Sony WX9 vs Sony A77 II
99 Imaging
38 Features
37 Overall
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62 Imaging
65 Features
85 Overall
73
Sony WX9 vs Sony A77 II Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-125mm (F2.6-6.3) lens
- n/ag - 95 x 56 x 20mm
- Launched January 2011
(Full Review)
- 24MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 50 - 25600
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 647g - 143 x 104 x 81mm
- Launched May 2014
- Earlier Model is Sony A77

Sony WX9 vs Sony A77 II: An Expert’s Deep Dive into Two Generations of Sony Cameras
Choosing a camera can often feel like navigating a labyrinth - there’s a dizzying array of specs, features, and price points. Sitting at different ends of Sony’s lineup, the Sony Cyber-shot DSC-WX9 (ultracompact) and the Sony SLT-A77 II (advanced DSLR) offer distinctly different photographic experiences, each tailored for specific types of users. But what really sets them apart beyond their obvious category labels?
Having spent over 15 years rigorously testing cameras in studios and in the field, I’m going to dissect each of these models across practical use cases, technical prowess, and real-world handling. Whether you’re a casual snapper considering an upgrade, or a semi-pro hunting for a robust, versatile system, this comparison should make your decision clearer.
Let’s start from the beginning - the very size and ergonomics of these cameras, which shape much of your photographic workflow.
Compact vs. Mid-Size SLR: Handling and Ergonomics in the Real World
From the get-go, you can see these two cameras couldn’t be more different. The Sony WX9 is an ultracompact point-and-shoot, comfortably pocketable at 95 x 56 x 20mm. Handling it feels akin to holding a thick smartphone, light, easy to carry, and downright unassuming. The lens is fixed, no lens swapping - simplicity incarnate for casual use, travel, or street photography where discretion is key.
Contrast that with the Sony A77 II, an APS-C mid-size DSLR measuring 143 x 104 x 81mm and weighing in at 647 grams. It’s solid, with grip contours and a heft that imbues confidence but sacrifices discreetness. This is a camera designed for serious shooting sessions, with a robust chassis partially weather-sealed for durability.
Ergonomically, the A77 II features more controls at your fingertips, clearly laid out for quick access - shutter priority, aperture priority, exposure compensation, and manual modes all within easy reach. On the other hand, the WX9’s compactness means relying primarily on menus, with limited physical dials or buttons, which may slow down rapid settings changes.
If you prize portability above all, camera size might be make-or-break.
Design Language Up Close: Top-Down Control Layout and Usability
When looking down at the cameras - literally, at their top view - you notice how streamlined the WX9 is. A simplistic mode dial, shutter button, and zoom rocker dominate. For a beginner or someone wanting tangent-free shooting, this is genius in its minimalism. But pros who need granular control on the fly will find it limiting.
The A77 II’s top plate reveals a complex but intuitive spread of buttons and dials: dedicated exposure modes, drive modes (including 12 fps burst), and a more generous shutter release button with a refined feel. My hands, even being moderately sized, liked the tactile feedback and organization here - essential for those rapid-fire sports or wildlife shoots where fumbling can cost precious moments.
Sensor Size and Image Quality: The Heart of the Matter
Here’s where things get juicy. Both cameras use CMOS sensors, but the nuances shape image quality heavily.
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Sony WX9: Equipped with a 1/2.3" BSI-CMOS sensor measuring 6.17 x 4.55mm, delivering 16 megapixels with a maximum ISO of 3200. The sensor area clocks in at a relatively small 28.07 mm².
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Sony A77 II: Features a much larger APS-C CMOS sensor at 23.5 x 15.6mm, with 24 megapixels. The sensor area is substantial at 366.60 mm², and the maximum ISO is an impressive 25600 (native ISO 50 minimum).
What does that mean practically? The larger sensor on the A77 II can capture more light, deliver richer colors, improved dynamic range, and perform significantly better in low light.
My own lab assessments and pixel-peeping have shown the A77 II easily surpasses the WX9 in tonal gradation and clarity, especially when shooting RAW files - a format not supported by the WX9, which limits ultimate image flexibility. Skin tones on the A77 II exhibit natural warmth without banding, and landscape shots retain details in shadows and highlights, whereas the WX9 often struggles to balance this.
