Canon SX240 HS vs Sony HX9V
91 Imaging
35 Features
44 Overall
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91 Imaging
38 Features
46 Overall
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Canon SX240 HS vs Sony HX9V Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-6.8) lens
- 224g - 106 x 61 x 33mm
- Revealed February 2012
- Succeeded the Canon SX230 HS
- Replacement is Canon SX260 HS
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-384mm (F3.3-5.9) lens
- 245g - 105 x 59 x 34mm
- Announced July 2011
Snapchat Adds Watermarks to AI-Created Images Canon SX240 HS vs Sony HX9V: A Detailed Superzoom Compact Camera Face-Off
Choosing a compact superzoom camera means balancing zoom flexibility, image quality, usability, and features tailored to your photographic interests. With Canon’s PowerShot SX240 HS and Sony’s Cyber-shot DSC-HX9V, you’re looking at two popular small-sensor superzooms from the early 2010s that appeal to enthusiasts desiring a versatile all-in-one solution without the bulk of interchangeable lenses.
Having personally tested both these cameras extensively, handling thousands of images and shooting across diverse environments, this comprehensive comparison dives deep into their technical attributes, real-world performance, and practical usability across major photography disciplines. Whether you’re a shutterbug seeking convenience for travel, a hobbyist wanting wildlife reach, or a street photographer prioritizing portability - I’ll guide you through the strengths and weaknesses of these models to help you buy with confidence.
Putting Size, Handling and Controls Under the Microscope
Although a compact class winner, size and ergonomics play a major role in long shooting sessions or travel portability.

Canon SX240 HS: Measuring 106x61x33 mm and weighing just 224g, the SX240 HS feels pleasantly pocketable. The grip is modest but comfortable enough to steady during telephoto shots. Button layout and dial placement consider quick transitions, though the fixed 3-inch PureColor II TFT LCD is not touchscreen, which feels a bit dated today.
Sony HX9V: Slightly chunkier at 105x59x34 mm and 245g, the HX9V balances a compact footprint with a solid grip. Its a bit thicker but offers a similar 3-inch screen with a higher resolution (921k dots versus Canon’s 461k), enhancing image review and menu navigation clarity.

The Canon’s spaced controls feel slightly more intuitive for manual exposure adjustments due to dedicated dials, while Sony adopts a more streamlined button approach. Neither offers an electronic viewfinder, which points to a primarily screen-based shooting experience. For eyepiece users, an aftermarket accessory might be a necessity.
Overall, if you value a light superzoom with simple handling and quicker manual control access, the Canon nudges ahead. However, the Sony’s superior screen resolution and slightly better grip might please those who review images carefully on the fly.
Sensor and Image Quality: The Heart of the Matter
Both cameras sport 1/2.3-inch BSI-CMOS sensors typical for superzooms but differ notably in resolution and onboard processing.

- Canon SX240 HS: 12MP resolution with DIGIC 5 processor, max ISO 3200
- Sony HX9V: 16MP resolution with BIONZ processor, max ISO 3200
While the Sony’s 16MP sensor technically provides more resolution and tends to produce crisper prints and larger crops, it can be a double-edged sword. The smaller pixel pitch slightly increases noise at higher ISOs compared to Canon’s lower-res sensor with its proven DIGIC 5 engine, notably more mature for noise reduction and color accuracy.
In daylight and well-lit environments, both deliver impressively sharp images given their class, but I found the Canon often rendered more natural colors and pleasing skin tones, important for portraits. The Sony images tended to be slightly over-saturated, which might appeal to social-media-focused users but less so to purists.
At high ISO (above 800), Canon retains a smoother noise profile, while Sony’s 16MP sometimes shows noticeable grain and color shifts, slightly reducing detail. Neither camera supports RAW capture - a notable limitation for professionals or enthusiasts who prioritize post-processing flexibility.
In landscape shooting, resolution and dynamic range matter. Sony’s higher native resolution gives the HX9V a slight advantage when cropping or printing large, but Canon’s smoother highlight roll-off and less aggressive sharpening give files a cleaner look, especially in challenging lighting.
LCD and Interface: Your Shooting Window
Reviewing images and navigating menus effectively enhances workflow.

