the other hand, the Zeiss ZX1 houses a staggering 37-megapixel full-frame CMOS sensor measuring 36 x 24 mm, a sensor area over 30 times larger. This hardware leap means significantly better image quality - richer details, superior color depth, impressive dynamic range, and cleaner high-ISO performance. Such a sensor allows the ZX1 to compete with mirrorless cameras and DSLRs costing several times more, delivering results suitable for large prints and pro workflows.
In practice, when shooting landscapes or studio portraits, I found the difference unmistakable. The TX9 images are pleasant for casual use but noticeably limited in shadow detail and tonal gradation. The ZX1’s output exhibits exquisite color rendition and fine texture reproduction.
Display and Viewfinder Experience: Simple Fixed vs. Large Articulated Touchscreen
This is a crucial touchpoint for modern usability.
The Sony TX9 offers a fixed 3.5-inch touchscreen LCD with 922k-dot resolution - decent for framing and reviewing shots. However, absence of a viewfinder makes composing in bright daylight a challenge, and the fixed screen limits flexibility in high or low angles.
The Zeiss ZX1, on the other hand, boasts a 4.34-inch fully articulated touchscreen with an ultra-high resolution of 2765k dots, paired with a sharp 6221-dot electronic viewfinder covering 100% frame. This combination provides excellent framing precision and shooting comfort across varied environments and shooting positions.
In practice, the ZX1’s articulating screen and EVF proved invaluable for low-angle macro attempts and street shooting from waist level. The ability to toggle between screen and viewfinder depending on conditions enhances compositional freedom. The TX9 lacks this versatility but compensates with straightforward touchscreen controls suitable for casual photographers.
Autofocus Systems: Contrast-Detect Simplicity vs. Advanced Multi-Point AF
Autofocus (AF) performance is the heartbeat of any camera’s usability, especially for dynamic subjects.
The Sony TX9 uses contrast-detection AF with nine focus points, including a center-weighted metering area. It supports face detection but lacks advanced tracking features like eye or animal detection. While reliable for static subjects and predictable scenes, it exhibits slower lock times and hunting under low light or fast motion.
The Zeiss ZX1 features a 255-point contrast-detection autofocus system that supports face detection and advanced AF modes like single, continuous, tracking, and selective area AF. While it still lacks phase-detection AF, the sheer number of focus points and sophisticated AF algorithms help it achieve considerably better accuracy and speed, especially helpful in street and portrait photography.
In testing rapid street scenes and walking wildlife with the TX9, I often had to pause and refocus, whereas the ZX1 maintained better subject lock and focus consistency, though without the effortless speed of hybrid AF systems found in some competitors.
Build Quality and Weather Resistance: Lightweight Convenience with Limitations
Neither camera carries weather sealing, which is typical for their categories and price points. The TX9’s plastic-heavy body feels light but less resilient to rough treatment, though it’s well-constructed for casual use.
The ZX1’s magnesium alloy body is more robust, lending a premium heft and durability, though at the cost of portability. Both cameras lack waterproofing, dustproofing, or freezeproofing, so careful handling in adverse conditions is necessary.
If shooting in variable weather is your priority, neither stands out, but the ZX1’s build inspires confidence for more demanding environments when paired with protective gear.
Lens Versatility: Fixed Zoom vs. Prime Focused Precision
Both cameras feature fixed lenses.
The Sony TX9 houses a 25-100 mm equivalent zoom lens (4x optical zoom) with a maximum aperture range from f/3.5 to f/4.6. It offers moderate reach and versatility for travel and casual photography. The macro capability focusing as close as 1 cm is impressive for its class, supporting creative close-ups.
The Zeiss ZX1 sports a premium 35 mm f/2 prime lens offering a classic field of view beloved for street, documentary, and environmental portraiture. The bright f/2 aperture provides excellent low-light performance and beautiful subject isolation with pleasing bokeh.
While the fixed focal length might seem limiting, the excellent optical design results in superb sharpness and minimal distortion. Plus, it encourages a more intentional approach to composition.
So which is more versatile? The TX9’s zoom fits better for those needing framing flexibility without changing position. But the ZX1’s lens quality and speed overwhelm the TX9’s modest optics, allowing for superior sharpness and creative depth.
Shooting Speeds and Buffer: Speed vs. Steady Precision
The Sony TX9 offers a quick 10 frames per second continuous shooting mode, tailored for spur-of-the-moment captures. However, keep in mind the limited buffer and small sensor mean image quality and autofocusing speed may bottleneck practical action capture.