The WX9’s smaller sensor and 5.8x focal length multiplier translate into more noise at higher ISOs and tougher conditions, but its BIONZ processor provides decent noise reduction without sacrificing too many details at base ISOs.
LCD and Viewfinder: Composing Your Shots
Another key difference is composition aids.
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The WX9 sports a fixed 3.0-inch XtraFine LCD with 921k-dot resolution, adequate for framing and reviewing shots. However, it lacks touchscreen and articulation, meaning you’re often shooting from eye- or waist-level angles.
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The A77 II boasts a fully articulating 3.0-inch screen with 1229k-dot resolution, increasing versatility for unconventional angles - macro, low level, or overhead shots. Not touchscreen-enabled but highly responsive with physical controls.
In addition, the WX9 lacks any kind of viewfinder, requiring you to compose on-screen exclusively, which can be challenging under bright sunlight.
The A77 II has a high-resolution electronic viewfinder (EVF) with 100% coverage and 0.73x magnification, outperforming many optical viewfinders in detail and real-time display of exposure adjustments, focus peaking, and overlays. For action or wildlife shooters - where seeing your subject clearly is vital - this is a massive advantage.
Autofocus Systems: Speed, Accuracy, and Tracking
Diving into autofocus - the nervous system of any modern camera - the discrepancy is substantial.
The WX9’s system is basic: 9 focus points, contrast-detection AF only, no phase detection. This translates to decent focusing during static scenes but falters with moving subjects. There’s no eye detection, face detection is absent, and no continuous autofocus during burst shooting.
The A77 II, by contrast, sports a 79-point phase-detection AF system (15 cross-type points), with on-sensor autofocus and wide coverage. It offers face detection and eye AF to aid portrait handling. Continuous AF and tracking capabilities are excellent at 12 frames per second burst rates, keeping wildlife or sports subjects sharp.
In my field tests, capturing fast-moving animals in mixed lighting, the A77 II rarely missed a focus lock, whereas the WX9 struggled even with moderate movement.
Burst Rates and Shutter Speeds: Freezing the Action
Burst shooting can be a decisive factor for sports and wildlife photographers.
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WX9 provides a maximum 10 fps burst rate but limited to single AF lock – meaning once it locks focus for the first frame, it doesn't update during the burst.
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A77 II excels with a 12 fps burst rate coupled with continuous AF, offering a huge edge for fast-paced action.
Shutter speed on the WX9 tops out at 1/1600s, whereas the A77 II extends shutter speeds from a slow 30 seconds up to a blistering 1/8000s - handy for freezing ultra-fast motion or achieving long exposure night shots without ND filters.
Lens and Ecosystem Compatibility: Fixed Lens vs. Interchangeable System
With the WX9’s fixed lens offering a 25-125mm equivalent focal range (5x zoom, f/2.6-6.3 aperture), you’re limited in creative scope. It’s versatile for everyday casual shooting and even close-up macro at 5 cm focusing distance, but the aperture narrows significantly at telephoto, impacting low-light and depth-of-field control.
In contrast, the A77 II uses Sony/Minolta Alpha mount lenses, with a broad ecosystem of 143 compatible lenses ranging from ultra-wide primes and telephoto zooms to specialized macros and tilt-shift optics. This flexibility lets you tailor your setup precisely for portrait, macro, sports, or wildlife work.
My own shooting experience repeatedly confirms that the ability to swap lenses on the A77 II transforms the camera into multiple tools, catering to varying genres with ease.
Build Quality and Environmental Durability
Given your investment, build quality matters.
The WX9 lacks any weather sealing and is firmly designed as a delicate consumer compact. It’s vulnerable to dust and moisture, unsuitable for rough outdoor conditions.
Surprisingly, the A77 II does come with a degree of environmental sealing, though not fully waterproof or dustproof. In rainy or dusty conditions, it holds up better than many competitors at its price point. The body feels rugged, while the magnesium alloy chassis adds durability without too much weight penalty.
For serious fieldwork or travel where weather unpredictability is part of the deal, the A77 II’s build inspires more confidence.
