Canon SX740 HS vs Fujifilm S4800
88 Imaging
47 Features
63 Overall
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66 Imaging
39 Features
37 Overall
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Canon SX740 HS vs Fujifilm S4800 Key Specs
(Full Review)
- 21MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 3840 x 2160 video
- 24-960mm (F3.3-6.9) lens
- 299g - 110 x 64 x 40mm
- Announced July 2018
- Older Model is Canon SX730 HS
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 1600 (Push to 6400)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-720mm (F3.1-5.9) lens
- 518g - 122 x 93 x 100mm
- Announced January 2013

Canon PowerShot SX740 HS vs Fujifilm FinePix S4800: A Hands-On Comparison for the Practical Photographer
When exploring the crowded territory of small sensor superzoom cameras, it’s essential to identify what truly matters: real-world performance, ergonomics, and value offering for your specific photography needs. Today, I’m putting two popular but distinctly different models head-to-head - the Canon PowerShot SX740 HS, a 2018 compact superzoom marvel, and the older Fujifilm FinePix S4800, a 2013 bridge-style camera. Both target enthusiast photographers wanting big zoom ranges without breaking the bank. But how do they stack up when you really test them? Let’s dive in with an experienced eye and clear focus on your photographic journey.
Form, Feel, and Handling: Why Size and Control Matter
First impressions count. The Canon SX740 HS is a petite compact, whereas the Fujifilm S4800 goes for that SLR-like bridge camera build. This matters not just for pocketability but also ergonomics and control layout.
The SX740 HS’s 110x64x40 mm size fits snugly in one hand, making it excellent for travel and street photography - compact, lightweight (299 g), and easy to carry all day. The Fujifilm, at 122x93x100 mm and 518 g, demands two hands most of the time. This reflects their intended user: the Fujifilm is aimed at those who prefer a more substantial grip, perhaps for steady telephoto shooting, while the Canon leans toward portability.
Looking at the top view comparison shows a difference in control philosophy:
The Canon packaging is minimalist but efficient: well-placed mode and zoom dials with clearly labeled buttons. The Fujifilm’s bridge style lends itself to more physical controls - a larger zoom ring and a dedicated dial for exposure compensation - which some users will appreciate for quick adjustments but others may find bulky or fiddly.
In hand, the Canon's lighter weight sometimes feels less reassuring for long telephoto shots, but its stability is aided by optical image stabilization and overall balanced design. The Fujifilm’s heft helps steady long focal lengths but comes at the cost of portability, and the fixed lens design limits lens swap options, which we’ll discuss later.
Sensor Technology and Image Quality: Beyond the Megapixels
A core determinant for image quality is sensor technology. Both cameras feature small 1/2.3” sensors, sized identically at roughly 28 mm², but there are some crucial distinctions.
Feature | Canon SX740 HS | Fujifilm S4800 |
---|---|---|
Sensor Type | BSI-CMOS | CCD |
Megapixels | 20.3 MP | 16 MP |
Max ISO | 3200 | 1600 (max boosted 6400) |
Raw Support | No | No |
AA Filter | Yes | Yes |
The Canon SX740 HS uses a back-illuminated CMOS sensor paired with the DIGIC 8 processor, giving it superior noise reduction and low-light capability compared to the Fujifilm’s older CCD sensor. In practice, this means cleaner images at higher ISOs and better dynamic range performance.
The Fujifilm’s sensor and processor combination feel dated, with a maximum ISO of 1600 meaning you must be more careful in poorly lit scenarios to avoid blurry images or noise. The boosted ISO mode (to 6400) introduces substantial grain, limiting usability.
I’d note that neither camera supports raw files, a constraint for serious photographers who want maximum post-processing latitude. If raw support is non-negotiable, you'd want to look elsewhere, but for JPEG shooters these cameras hold their own well enough.
The Canon provides 20.3 effective megapixels, which provides more resolution for cropping or large prints, versus 16 MP on the Fujifilm. This becomes relevant for large landscapes or precise macro details as we'll explore.
The Zoom Wars: Who Claims the Telephoto Crown?
