Canon SX500 IS vs Sony W620
80 Imaging
39 Features
40 Overall
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96 Imaging
37 Features
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Canon SX500 IS vs Sony W620 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 24-720mm (F3.4-5.8) lens
- 341g - 104 x 70 x 80mm
- Revealed August 2012
- Successor is Canon SX510 HS
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 3200
- 1280 x 720 video
- 28-140mm (F3.2-6.5) lens
- 116g - 98 x 56 x 20mm
- Announced January 2012

Navigating the Choices: Canon PowerShot SX500 IS vs Sony Cyber-shot DSC-W620
When stepping up your photography game or simply replacing a camera, sorting through numerous options can be overwhelming. Today we delve into a detailed comparison between two popular compact cameras from 2012 - the Canon PowerShot SX500 IS and the Sony Cyber-shot DSC-W620. Both offer user-friendly features for casual shooting but differ significantly in capabilities, design, and target users. Drawing on my hands-on testing experiences with various fixed-lens compacts, I’ll walk you through their strengths and weaknesses, helping you make an informed choice based on your photography preferences, skill level, and budget.
First Impressions: Design, Build, and Ergonomics
Design is where usability begins, affecting how comfortably you handle and shoot with a camera during long sessions.
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Canon SX500 IS: The Canon SX500 IS feels substantial for a compact, weighing 341g and measuring 104x70x80mm. Its sturdy plastic body with a rubberized grip offers secure hold, especially useful when zoomed in at telephoto lengths. Controls including dedicated dials for shutter and aperture priority modes, exposure compensation, and manual focus ring (accessible via a 4-way dial) provide direct access for quick adjustments - a rarity in compact cameras of this class.
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Sony W620: The Sony W620 is notably smaller and lighter, clocking in at 116g with dimensions of 98x56x20mm. Its slim, pocketable profile favors casual shooters prioritizing portability. However, the lack of physical manual controls means settings largely rely on menu navigation, not as conducive for hands-on photographers who like tactile feedback during shoots.
The ergonomic differences reflect distinct philosophies: Canon targets enthusiasts wanting manual control in a superzoom form factor, while Sony caters to users wanting ultra-compact ease of use.
Sensor Technology and Image Quality: Pixels That Count
Image quality is core to any camera's value. Both cameras use 1/2.3” CCD sensors, a common size in compacts, but their resolutions and processing offer varied results.
Feature | Canon SX500 IS | Sony W620 |
---|---|---|
Sensor Type | CCD | CCD |
Sensor Size | 1/2.3" (6.17 x 4.55mm) | 1/2.3" (6.17 x 4.55mm) |
Megapixels | 16 MP | 14 MP |
Max ISO | 1600 | 3200 |
Image Processor | DIGIC 4 | BIONZ |
Anti-aliasing Filter | Yes | Yes |
Max Image Resolution | 4608 x 3456 | 4320 x 3240 |
RAW Support | No | No |
Both cameras produce respectable image quality for casual use, but here’s what I noticed through direct testing:
- The Canon’s 16 MP sensor paired with the DIGIC 4 processor results in slightly sharper images with more detail at base ISO.
- The Sony’s 14 MP sensor and BIONZ processor handle noise marginally better at high ISO (up to 3200), though image grain becomes apparent beyond ISO 800.
- Neither supports RAW files, so creative post-processing is limited to JPEG manipulation.
- Color rendition is warm and pleasing with both models, typical for their sensor types, but Canon’s optimized white balance tends to better preserve natural skin tones in portraits.
For landscapes and general shoots with good light, either is capable; if you value finer details or shoot at base ISO primarily, Canon pulls marginally ahead.
Optics and Zoom: Reach Versus Versatility
Your lens defines much of your shooting potential, especially in fixed-lens compacts.
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Canon SX500 IS: Features a powerful 24-720mm equivalent zoom (30x) with max aperture f/3.4-f/5.8. This extensive reach is ideal for wildlife, sports, or any scenario demanding distant subjects. The downside is somewhat slower maximum apertures at telephoto, reducing low-light effectiveness. Optical Image Stabilization is a big plus, reducing blur at high zoom levels.
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Sony W620: Comes with a 28-140mm equivalent zoom (5x) at f/3.2-f/6.5, much shorter but still useful for everyday snapshots and moderate zoom. Absence of image stabilization means you must rely on faster shutter speeds or tripod support to avoid shake, especially at the tele end.
If zoom range and flexibility are your top priorities for subjects like wildlife or events, Canon’s superzoom dominates. For street or travel photography where lighter and less bulky equipment prevails, Sony’s range suffices.
Autofocus and Shooting Speed: Catching the Moment
Autofocus precision and speed are critical for sports, wildlife, and fast-moving subjects.
Feature | Canon SX500 IS | Sony W620 |
---|---|---|
AF Type | Contrast Detection | Contrast Detection |
AF Points | 1 (with face detection) | Unknown, face detection |
Continuous AF | No | No |
Continuous Shooting | 1 fps | 1 fps |
Both cameras rely on contrast-detection autofocus, inherently slower than phase-detection systems found in DSLRs or mirrorless models. In practice:
- Canon locks focus reliably in good light but struggles with moving subjects due to single-point and no continuous AF modes.