Battery Life and Storage Flexibility
When testing battery endurance, the WX9 doesn’t publish official CIPA ratings, but its compact format and smaller sensor draw less power, though small batteries mean limited capacity.
The A77 II comes with a powerful NP-FM500H battery, rated for 480 shots per charge, tested repeatedly in my trials. Real-world usage (live view, video, burst) still approaches this figure, a boon for longer shoots without spares.
Both cameras accept SD cards, but the A77 II supports SDXC and Memory Stick variants, which adds versatility if you’re embedded in Sony’s ecosystem. The WX9 offers similar compatibility but with older interfaces.
Video Features and Audio Capability
Video recording contributes significantly to camera versatility today.
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The WX9 shoots 1080p at 60 fps with AVCHD and MPEG-4 formats but lacks external microphone input and stabilization relies solely on the lens.
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The A77 II offers Full HD video up to 60p with AVCHD, MPEG-4, and XAVC S codecs, and includes a microphone input, a must for serious videographers. Sensor-based stabilization helps produce smoother handheld shots.
For casual video diaries or family events, the WX9 suffices. But if you plan to create higher quality videos - documentaries, sports coverage, or vlogging - the A77 II is superior.
Genre-Specific Performance Insights
Let’s break down each camera’s suitability by photography genre:
Portraits:
- A77 II wins for creamy bokeh, precise eye focus, and accurate skin tone rendition.
- WX9 usable in good light conditions, but limited control restricts creative depth of field.
Landscapes:
- A77 II’s higher resolution, wider dynamic range, and weather sealing deliver edge-to-edge sharpness and durability.
- WX9 fine for casual snaps but struggles with detail in shadows.
Wildlife:
- A77 II’s fast AF, burst speed, and telephoto lens options excel.
- WX9’s slow AF and limited zoom impede performance here.
Sports:
- A77 II’s tracking and frame rates make it highly competitive.
- WX9 unable to keep up with fast action.
Street Photography:
- WX9’s compactness and discretion are advantageous.
- A77 II more conspicuous but more capable in low light and manual control.
Macro:
- A77 II can pair with macro lenses giving superior magnification and focus precision.
- WX9’s built-in macro mode works for casual use.
Night/Astro:
- A77 II’s low-light ISO and long exposures make it superior.
- WX9 only practical for brief exposures in decent lighting.
Video:
- A77 II’s better codecs, audio input, and stabilization set it apart.
- WX9 good for casual shooting.
Travel:
- WX9’s size and simplicity suit travel, ease of packing.
- A77 II more versatile but heavier.
Professional Work:
- A77 II delivers on RAW support, workflow integration, reliability.
- WX9 limited to JPEG and consumer-grade performance.
Final Performance Ratings and Value Considerations
If we score these cameras across core criteria of image quality, autofocus, handling, video capability, and ergonomics, the Sony A77 II consistently leads. It’s no surprise given its newer sensor, advanced AF system, and professional-grade design.
The WX9 is highly competent for its category, especially for beginners or ultra-compact enthusiasts, but it’s simply not fair to compare it directly to the A77 II’s more serious ambitions.
Who Should Choose Which Camera?
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Pick the Sony WX9 if:
- You want a budget-friendly, pocketable camera for casual, everyday shooting.
- Portability and convenience trump manual control and ultimate image quality.
- You mostly shoot in good lighting and prioritize simplicity.
- Video is occasional, and advanced features aren’t a priority.
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Pick the Sony A77 II if:
- You desire professional-level image quality, robust autofocus, and wide lens options.
- Your photography spans multiple genres: portraits, wildlife, sports, macro, and low light.
- You’re ready to invest in a serious system that grows with your skills.
- Video recording quality and audio input matter for your work.
Closing Thoughts
To sum it up with the wisdom of experience: the Sony WX9 is a friendly, reliable pocket camera for those who want an easy entry into photography or a no-fuss travel companion. It captures moments quickly but won’t wow you with depth or refinement.
The Sony A77 II is a more demanding tool, but the rewards for mastering it are significant - impressive image quality, blazing autofocus, and flexibility that outperforms many contemporaries. It shows that even a mid-tier DSLR from 2014 can hold its own against modern rivals when paired with the right glass and know-how.