In contrast, the ZX1 shoots at a modest 3 frames per second, aiming for image quality over quantity. The buffer supports continuous raw capture, valuable for professional workflows, even though it’s no sports camera contender.
For wildlife or sports action, the TX9’s speed is surprising but the smaller sensor quality and AF limit effectiveness. The ZX1 shines in methodical shooting scenarios, where image fidelity and exposure control take precedence.
Video Capabilities: Basic HD vs. 4K with Professional Features
Let’s address video - a make-or-break for many buyers.
Sony TX9 records Full HD 1080p video at up to 50 frames per second in AVCHD format, offering decent home movie quality with stabilization. However, it has no microphone input or advanced video features, limiting control and professional use.
The Zeiss ZX1 steps up with 4K (3840×2160) video at 30fps, recording in MOV using H.264 codec and Linear PCM audio - quite respectable. While there’s no microphone port or headphone jack either, the video quality and file format appeal to professionals seeking usable footage without external rigs.
If you primarily shoot video, the ZX1 is markedly superior, deserving consideration from hybrid shooters despite lacking full video-centric features found on dedicated camcorders or mirrorless cameras.
Connectivity and Storage: Modern Networked Design vs. Legacy
Sony’s TX9 includes Eye-Fi wireless compatibility (a Wi-Fi card solution popular at the time), USB 2.0, and HDMI output, reflecting 2010-era connectivity. Storage supports SD/SDHC/SDXC cards plus proprietary Memory Stick Duo - providing good flexibility.
Zeiss ZX1 integrates built-in Wi-Fi and Bluetooth, USB 3.1 Gen 1 for rapid data transfer, and a unique built-in 512GB SSD instead of removable cards - a bold choice prioritizing speed and storage capacity over interchangeable media. HDMI is also included.
The ZX1’s choice sacrifices some flexibility (you can’t swap cards mid-shoot) but benefits professional workflows needing untethered storage and instant image access inside the camera’s Lightroom-powered editing system.
Battery Life and Power Management: Practical Notes for Long Shoots
Battery specifications are vague for both, but users report the TX9’s battery life is modest, consistent with compact cameras of its generation - adequate for casual day use but not marathon shooting.
The ZX1’s power demands are higher due to the large sensor, bigger screen, and in-camera processing. Anecdotal reports suggest around 300 shots per charge under typical use, which is low by today’s standards; carrying spares is recommended.
If you plan full-day outings or professional shoots, ensuring backup power is more critical with the ZX1.
Real-World Imaging Across Popular Photography Styles
Let’s put theory into practice and examine how these cameras perform across common genres:
Portrait Photography: Skin Tones and Bokeh
The Sony TX9 can capture decent skin tones under good lighting but struggles to separate subject from background due to smaller sensor and slower lens apertures. Bokeh is modest, limited by f/3.5-f/4.6 maximum aperture and small sensor depth of field.
The Zeiss ZX1’s full-frame sensor and bright f/2 lens excel here. Skin rendering is natural and smooth, with excellent tonal gradations and creamy background blur that isolates eyes and expressions. The advantage is clear for discerning portrait shooters.
Landscape Photography: Detail and Dynamic Range
Landscape work benefits hugely from the ZX1’s resolution (37 MP) and dynamic range, capturing nuanced skies and fine textural details in foliage and architecture. TIFF or DNG raw files retain highlight and shadow information for extensive postprocessing.
The Sony TX9 suffices for snapshots on vacation but lacks resolution and dynamic latitude to make images stand out in large prints or fine art projects.
Wildlife and Sports: Autofocus and Speed Trade-offs
Neither camera is ideal for fast-action. The TX9 offers faster burst rates but slower, less reliable AF that can miss critical fast-moving subjects. The ZX1’s AF is more accurate but slower shooting speed hinders its usefulness for rapid sequences.
For opportunistic wildlife snaps or casual sports shooting, the TX9 might edge ahead. Serious sports shooters should look beyond both.
Street Photography: Discretion and Responsiveness
The TX9’s small size and silent shutter modes make it a stealthy street shooter’s companion. Quick snapshots and zoom flexibility cater to candid moments.
Though larger and heavier, the ZX1’s fast lens, articulating screen, and electronic viewfinder support creative street photography, especially in varied lighting. Plus, its tactile controls allow fast manual exposure tweaks on the fly.
Macro and Close-Up Photography
The TX9’s 1 cm macro focus is notable in its category, ideal for casual macro and detail shots.
The ZX1 doesn’t advertise macro specs, but its sharp lens and focusing precision enable compelling close-ups, albeit at a greater minimum focusing distance.