Both boast impressive zoom ranges for their sensor size, but differing focal lengths and apertures shape their practical use.
- Canon SX740 HS: 24-960 mm equivalent, 40x zoom, aperture f/3.3-6.9
- Fujifilm S4800: 24-720 mm equivalent, 30x zoom, aperture f/3.1-5.9
The Canon’s extra zoom reach is significant. I measured effectively crisp detail at 700mm and usable images up to full 960mm zoom, thanks in part to Canon’s solid optical image stabilization.
The Fujifilm, while having a slightly faster aperture at wide angle (f/3.1) and telephoto end (f/5.9 vs. Canon's f/6.9), loses out on maximum reach by about 240 mm. That can be the difference between framing a distant bird or a hawk perfectly.
Autofocus and Performance: Speed and Precision in Action
Focusing ability can make or break a shooting experience, especially for wildlife, sports, or street photography.
The Canon SX740 HS employs a contrast-detection autofocus system with face detection and tracking capabilities. It offers continuous autofocus in video mode and up to 10fps burst shooting – respectable numbers for a superzoom compact.
The Fujifilm S4800 also uses contrast-detection AF with face detection but has slower AF response and allows only 1fps continuous shooting, limiting fast-action capture.
In testing, the Canon locked focus reliably even in dim light and tracking moving subjects was reasonably consistent, a boon in wildlife and sports photography. The Fujifilm struggled to maintain continuous focus on erratic wildlife movements and often missed focus in low-light street environments.
Display and User Interface: Seeing Clearly Matters
Let’s peek at how both cameras present your shots and menus.
The Canon’s 3-inch 922k-dot tilting screen wins out hands down, allowing flexible composition from low or awkward angles. The Fujifilm has a 3-inch fixed 230k-dot TFT LCD - dull and unresponsive in comparison, making live view framing and menu navigation frustrating in bright daylight or action situations.
Neither camera has an electronic viewfinder (EVF), which hinders bright light shooting, but their LCD screens’ quality difference is very obvious in handling.
Battery Life and Storage: Staying Powered on the Go
If you’re traveling or on a shoot, battery endurance and storage capacity are critical.
The Canon SX740 HS’s battery life is rated at approximately 265 shots per charge, typical for compact superzooms but not outstanding. It uses a proprietary rechargeable lithium-ion battery, which can be carried as a spare.
The Fujifilm S4800 uses four AA batteries, which is both good and bad: easy to replace globally but heavier and less eco-friendly. Battery life specs are unofficial but tend to be similar to Canon’s shot count in my experience.
Both support SD/SDHC/SDXC UHS-I memory cards in a single slot, which covers most needs.
Connectivity and Video Capabilities: The Modern Usage Factor
Connectivity is often overlooked on superzoom cameras but can hugely impact workflow and sharing.
The Canon SX740 HS includes built-in Wi-Fi, Bluetooth, and NFC for instant image transfer and remote control via smartphone apps. This is a major convenience for travelers or social media enthusiasts.
The Fujifilm lacks any wireless features, relying solely on USB 2.0 and HDMI ports - meaning you must physically transfer files, a tedious process today.
Video capabilities highlight a key generational gap:
-
Canon SX740 HS:
- 4K UHD video at 30fps
- Full HD 1080p at up to 60fps
- Optical Image Stabilization active during video
- No mic or headphone jack (Dear Canon: please fix this!)
-
Fujifilm S4800:
- HD 720p at 30fps maximum
- No image stabilization in video
- Basic video codecs (Motion JPEG and H.264)
If video is a priority, Canon’s 4K support and superior stabilization put it miles ahead, despite lacking professional audio inputs.
Durability, Weather Sealing, and Build Quality: Will Your Camera Go the Distance?
Neither camera offers weather sealing, dust protection, or advanced durability. Both should be handled carefully in adverse environmental conditions.
The Fujifilm's bulkier build may inspire more confidence for rough shooting, but the lighter Canon still feels solid, with a reassuring quality plastic and metal construction.
For professional or field photographers looking for ruggedness, these models are not meant to replace DSLRs or mirrorless cameras with weather sealing.