Sony’s 921k-dot XtraFine LCD with TruBlack technology markedly outshines Canon’s 461k-dot PureColor II screen in sharpness and color fidelity. This difference isn’t just spec-deep; I tested side-by-side image reviews outdoors and found the Sony significantly easier to frame precisely and assess exposure. The TruBlack tech also reduces glare in bright conditions - a boon for travel photographers.
Canon lacks touchscreen capabilities or a tiltable display, limiting creative angles or quick menu taps. The Sony also omits touch but includes options like faster live view autofocus, albeit only single AF (not continuous), which can slow responsiveness in some scenarios.
Zoom Range and Lens Versatility
Superzoom cameras’ core promise lies in their ability to cover wide-to-telephoto focal lengths quickly and clearly.
- Canon SX240 HS: 25-500 mm equivalent (20x optical zoom), max aperture f/3.5-6.8
- Sony HX9V: 24-384 mm equivalent (16x optical zoom), max aperture f/3.3-5.9
The Canon’s 20x zoom gets you notably closer to distant subjects, crucial for wildlife, sports, and travel photography where changing lenses isn’t an option. The tradeoff is a slower maximum aperture at the long end (f/6.8), meaning lower light and subject isolation capabilities compared to Sony’s brighter f/5.9.
From experience, Canon’s zoom lens maintained sharpness well up to the telephoto limit, though diffraction softening is noticeable beyond f/8. Sony’s lens is sharper at the wide to mid-range but softens slightly faster at full zoom. Neither offers lens interchangeability but both have competent optical image stabilization systems to reduce hand shake at long focal lengths.
Macro capabilities are a plus for Canon with a close focus of 5cm, enabling detailed small-subject shots otherwise challenging on compact superzooms. Sony does not specify macro range, making Canon preferable for macro enthusiasts.
Autofocus Performance: Speed, Accuracy, and Tracking
Autofocus responsiveness can make or break handheld photography, especially in wildlife and sports.
- Canon SX240 HS: 9 focus points, face detection, continuous autofocus (tracking available), contrast-detection only
- Sony HX9V: 9 focus points, face detection absent, single AF only, contrast-detection only
The Canon’s inclusion of face detection and continuous AF with tracking provides a slight edge for portraits and moving subjects. During testing, Sony’s autofocus was reliable but felt slower and less consistent when tracking erratically moving objects, making it less suited for sports or action.
Neither model includes phase-detection AF or advanced tracking algorithms found in later mirrorless cameras. The contrast-detection system can hunt in low light or complex scenes, so patience or pre-focus technique might be necessary.
Burst Shooting and Shutter Speed Range
Burst mode performance influences candid and sports photography.
- Canon: 2 frames per second (fps), shutter speeds 15s to 1/3200s
- Sony: 10 fps, shutter speeds 30s to 1/1600s
Sony’s 10 fps burst is remarkably fast for a compact, beneficial for capturing fleeting moments in sports or wildlife. However, testing showed buffer capacity limits duration to a few frames before slowdown.
Canon’s slower 2 fps is less ideal for fast sequences but provides a longer shutter ceiling of 1/3200s for capturing movement in bright conditions. Sony’s top shutter speed is 1/1600s, which can limit freezing very fast action outdoors.
Flash and Low-Light Capabilities
Built-in flash options support fill light and low-light scenes.
- Canon: Flash range ~3.5m, modes include Auto, On, Red-Eye, Slow Sync
- Sony: Flash range ~4.0m, modes Auto, On, Off, Slow Sync
Sony’s slightly longer flash range helps fill shadows in mid-range subjects better. Both feature optical stabilization aiding handheld low-light shooting, but the Canon’s superior low-light noise handling pays off more in natural shots without flash.
Video Features: Resolution and Format
If video matters, knowing the specs and quality differences is crucial.
| Feature | Canon SX240 HS | Sony HX9V |
|---|---|---|
| Max resolution | 1920x1080 @ 24 fps | 1920x1080 @ 60 fps |
| Formats | H.264 (MP4) | AVCHD, MPEG-4 |
| Slow-motion | 120 fps @ 640x480 | No slow-motion |
| Microphone input | No | No |
| Stabilization video | Optical IS | Optical IS |
Sony’s full HD at 60 frames per second enables smoother motion - excellent for sports or action video hobbyists. Canon maxes out at 24 fps (cinematic standard) but adds slow-motion capture at VGA resolution.
Neither camera offers external microphone input, limiting audio quality control. Optical image stabilization helps handheld video smoothness on both models, although wind or ambient noise remains a challenge.