Whichever you choose, understanding your photographic priorities and workflow will ensure you get the most from your Sony investment. And if budget allows, the A77 II is a still-valid powerhouse that can grow with your passion.
Happy shooting!
Appendix: Technical Snapshot for Quick Reference
Feature | Sony WX9 | Sony A77 II |
---|---|---|
Sensor | 1/2.3" BSI-CMOS (16MP) | APS-C CMOS (24MP) |
Max ISO | 3200 | 25600 |
Autofocus Points | 9 (contrast detect) | 79 (phase detect, 15 cross) |
Burst Rate | 10 fps (single AF) | 12 fps (continuous AF) |
Lens Mount | Fixed 25-125mm f/2.6-6.3 | Sony/Minolta Alpha mount |
Video | 1080p 60fps, no mic input | 1080p 60fps, mic input, XAVC S |
Articulated Screen | No | Yes |
Viewfinder | None | EVF 2359-dot 100% coverage |
Weight | ~unknown (compact light) | 647g |
Dimensions (mm) | 95 x 56 x 20 | 143 x 104 x 81 |
Price (approximate) | $188 | $1,198 |
Thank you for joining me on this thorough comparison. Feel free to drop questions or request sample galleries; I’m always happy to share more insights!
Sony WX9 vs Sony A77 II Specifications
Sony Cyber-shot DSC-WX9 | Sony SLT-A77 II | |
---|---|---|
General Information | ||
Manufacturer | Sony | Sony |
Model | Sony Cyber-shot DSC-WX9 | Sony SLT-A77 II |
Type | Ultracompact | Advanced DSLR |
Launched | 2011-01-06 | 2014-05-21 |
Physical type | Ultracompact | Mid-size SLR |
Sensor Information | ||
Powered by | BIONZ | Bionz X |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.5 x 15.6mm |
Sensor area | 28.1mm² | 366.6mm² |
Sensor resolution | 16 megapixel | 24 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 3:2 and 16:9 |
Maximum resolution | 4608 x 3456 | 6000 x 4000 |
Maximum native ISO | 3200 | 25600 |
Lowest native ISO | 100 | 50 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 9 | 79 |
Cross focus points | - | 15 |
Lens | ||
Lens mount | fixed lens | Sony/Minolta Alpha |
Lens focal range | 25-125mm (5.0x) | - |
Maximum aperture | f/2.6-6.3 | - |
Macro focus range | 5cm | - |
Number of lenses | - | 143 |
Focal length multiplier | 5.8 | 1.5 |
Screen | ||
Type of display | Fixed Type | Fully Articulated |
Display diagonal | 3 inches | 3 inches |
Resolution of display | 921 thousand dots | 1,229 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display tech | XtraFine LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,359 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.73x |
Features | ||
Lowest shutter speed | 2s | 30s |
Highest shutter speed | 1/1600s | 1/8000s |
Continuous shooting rate | 10.0 frames per second | 12.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 5.30 m | 12.00 m (at ISO 100) |
Flash settings | Auto, On, Off, Slow Sync | Auto, fill, rear sync, slow sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash synchronize | - | 1/250s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60p, 60i, 30p), 1440 x 1080 (30p), 640 x 480 (30p) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, AVCHD | MPEG-4, AVCHD, XAVC S |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | - | 647 gr (1.43 pounds) |
Dimensions | 95 x 56 x 20mm (3.7" x 2.2" x 0.8") | 143 x 104 x 81mm (5.6" x 4.1" x 3.2") |
DXO scores | ||
DXO All around score | not tested | 82 |
DXO Color Depth score | not tested | 24.4 |
DXO Dynamic range score | not tested | 13.4 |
DXO Low light score | not tested | 1013 |
Other | ||
Battery life | - | 480 images |
Battery type | - | Battery Pack |
Battery model | NP-BN1 | NP-FM500H |
Self timer | Yes (2 or 10 sec, Portrait 1/2) | Yes (Yes (2 or 12 sec)) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | One | One |
Retail price | $188 | $1,198 |