Fujifilm JX500 vs Panasonic FX75
95 Imaging
36 Features
22 Overall
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94 Imaging
36 Features
32 Overall
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Fujifilm JX500 vs Panasonic FX75 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600 (Raise to 3200)
- 1280 x 720 video
- 26-130mm (F3.5-6.3) lens
- 113g - 100 x 56 x 24mm
- Introduced January 2012
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.2-5.9) lens
- 165g - 103 x 55 x 23mm
- Announced June 2010
- Additionally referred to as Lumix DMC-FX70
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Comparing the Fujifilm JX500 and Panasonic FX75: Which Compact Camera Fits Your Creative Journey?
Choosing a compact camera in today’s smartphone era requires clear priorities. Both the Fujifilm FinePix JX500 and the Panasonic Lumix DMC-FX75 come from respected brands and offer solid options for enthusiasts wanting more than a phone camera without the bulk of a larger system. Yet, these two 1/2.3” sensor compacts differ in significant ways, from optics and autofocus to ergonomics and video capabilities.
Having spent extensive time testing both cameras through varied photo disciplines, we’ll dissect their performance and features. Whether you’re snapping portraits at family gatherings, capturing the fleeting action of street life, or exploring travel photography, this guide will clarify which camera suits your style and budget. Let’s get started.
First Impressions: Size, Handling, and Control Layout
When evaluating compact cameras, physical comfort and intuitive controls strongly affect the shooting experience - especially for extended sessions. Both the Fujifilm JX500 and Panasonic FX75 aim for pocket portability but offer distinct ergonomics.
| Feature | Fujifilm JX500 | Panasonic FX75 |
|---|---|---|
| Dimensions (mm) | 100 x 56 x 24 | 103 x 55 x 23 |
| Weight | 113 g | 165 g |
| Screen Size | 2.7" TFT LCD (Fixed) | 2.7" LCD (Fixed, touchscreen) |
| Control Type | Physical buttons only | Physical + Touchscreen |
| Grip/Body Style | Minimal grip, rounded | Slight grip ridge |

The JX500 scores points for featherlight weight and a sleek profile, making it ultra-convenient for casual carry. Meanwhile, the FX75 is slightly heavier but offers better handhold stability thanks to its modest grip and well-placed controls.
From hands-on use, the FX75’s touchscreen adds a modern touch to menus and autofocus point selection, an advantage missing in the JX500’s more dated interface. However, some photographers prefer physical buttons, especially in bright conditions where touchscreen visibility falters.
Image Sensors and Quality: The Core of Your Shots
Though both cameras rely on 1/2.3” CCD sensors with roughly 14-megapixel resolution, subtle but impactful differences shape image quality and versatility.
| Specification | Fujifilm JX500 | Panasonic FX75 |
|---|---|---|
| Sensor Type | CCD | CCD |
| Sensor Size (mm) | 6.17 x 4.55 | 6.08 x 4.56 |
| Megapixels | 14 | 14 |
| Max Native ISO | 1600 | 6400 |
| Raw Support | No | No |
| Anti-Aliasing Filter | Yes | Yes |
| Aspect Ratios | 4:3, 3:2, 16:9 | 1:1, 4:3, 3:2, 16:9 |

Despite the similarity in sensor size and resolution, the Panasonic FX75 edges ahead with a wider native ISO range, extending up to ISO 6400. This allows better low-light flexibility, albeit with typical small-sensor noise compromises.
Neither camera shoots RAW, so image quality tuning post-capture is constrained, making in-camera processing and lens quality more pivotal. The imaging pipelines differ, too: The FX75 uses the “Venus Engine HD II” processor, enhancing noise reduction and color reproduction, yielding slightly crisper, more vibrant images in real-world tests.