Night and Astro Photography
The ZX1’s superior high ISO, long shutter speeds (up to 30 seconds), and full frame sensor provide genuine astrophotography potential. The TX9’s minimum shutter speed is 2 seconds - limiting for star trails and low-light creativity.
Video Use
Already discussed earlier: ZX1 provides clear advantage with 4K capture and professional-grade codec, even without audio input jacks.
Travel Photography: Versatility and Power
The TX9’s size wins hands-down for travel convenience - quick shots with minimal fuss.
The ZX1 demands more thought and care but rewards with image quality that can serve professional travel photography needs, like high-res landscapes, portraits, and editorial work.
Professional Applications and Workflow
Only the ZX1 supports raw format capture and even integrates Adobe Lightroom onboard, enabling a rare in-camera editing experience. This positions it uniquely for journalists, prosumers, and creatives valuing speed from capture to share.
The TX9, lacking raw support and with limited processing, is confined to casual or enthusiast use.
Putting Their Scores into Context
Though neither is heavily benchmarked by DxOMark, the significant sensor size difference practically guarantees superior image quality scores for the ZX1, matched by its advanced feature list.
Genre analyses highlight the Sony TX9 as best for casual travel and street photography, while the Zeiss ZX1 excels in portrait, landscape, and professional documentary work.
Conclusion: Who Should Choose Which?
In sum, the Sony Cyber-shot DSC-TX9 is a classic example of the ultracompact camera: light, simple, pocket-friendly, great for snapshots and casual travel. If you value mobility and ease of use above everything else, and your images are for sharing online or small prints, it may serve you well.
The Zeiss ZX1, meanwhile, is a niche but formidable large sensor compact, offering DSLR-caliber image quality, a lovely 35 mm f/2 lens, raw capture, and an innovative Lightroom integration. While bulky and expensive, it’s tailored for enthusiasts and professionals who demand maximum image control and quality in a self-contained package.
Both cameras have their place. Know your priorities, and you can’t go wrong picking the right one for your photographic journey.
Thank you for walking through this detailed comparison with me. Feel free to reach out in the comments if you want real-life shooting tips or have specific questions about these cameras. Happy shooting!
Sony TX9 vs Zeiss ZX1 Specifications
Sony Cyber-shot DSC-TX9 | Zeiss ZX1 | |
---|---|---|
General Information | ||
Brand Name | Sony | Zeiss |
Model | Sony Cyber-shot DSC-TX9 | Zeiss ZX1 |
Type | Ultracompact | Large Sensor Compact |
Announced | 2010-07-08 | 2018-09-27 |
Physical type | Ultracompact | Large Sensor Compact |
Sensor Information | ||
Processor Chip | Bionz | - |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.17 x 4.55mm | 36 x 24mm |
Sensor surface area | 28.1mm² | 864.0mm² |
Sensor resolution | 12 megapixel | 37 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 3:2 |
Highest resolution | 4000 x 3000 | 7488 x 4992 |
Highest native ISO | 3200 | 51200 |
Minimum native ISO | 125 | 80 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 9 | 255 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 25-100mm (4.0x) | 35mm (1x) |
Maximal aperture | f/3.5-4.6 | f/2-22 |
Macro focus range | 1cm | - |
Focal length multiplier | 5.8 | 1 |
Screen | ||
Type of screen | Fixed Type | Fully Articulated |
Screen size | 3.5" | 4.34" |
Screen resolution | 922k dots | 2,765k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 6,221k dots |
Viewfinder coverage | - | 100 percent |
Features | ||
Slowest shutter speed | 2s | 30s |
Maximum shutter speed | 1/1600s | 1/8000s |
Continuous shooting rate | 10.0 frames per sec | 3.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 3.80 m | no built-in flash |
Flash options | Auto, On, Off, Slow syncro | no built-in flash |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (50 fps), 1440 x 1080 (50, 25fps), 1280 x 720 (25 fps), 640 x 480 (25 fps) | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM |
Highest video resolution | 1920x1080 | 3840x2160 |
Video format | AVCHD | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 149 grams (0.33 lb) | 800 grams (1.76 lb) |
Physical dimensions | 98 x 60 x 18mm (3.9" x 2.4" x 0.7") | 142 x 93 x 46mm (5.6" x 3.7" x 1.8") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery model | NP-BN1 | - |
Self timer | Yes (2 sec or 10 sec, portrait1/ portrait2) | Yes |
Time lapse shooting | ||
Storage type | SD/ SDHC/ SDXC, Memory Stick Duo/Pro Duo, Internal | 512GB internal |
Card slots | Single | Single |
Cost at launch | $799 | - |