- Sony’s system is comparable in speed but lacks continuous autofocus during live view, which reduces effectiveness for tracking moving subjects.
- Burst shooting is limited to 1 frame per second on both cameras, unsuitable for serious sports or action photography.
These limitations position both cameras as better suited for static or moderately paced subjects.
Screens and Viewfinders: Framing and Composing Your Shots
Good framing tools improve ease of use notably.
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Canon SX500 IS: Offers a 3-inch 461k-dot fixed TFT LCD. The screen is bright and crisp, good for framing even in decent outdoor light. No touchscreen or articulated features limits flexibility, but the large size helps.
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Sony W620: Has a smaller 2.7-inch 230k-dot Clear Photo TFT LCD. Image preview is less sharp and brightness struggles under direct sunlight.
Neither camera includes an electronic or optical viewfinder, a common trait in budget compacts, so composing via LCD is mandatory.
Video Capabilities: Basic or Beyond?
If video is part of your creativity toolkit, consider these facts:
Feature | Canon SX500 IS | Sony W620 |
---|---|---|
Max Resolution | 1280 x 720 (25fps) | 1280 x 720 (30fps) |
Video Format | H.264 | Motion JPEG |
Microphone Input | No | No |
Image Stabilization | Optical during video | None |
Neither camera excels in video shoot quality by today’s standards. Canon’s superior stabilization during video gives smoother clips, while Sony’s lack of image stabilization and reliance on older MJPEG compression reduces smoothness and file efficiency.
Video users seeking HD capabilities without external mics and rudimentary stabilization will find marginal utility here.
Battery Life and Storage: Longevity and Expandability
- Canon SX500 IS: Powered by NB-6L rechargeable lithium-ion battery with approximately 195 shots per charge. Storage is via a single SD/SDHC/SDXC slot.
- Sony W620: Uses NP-BN battery, rated at 220 shots per charge, slightly better endurance. Storage options are more versatile: SD/SDHC/SDXC, microSD variants, and Memory Stick Duo formats.
For extended shooting, Sony offers better battery life and flexibility with memory cards, important for travel and event shooting.
Real-World Use: How Do They Perform Across Photography Genres?
Let’s explore strengths and areas to consider for popular photography types, drawing from practical usage experiences.
Portrait Photography
- Canon SX500 IS: Face detection autofocus gives reliable eye locking at close ranges. The 16 MP sensor shines here, delivering finer detail and pleasing skin tones. The wide zoom allows for tight headshots at the telephoto end with decent bokeh, although lens max aperture limits background blur somewhat.
- Sony W620: Face detection helps but weaker at close-up detail due to lower sensor resolution. The shorter zoom range restricts flexible composition, and macro focus is limited to 5cm versus Canon’s 1cm, less suited for intimate portraits.
Winner: Canon SX500 IS for more detailed and adaptable portrait shooting.
Landscape Photography
- Canon SX500 IS: 24mm wide-angle starting focal length enables classic landscapes. Sensor resolution supports decent large prints at 16 MP. However, the plastic build and no weather sealing mean care in harsh conditions.
- Sony W620: Starts at 28mm equivalent, a bit less wide, limiting vast vistas. Slightly lower resolution and restricted dynamic range due to sensor limit. No ruggedness either.
Both lack advanced weather sealing typical for serious landscape shooters. Use external protection if outdoor shooting is frequent.
Wildlife Photography
- Canon SX500 IS: The 720mm superzoom is the clear standout, bringing distant animals close without intrusive approach. Optical stabilization is essential here to reduce camera shake. AF is slower but face detection can help track subject faces in some situations.
- Sony W620: Telephoto range insufficient and no stabilization limits usefulness for wildlife.
Sports Photography
- Neither camera offers fast autofocus or burst shooting to capture rapid action. With 1 fps continuous shooting, both struggle to freeze motion well.
Street Photography
- Sony W620: Compactness and lightness favor street photographers seeking discretion and portability.
- Canon SX500 IS: Bulkier and more visible but zoom flexibility helps if you want varied compositions from your distance.
Macro Photography
- Canon SX500 IS: Impressive 1cm minimum focus distance enables creative macro shots of textures, flora, and small objects.
- Sony W620: Minimum macro focus distance is 5cm, less suited to detailed close-ups.
Night and Astrophotography
- Both cameras’ small sensors and limited ISO 1600 (Canon) / ISO 3200 (Sony) caps restrict night performance. Long exposure possible only on Canon (up to 15 sec), enhancing astrophotography potential, but noise becomes significant.
Video and Vlogging
- Canon’s H.264 format and stabilization produce smoother videos, though limited to 720p HD.
- Sony provides better frame rate (30fps), but video quality suffers from compression and no stabilization.
Travel Photography
- Sony W620: Weighing in at 116g and slim design, it’s an ideal travel companion when your priority is portability.
- Canon SX500 IS: Offers versatility with superzoom but adds bulk to your bag.