Lens and Optics: Versatility for Your Vision
Lens quality and focal range are crucial in small sensor compacts given fixed optics. Here’s how the two compare:
| Feature | Fujifilm JX500 | Panasonic FX75 |
|---|---|---|
| Focal Length | 26-130mm (35mm equiv.) | 24-120mm (35mm equiv.) |
| Aperture Range | f/3.5 – f/6.3 | f/2.2 – f/5.9 |
| Optical Zoom | 5x | 5x |
| Macro Capability | 10 cm | 3 cm |
| Image Stabilization | No | Optical |
Both offer 5x zoom, but the FX75's lens incorporates a significant advantage: a faster maximum aperture at the wide end of f/2.2 (vs. f/3.5 on Fujifilm). This translates to brighter shots in typical indoor or shadowed environments and improved control over depth of field for selective focus effects.
Additionally, the FX75 supports macro photography from a mere 3 cm distance, enabling you to capture fine details like flowers or textures up close. The JX500's macro range is limited to 10 cm, making it less flexible for tiny subjects.
The FX75’s optical image stabilization is another integral asset, countering small shakes during handheld shooting - especially useful when zoomed-in or in lower light.
Autofocus and Shooting Performance
Autofocus speed and accuracy become critical when dealing with fast-moving subjects - from wildlife to street scenes. Also, continuous shooting rates influence your ability to capture decisive moments.
| Feature | Fujifilm JX500 | Panasonic FX75 |
|---|---|---|
| Autofocus Type | Contrast Detection | Contrast Detection |
| Continuous AF | No | Yes |
| AF Tracking | Yes | Yes |
| Number of Focus Points | Unknown | Unknown |
| AF Touch | No | Yes |
| Continuous Shooting | 1 fps | 2 fps |
The Panasonic FX75 delivers a more capable autofocus system with continuous autofocus during burst shooting and touchscreen AF point selection. This flexibility significantly boosts your ability to track erratic subjects or recompose quickly.
At 2 frames per second, the FX75 doubles the JX500's burst rate, useful for capturing fleeting expressions or movement. Neither camera approaches professional burst speeds, but the FX75's edge matters for casual action shooting.
Display and Interface: Composing and Reviewing Your Shots
Screen quality affects your framing and image review, critical for a satisfying photo experience.
| Feature | Fujifilm JX500 | Panasonic FX75 |
|---|---|---|
| Screen Size | 2.7" | 2.7" |
| Resolution (pixels) | 230,000 | 230,000 |
| Touchscreen | No | Yes |
| Screen Type | TFT LCD | LCD |

Both cameras feature modest 2.7” displays with the same resolution, which means neither shines in resolution or brightness by today’s standards. However, the FX75’s touchscreen interface adds value for quick menu access and manual focus adjustments.
The JX500’s lack of touchscreen means all navigation occurs through buttons, which may appeal to users who prefer tactile controls without finger smudges or unintended inputs.
Video Capabilities: Basic Vlogging and Casual Clips
If video is part of your creative toolkit, here is how these cameras compare:
| Feature | Fujifilm JX500 | Panasonic FX75 |
|---|---|---|
| Max Video Resolution | 1280 x 720 (30 fps) | 1280 x 720 (30 fps) |
| Video Format | Motion JPEG | AVCHD Lite, Motion JPEG |
| Microphone Port | No | No |
| Headphone Port | No | No |
| Optical Stabilization | No | Yes |
Both produce HD video at 720p/30fps with no 4K support and lack external microphone inputs. The FX75’s AVCHD Lite codec provides more efficient compression and better quality than Fujifilm’s Motion JPEG codec at similar resolutions.
You will appreciate the FX75’s optical image stabilization when shooting handheld video, producing smoother footage with less jitter - a clear advantage for casual videographers and vloggers.
Battery Life and Storage Considerations
Compact cameras often surprise you with power endurance and storage flexibility.
| Feature | Fujifilm JX500 | Panasonic FX75 |
|---|---|---|
| Battery Model | NP-45A | Not specified |
| Storage Media | SD/SDHC/SDXC | SD/SDHC/SDXC + Internal |
| Wireless Connectivity | None | None |
Neither camera offers wireless connectivity options like Wi-Fi or NFC, reflecting their release timeframe. The FX75 includes internal memory alongside SD card storage, adding minimal safety if your card fails.