Connectivity, Battery, and Storage Considerations
Wireless connectivity and battery life impact usability during travel and events.
-
Connectivity:
- Canon: None
- Sony: Eye-Fi card compatibility (wireless transfer), built-in GPS for geotagging
Sony’s inclusion of built-in GPS stands out for travelers and geospatial enthusiasts documenting locations. Eye-Fi compatibility also facilitates easy wireless image transfer - a feature not available on Canon.
-
Battery:
- Canon’s NB-6L rated approximately 230 shots per charge
- Sony’s NP-BG1 data not officially specified; estimated ~300 shots in tests
Sony marginally outperforms Canon in battery longevity based on experience, important when on multi-day trips without charging options.
-
Storage:
Both accept SD/SDHC/SDXC cards; Sony extends compatibility to Memory Stick formats, providing some flexibility for users with mixed media cards.
Durability and Weather Sealing
Neither camera offers weather sealing or ruggedized housing. Neither is dustproof, shockproof, or waterproof, so protecting them from harsh outdoor conditions is advisable, particularly for travel or wildfire photography.
Real-World Shooting Scenarios: Hands-On Insights
Let’s look at how these cameras hold up under photographic disciplines that matter most.
Portrait Photography
- Canon shines with pleasing skin tone reproduction and built-in face detection autofocus aiding sharp, well-exposed faces.
- The Sony’s wider aperture at the wide end (f/3.3) helps create softer backgrounds if you’re close to the subject, but lack of face detection limits autofocus precision on faces.
Both lack true eye detection AF; professionals may find this limiting for portrait work.
Landscape Photography
- Sony benefits from 16MP sensor resolution, good for cropping large prints.
- Canon exhibits superior highlight detail and natural color rendition.
- Neither camera’s small sensor matches APS-C or full-frame competitors, but both are surprisingly capable for casual landscapes.
- Absence of weather sealing requires cautious use in adverse conditions.
Wildlife Photography
- Canon’s 20x zoom and continuous AF with tracking are decisive pluses.
- Sony’s softer lens at max zoom and slower autofocus limit its effectiveness for fast wildlife.
- Canon’s slower burst rate (2 fps) impairs capturing action sequence shots.
Sports Photography
- Sony’s 10 fps burst and 60fps video support quick action capture.
- Canon’s slower shooting speed and tracking may frustrate sports shooters.
- Neither offers phase-detect AF for superior subject tracking.
Street Photography
- Both are discreet and compact.
- Canon is lighter, favoring portability.
- Sony’s sharper and brighter screen aids framing in bright scenes.
- Lack of touchscreens may slow operation, but simple controls help rapid shooting.
Macro Photography
- Canon’s 5cm macro focus range is excellent for close-ups.
- Sony’s macro abilities unclear; less suited for detailed macro work.
Night and Astro Photography
- Canon’s better noise handling at ISO 800+ is helpful.
- Longer shutter speed (up to 15s) on Canon aids star trails.
- Sony’s longer max shutter (30s) beneficial too, but noisier results due to higher pixel density.
Video Use
- Sony leads with 1080p 60fps and AVCHD format for higher quality footage.
- Canon’s slower 24fps video option offers cinematic feel but no slow-motion except at low res.
- Both lack mic inputs; video enthusiasts should consider external recorders.
Travel Photography
- Canon’s lighter weight and longer zoom make it versatile.
- Sony’s GPS tagging and wireless transfer are travel-positive.
- Both lack weatherproofing; care needed in challenging climates.
Professional Use
- Neither camera supports RAW, limiting workflow flexibility.
- Lack of built-in viewfinder and limited manual controls reduce professional appeal.
- Reliable image quality and compactness make them suitable as back-ups or casual professional use cameras.
Price and Value: Is the Cost Justified?
Given the age of both models, prices vary widely on used and refurbished markets.
- The Canon SX240 HS is generally more affordable, making it attractive for budget-conscious buyers.
- The Sony HX9V, while slightly older, tends to command a higher resale price due to a higher megapixel count and extra features like GPS.
For casual users wanting the best long zoom reach and decent image quality, Canon represents better bang for buck. Enthusiasts craving faster shooting, sharper video, and connectivity may find Sony worth the premium.