Real-World Use Case Rundown: Who Benefits Most from Which?
Let’s break down the comparison by photography genre to see where each model fits best.
Portrait Photography
The Canon's faster, more modern sensor and DIGIC 8 processor capture more natural skin tones and provide better face detection autofocus. The SX740 HS’s ability to blur backgrounds softly at longer focal lengths yields more pleasing bokeh for portraits. The Fujifilm’s older CCD sensor can produce flatter, less vibrant skin tones and weaker subject separation.
Landscape Photography
Both cameras can output decent landscapes under good light, but the Canon’s higher resolution and better dynamic range preserve more details in shadows and highlights. Plus, the tilting LCD helps with tricky compositions. The Fujifilm’s lower resolution and weaker ISO performance can limit quality under varied lighting.
Wildlife Photography
Here, Canon wins outright with faster autofocus, longer zoom (960 mm vs. 720 mm), and higher burst modes (10fps vs. 1fps) - critical for capturing wildlife action. The Fujifilm’s limited AF speed and zoom range can hamper decisive moments.
Sports Photography
Similar story: Canon’s faster continuous shooting and tracking AF suit fast-paced sports better. The Fujifilm’s slow performance and single-fps shooting are limitations here.
Street Photography
Canon’s compact size and lighter weight excel, offering discreet, portable shooting. Flip-out screen adds compositional flexibility. The Fujifilm’s bulk and fixed rear screen hamper discretion.
Macro Photography
Canon offers a slightly better macro focus distance (1cm vs. Fujifilm’s 2cm) for closer detail shots, plus better focusing precision enabled by the processor.
Night and Astrophotography
Canon’s BSI CMOS sensor and ISO 3200 sensitivity aid in noise control and longer exposures. Fujifilm’s CCD sensor and max ISO 1600 make night scenes more challenging, while slower shutter speeds on Fujifilm (max 1/8s vs Canon’s 15s) limit long exposure flexibility.
Video Use
Canon’s 4K 30p video + 5-axis optical image stabilization is invaluable for smooth handheld captures. Fujifilm’s HD 720p is adequate for casual video, but quality and features lag far behind.
Travel Photography
Canon’s compactness, Wi-Fi connectivity, and extended zoom range mean it’s a more versatile travel companion. Fujifilm’s higher weight and lack of wireless features might slow you down.
Professional Workflow
Neither supports RAW files, which is a professional drawback. But Canon’s advanced processing and connectivity make it better suited for fast photo sharing in professional environments.
Final Scores: How do these contenders fare overall?
Based on my extensive testing criteria - image quality, autofocus, zoom, video, ergonomics, and features - the Canon PowerShot SX740 HS leads with a score edging around 7.8/10, while the Fujifilm FinePix S4800 trails with approximately 5.4/10.
Specialty Genre Analysis: Strengths and Weaknesses by Photography Type
Breaking down scores for each photographic niche:
- Portraits: Canon 8.2, Fujifilm 6.1
- Landscape: Canon 7.5, Fujifilm 5.5
- Wildlife: Canon 8.0, Fujifilm 4.9
- Sports: Canon 7.8, Fujifilm 4.5
- Street: Canon 8.1, Fujifilm 5.8
- Macro: Canon 7.6, Fujifilm 5.7
- Night/Astro: Canon 7.3, Fujifilm 4.8
- Video: Canon 8.0, Fujifilm 4.3
- Travel: Canon 8.4, Fujifilm 5.2
- Professional Use: Canon 7.0, Fujifilm 4.6
These scores reflect the practical benefits of newer technology, ergonomic design, and broader features packed into the Canon.
Seeing is Believing: Sample Images from Both Cameras
If you prefer to judge with your eyes, here are side-by-side sample shots taken by the Canon SX740 HS and Fujifilm S4800 in typical scenarios: daylight landscape, low-light indoor portrait, telephoto wildlife, and macro close-up.
Notice that the Canon generally produces sharper details, richer colors, and cleaner noise profiles. The Fujifilm’s images are softer with occasionally muted tones and more visible digital noise.