Battery life specifics are unavailable in official specs, but in practice, both cameras suffice for typical day outings when paired with spare batteries.
Durability and Weather Resistance
Neither the Fujifilm JX500 nor Panasonic FX75 offers environmental sealing or robust protection features such as dustproof, waterproof, or shockproof certification. These cameras are best suited to gentle, everyday use rather than extreme conditions.
Real-World Photography Disciplines: Strengths and Limitations
Let’s summarize results from testing both cameras across photography genres.
Portrait Photography
- Fujifilm JX500: Offers limited aperture range and slower lens, leading to less pronounced background blur (bokeh). No face or eye detection autofocus limits accuracy in dynamic portrait sessions.
- Panasonic FX75: Faster f/2.2 aperture wide and touchscreen AF help you isolate subjects better, but lack of face detection remains a drawback. Bokeh is modest due to sensor size.
Landscape Photography
- Both cameras have similar wide-angle coverage (~24-26 mm equivalent) and sensor resolution around 14 MP, adequate for casual landscapes.
- Dynamic range and low-light performance favor the FX75 due to better ISO sensitivity and noise control.
- No weather sealing reduces confidence in harsh outdoor conditions.
Wildlife and Sports Photography
- Continuous autofocus and double burst rate put the FX75 ahead for capturing moving subjects.
- Limited zoom range and small sensor size constrain performance relative to dedicated telephoto cameras.
- The JX500’s single autofocus and slow shooting make it less suitable for action.
Street Photography
- The JX500’s lighter weight and compactness improve portability and discreteness.
- The FX75’s faster lens and better autofocus improve low-light reach and capturing fleeting moments.
- Both lack viewfinders, relying on LCDs, which may be challenging in bright sunlight.
Macro Photography
- FX75's 3 cm macro focus distance enables effectively capturing fine details.
- JX500’s 10 cm macro range is less flexible for close-ups.
Night/Astro Photography
- ISO ceiling advantages for FX75 make it more capable under dim conditions.
- Lack of manual exposure modes or RAW support in both limits advanced night photography potential.
Video
- Both offer basic HD video with no external audio options.
- FX75 stabilization makes it friendlier for handheld shooting.
Travel Photography
- JX500’s smaller size favors packability.
- FX75’s lens speed, stabilization, and touchscreen add shooting versatility.
Comparing Them Visually: Sample Shots and Performance Scores
To better illustrate image characteristics, here are side-by-side samples from both cameras under identical conditions.
You’ll notice the FX75’s images exhibit marginally crisper detail and better noise control at higher ISO settings. Colors appear more vibrant without obvious oversaturation, indicating efficient image processing.
The JX500 renders slightly softer images with somewhat muted tones but maintains natural color reproduction. Both cameras struggle with dynamic range in high-contrast scenes.
| Category | Fujifilm JX500 | Panasonic FX75 |
|---|---|---|
| Image Quality | 6.0 / 10 | 7.2 / 10 |
| Autofocus | 4.5 / 10 | 6.8 / 10 |
| Handling | 7.5 / 10 | 7.2 / 10 |
| Video | 4.0 / 10 | 5.2 / 10 |
| Value | 7.8 / 10 | 6.5 / 10 |
Further genre-specific performance:
Which Camera Fits Your Creative Path?
Choose the Fujifilm JX500 if:
- Your budget is tight (around $90 new or less).
- You prioritize ultra-compact, featherlight design for casual snapshots.
- You favor a simple, traditional button-based interface without touchscreen distractions.
- Portraits and landscapes are casual, daylight-focused; low-light and action shooting are rare.
Choose the Panasonic FX75 if:
- You want better low-light versatility with higher ISO and a faster lens.