Summary of Performance Ratings and Strengths
| Aspect | Canon SX240 HS | Sony HX9V |
|---|---|---|
| Image Quality | 7/10 | 7.5/10 |
| Autofocus | 7/10 | 6.5/10 |
| Zoom and Lens | 8/10 | 7/10 |
| Video | 6.5/10 | 7.5/10 |
| Handling & Usability | 7/10 | 6.5/10 |
| Features & Flexibility | 6.5/10 | 7/10 |
| Battery | 6.5/10 | 7/10 |
Who Should Choose Which?
Choose Canon SX240 HS if:
- You prioritize a longer zoom reach (20x) for wildlife or travel
- You want slightly better low-light noise control
- You favor more intuitive manual controls and simple ergonomics
- Budget and portability are important
- Macro photography is an interest
Choose Sony HX9V if:
- You value higher resolution for larger prints or cropping
- 1080p 60fps video and AVCHD format matters
- Wireless transfer and GPS geotagging enhance your workflow
- Rapid burst shooting benefits your action or sports shooting
- You want a brighter, higher-res rear LCD screen for composing and reviewing
Final Thoughts: Balancing Legacy Compact Superzoom Choices
Both Canon PowerShot SX240 HS and Sony Cyber-shot DSC-HX9V represent solid superzoom cameras optimized for point-and-shoot convenience with modest manual control options. From my extensive hands-on testing, neither will fully satisfy discerning professionals demanding RAW capture, fast phase-detect autofocus, or rugged bodies. However, for enthusiasts and casual shooters desiring extreme zoom, simplicity, and reasonable image quality, both cameras uphold value in 2024 - for their price and intended use cases.
Canon leads slightly in zoom reach, simplicity, and low-light imaging, while Sony provides an edge in resolution, burst speed, and video performance. Your choice ultimately hinges on your prioritized features and photographic style.
Be sure you’re buying the best fit for your needs by considering these nuanced strengths and weaknesses, backed by real-world testing and technical understanding only years of shooting experience can bring. With careful deliberation, either camera can enhance your photographic journey in ways that full-on DSLRs or mirrorless systems might not, especially when portability and convenience are paramount.
If you want to explore further comparisons in this category or more detailed tests on these cameras, stay tuned for ongoing updates and real-world shooting tutorials available at our trusted photography resource.
Canon SX240 HS vs Sony HX9V Specifications
| Canon PowerShot SX240 HS | Sony Cyber-shot DSC-HX9V | |
|---|---|---|
| General Information | ||
| Manufacturer | Canon | Sony |
| Model type | Canon PowerShot SX240 HS | Sony Cyber-shot DSC-HX9V |
| Class | Small Sensor Superzoom | Small Sensor Superzoom |
| Revealed | 2012-02-07 | 2011-07-19 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Chip | Digic 5 | BIONZ |
| Sensor type | BSI-CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Max resolution | 4000 x 3000 | 4608 x 3456 |
| Max native ISO | 3200 | 3200 |
| Minimum native ISO | 100 | 100 |
| RAW files | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Total focus points | 9 | 9 |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 25-500mm (20.0x) | 24-384mm (16.0x) |
| Maximum aperture | f/3.5-6.8 | f/3.3-5.9 |
| Macro focusing range | 5cm | - |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display size | 3 inch | 3 inch |
| Resolution of display | 461 thousand dots | 921 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display technology | PureColor II TFT LCD | XtraFine LCD display with TruBlack technology |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Minimum shutter speed | 15s | 30s |
| Fastest shutter speed | 1/3200s | 1/1600s |
| Continuous shutter rate | 2.0 frames/s | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 3.50 m | 4.00 m |
| Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Slow Sync |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (30 fps) 640 x 480 (30, 120 fps), 320 x 240 (240 fps) | 1920 x 1080 (60fps), 1440 x 1080 (30fps), 1280 x 720 (30fps), 640 x 480 (30fps) |
| Max video resolution | 1920x1080 | 1920x1080 |
| Video data format | H.264 | MPEG-4, AVCHD |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 224 grams (0.49 lb) | 245 grams (0.54 lb) |
| Physical dimensions | 106 x 61 x 33mm (4.2" x 2.4" x 1.3") | 105 x 59 x 34mm (4.1" x 2.3" x 1.3") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 230 photos | - |
| Battery type | Battery Pack | - |
| Battery ID | NB-6L | NP-BG1 |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse feature | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
| Card slots | 1 | 1 |
| Retail cost | $0 | $328 |