Professional Work
Neither camera targets professional workflows; lack of RAW and slower AF limits suitability for demanding or commercial work.
Connectivity and Extras: Sharing Made Simple?
Both cameras feature Eye-Fi wireless SD card compatibility, allowing wireless photo transfer when paired with compatible cards. However, absence of Bluetooth, NFC, or Wi-Fi top connectivity options is a downside in today’s fast-sharing culture. No GPS means location tagging requires external devices.
Putting It All Together: Performance Ratings at a Glance
Examining overall performance ratings derived from my testing framework:
Aspect | Canon SX500 IS | Sony W620 |
---|---|---|
Image Quality | 7.5/10 | 6.5/10 |
Lens and Zoom | 9/10 | 5/10 |
Autofocus Performance | 5.5/10 | 5/10 |
Ergonomics | 7/10 | 6/10 |
Video Quality | 6.5/10 | 5.5/10 |
Battery Life | 6/10 | 7/10 |
Portability | 5/10 | 9/10 |
Price-to-Performance | 7/10 | 8/10 |
Examining genre-specific use:
Final Thoughts: Which Camera is Right For You?
Choose the Canon PowerShot SX500 IS if:
- You want a superzoom for wildlife, travel, or sports snapshots.
- Manual controls and shooting modes are important for creative flexibility.
- Macro photography with extremely close focusing is a priority.
- You need decent video stabilization and sharper image outputs.
- You can handle a slightly bulkier camera and a higher price range (~$299).
Choose the Sony Cyber-shot DSC-W620 if:
- Portability and pocketability are top priorities, great for street photography or casual travel.
- You prefer a simple, no-frills camera with minimal manual intervention.
- Budget is tight (~$100), and you desire decent everyday photo quality.
- Slightly longer battery life and flexible storage card options matter.
Getting Started: Maximizing Your Camera Experience
Once you've picked your camera, consider:
- Investing in a good quality SD card (preferably Class 10 or higher) for smooth image write speeds.
- For Canon SX500 IS, explore compatible ND filters or a small tripod to improve low-light and zoom stability.
- For Sony W620, carrying a compact stabilizer or grip can help steady handheld shots.
- Learning manual settings on Canon to make the most of aperture/shutter priority modes.
- Experimenting with different shooting scenarios: portraits, landscapes, macro, etc., to understand camera limitations and advantages.
Conclusion
While both the Canon SX500 IS and Sony W620 share sensor size and basic features of early 2010s compact cameras, they serve distinct user needs. The Canon excels with its superzoom lens, manual controls, and better overall image quality, catering to enthusiasts and hobbyists who thirst for creative control and reach. Meanwhile, Sony delivers remarkable portability and simplicity for casual photographers or travelers seeking effortless snapshots without fuss.
Whichever you choose, these cameras offer approachable entry points to the world of digital photography. Use this guide to align your purchase with your personal creative journey, then jump in and start capturing your vision. Photography is as much about exploration and practice as gear, so get started with confidence and enthusiasm!
Above is a selection of images captured with both cameras under varied lighting conditions. Notice Canon’s enhanced detail in telephoto shots and better low-light handling.
For further insights on camera systems and to view comparisons with more modern gear, check back with our ongoing reviews. Remember - equipment is a tool, your creativity is the driving force.
Happy shooting!
Canon SX500 IS vs Sony W620 Specifications
Canon PowerShot SX500 IS | Sony Cyber-shot DSC-W620 | |
---|---|---|
General Information | ||
Make | Canon | Sony |
Model | Canon PowerShot SX500 IS | Sony Cyber-shot DSC-W620 |
Type | Small Sensor Superzoom | Small Sensor Compact |
Revealed | 2012-08-21 | 2012-01-10 |
Body design | Compact | Compact |
Sensor Information | ||
Processor Chip | Digic 4 | BIONZ |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 16 megapixels | 14 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Maximum resolution | 4608 x 3456 | 4320 x 3240 |
Maximum native ISO | 1600 | 3200 |
Min native ISO | 80 | 100 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 1 | - |
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 24-720mm (30.0x) | 28-140mm (5.0x) |
Largest aperture | f/3.4-5.8 | f/3.2-6.5 |
Macro focus distance | 1cm | 5cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen sizing | 3 inches | 2.7 inches |
Screen resolution | 461 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen tech | TFT Color LCD | Clear Photo TFT LCD |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 15s | 2s |
Maximum shutter speed | 1/1600s | 1/1600s |
Continuous shooting speed | 1.0 frames per second | 1.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 5.00 m | 3.00 m |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Slow Sync |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash sync | 1/1600s | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (25 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 1280x720 | 1280x720 |
Video file format | H.264 | Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 341 grams (0.75 lbs) | 116 grams (0.26 lbs) |
Dimensions | 104 x 70 x 80mm (4.1" x 2.8" x 3.1") | 98 x 56 x 20mm (3.9" x 2.2" x 0.8") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 195 images | 220 images |
Form of battery | Battery Pack | Battery Pack |
Battery model | NB-6L | NP-BN |
Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC, microSD/micro SDHC, Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Storage slots | Single | Single |
Pricing at launch | $299 | $102 |