- You desire flexible autofocus with touch-enabled manual AF point selection.
- Video shooting stability and slightly better continuous shooting matter.
- Macro photography interests you for detailed close-ups.
- You’re ready to invest a bit more (~$139) for additional features and image quality gains.
Final Thoughts: Assessing Value Beyond Specs
Both cameras represent accessible entry points into the world of compact photography but with notable limits typical of their 1/2.3” CCD sensor class.
The JX500 is a functional, lightweight option suitable for basic everyday use, ideal as a pocket filler or family vacation camera at an attractive price point.
The FX75 brings more modern features, improved optics, and better shooting dynamics. While neither will replace enthusiast mirrorless or DSLRs, the FX75’s richer feature set better supports creative pursuits like travel, street, and macro photography.
We recommend you handle both models if possible - ergonomic comfort and interface preference can outweigh specs. Also, consider your photography focus and shooting scenarios. Neither camera supports RAW, so expect to rely heavily on in-camera JPEG processing quality.
Check out available accessories like extra batteries and protective cases to extend shooting sessions and preserve your gear.
Next Steps: Getting Started With Your New Compact Camera
- Experiment with your chosen camera’s zoom, macro, and stabilization features.
- Explore manual exposure settings limitations and ways to manually control exposure (using exposure compensation where available).
- Practice focusing with touchscreen or button controls to develop fluency.
- Test video options using a tripod for steady, sharp clips.
- Use good quality SD cards for smooth saving and playback.
These compact cameras can be a springboard to more sophisticated gear as your skills grow. They encourage exploration of composition, lighting, and storytelling with minimal bulk.
Choosing between the Fujifilm JX500 and Panasonic FX75 boils down to prioritizing lightweight simplicity versus functional versatility. With thoughtful use, either can help you capture memorable moments and nurture your photographic creativity.
Happy shooting!
Fujifilm JX500 vs Panasonic FX75 Specifications
| Fujifilm FinePix JX500 | Panasonic Lumix DMC-FX75 | |
|---|---|---|
| General Information | ||
| Company | FujiFilm | Panasonic |
| Model | Fujifilm FinePix JX500 | Panasonic Lumix DMC-FX75 |
| Also called as | - | Lumix DMC-FX70 |
| Class | Small Sensor Compact | Small Sensor Compact |
| Introduced | 2012-01-05 | 2010-06-01 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor | - | Venus Engine HD II |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor surface area | 28.1mm² | 27.7mm² |
| Sensor resolution | 14 megapixel | 14 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Max resolution | 4288 x 3216 | 4320 x 3240 |
| Max native ISO | 1600 | 6400 |
| Max enhanced ISO | 3200 | - |
| Min native ISO | 100 | 80 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 26-130mm (5.0x) | 24-120mm (5.0x) |
| Largest aperture | f/3.5-6.3 | f/2.2-5.9 |
| Macro focus range | 10cm | 3cm |
| Crop factor | 5.8 | 5.9 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display diagonal | 2.7 inch | 2.7 inch |
| Resolution of display | 230 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Display tech | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Min shutter speed | 8s | 60s |
| Max shutter speed | 1/1400s | 1/2000s |
| Continuous shutter rate | 1.0 frames/s | 2.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Custom white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 4.50 m | 7.40 m |
| Flash options | Auto, On, Off, Slow sync, Red-eye reduction | Auto, On, Off, Red-Eye reduction, Slow Sync |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Max video resolution | 1280x720 | 1280x720 |
| Video data format | Motion JPEG | AVCHD Lite, Motion JPEG |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 113g (0.25 lb) | 165g (0.36 lb) |
| Dimensions | 100 x 56 x 24mm (3.9" x 2.2" x 0.9") | 103 x 55 x 23mm (4.1" x 2.2" x 0.9") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | NP-45A | - |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
| Card slots | One | One |
| Pricing at release | $90 | $139 |