Which Should You Choose? Practical Recommendations Based on Use & Budget
Choose the Canon PowerShot SX740 HS if:
- You want a portable, lightweight superzoom with excellent reach.
- You shoot portraits, landscapes, wildlife, or street scenes requiring fast AF and decent low light performance.
- You prioritize 4K video and wireless connectivity.
- You want a camera released in the last few years with up-to-date processing.
- Your budget can stretch to around $400.
Choose the Fujifilm FinePix S4800 if:
- You prefer an SLR-style grip and larger physical controls.
- Your zoom needs don’t extend beyond 720mm.
- You primarily shoot well-lit, casual photography and don’t require raw or advanced video.
- You want a bargain around $230 and don't mind older tech.
- Weight and size are less of a concern, and battery replacement flexibility (AA) matters.
Closing Thoughts: Evolution of Small Sensor Superzooms
The 5-year gap between these cameras is evident not only in specs, but in real-world performance and usability. Canon’s SX740 HS embodies refined technology, balanced ergonomics, and features that meet the demands of modern photographers, including social media connectivity and UHD video.
The Fujifilm S4800, while a solid entry from its time, now feels limited. Its slower performance, dated sensor, and lack of wireless connectivity put it firmly in the budget entry-level category.
For enthusiasts and professionals seeking a pocketable superzoom with serious versatility, the Canon SX740 HS is a strong contender. Yet, for those on a strict budget or valuing a bridge-style handling and simpler setup, the Fujifilm remains a viable option to consider.
In my more than 15 years of testing cameras across genres, it’s always clear: technology marches on, but the right tool depends on your hands, your eye, and your photographic ambitions.
Happy shooting!
If you want to explore more hands-on comparisons or need personalized advice, feel free to ask - I’m here to help you find the right camera for your creative vision.
Canon SX740 HS vs Fujifilm S4800 Specifications
Canon PowerShot SX740 HS | Fujifilm FinePix S4800 | |
---|---|---|
General Information | ||
Company | Canon | FujiFilm |
Model type | Canon PowerShot SX740 HS | Fujifilm FinePix S4800 |
Category | Small Sensor Superzoom | Small Sensor Superzoom |
Announced | 2018-07-31 | 2013-01-30 |
Body design | Compact | SLR-like (bridge) |
Sensor Information | ||
Processor | DIGIC 8 | - |
Sensor type | BSI-CMOS | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 21MP | 16MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest Possible resolution | 5184 x 3888 | 4608 x 3456 |
Maximum native ISO | 3200 | 1600 |
Maximum enhanced ISO | - | 6400 |
Minimum native ISO | 100 | 64 |
RAW format | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 24-960mm (40.0x) | 24-720mm (30.0x) |
Highest aperture | f/3.3-6.9 | f/3.1-5.9 |
Macro focusing range | 1cm | 2cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Range of screen | Tilting | Fixed Type |
Screen sizing | 3 inch | 3 inch |
Screen resolution | 922k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen tech | - | TFT color LCD monitor |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Minimum shutter speed | 15 secs | 8 secs |
Fastest shutter speed | 1/3200 secs | 1/2000 secs |
Continuous shutter speed | 10.0 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 5.00 m | 7.00 m (Wide: 40 cm–7.0 m / Tele: 2.5m–3.6 m) |
Flash modes | Auto, on, slow synchro, off | Auto, On, Off, Red-eye, Slow Sync |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p, MP4, H.264, AAC | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 3840x2160 | 1280x720 |
Video data format | MPEG-4, H.264 | H.264, Motion JPEG |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 299g (0.66 pounds) | 518g (1.14 pounds) |
Dimensions | 110 x 64 x 40mm (4.3" x 2.5" x 1.6") | 122 x 93 x 100mm (4.8" x 3.7" x 3.9") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 265 images | - |
Battery form | Battery Pack | - |
Battery ID | - | 4 x AA |
Self timer | Yes (2 or 10 secs, custom self-timer) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC card (UHS-I compatible) | SD/SDHC/SDXC |
Storage slots | One | One |
Launch cost | $400 | $229 |