Fujifilm S8500 vs Samsung NX10
61 Imaging
39 Features
40 Overall
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80 Imaging
54 Features
50 Overall
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Fujifilm S8500 vs Samsung NX10 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 12800
- Optical Image Stabilization
- 1/7000s Max Shutter
- 1920 x 1080 video
- 24-1104mm (F2.9-6.5) lens
- 670g - 123 x 87 x 116mm
- Introduced January 2013
(Full Review)
- 15MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 3200
- 1280 x 720 video
- Samsung NX Mount
- 499g - 123 x 87 x 40mm
- Released April 2010
- Later Model is Samsung NX11
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Fujifilm S8500 vs Samsung NX10: An In-Depth Comparison for Photography Enthusiasts
Selecting the right camera is an intensely personal decision shaped by your photographic style, priorities, and budget. Over my 15+ years of hands-on experience testing cameras across all genres, I’ve learned that understanding both technical capabilities and real-world performance is key to making an informed choice. Today, I’ll share a detailed comparison between two distinctly different cameras from the early 2010s: the Fujifilm FinePix S8500, a superzoom bridge camera, and the Samsung NX10, an entry-level mirrorless model. Both hold unique appeal but target quite different user needs.
Drawing on extensive testing sessions and thousands of sample images scrutinized, this article examines how these cameras perform in typical shooting conditions - portraiture, landscapes, wildlife, sports, street, macro, night photography, video, travel, and professional use. I'll slice through the specs to reveal what matters on the ground and provide clear recommendations so you can pick the best fit.
First Impressions and Physical Feel: Size, Shape, and Handling
Before diving into image quality and features, ergonomics == how a camera feels in hand - is a crucial starting point. The Fujifilm S8500 is a bridge camera, designed to mimic DSLR styling while packing a fixed superzoom lens. The Samsung NX10, alternatively, is a mirrorless interchangeable lens camera with APS-C sensor size, much more compact and modular by design.

From experience, the Fujifilm’s 670g heft and 123x87x116 mm dimensions give it a substantial feel - reminiscent of a DSLR but with a telescoping lens that extends aggressively. This makes it less discreet but excellent for users wanting an all-in-one solution with extensive zoom capability. Its grip is molded and firm, though its broad lens barrel adds bulk.
The Samsung NX10, weighing 499g and measuring just 123x87x40 mm, impresses with its slim profile and lighter heft, especially considering it supports lens swapping. The smaller lens mount and mirrorless design allow for an understated yet solid presence. It fits comfortably for street and travel, where packing light and rapid response matters.
Ergonomics extend beyond size to controls layout and screen usability, which I’ll address shortly once we compare their designs from the top.
On the Surface: Control Layout and User Interface
The design and placement of dials, buttons, and displays are non-negotiable for effortless shooting. I analyzed both cameras’ top views and user interfaces, spending weeks navigating menus and shooting in varied scenarios.

The Fujifilm S8500’s top panel is busy with dedicated buttons for modes like shutter priority, aperture priority, and manual exposure - a feature you’ll appreciate if you want precise control. However, it lacks touchscreen input, and the fixed TFT LCD screen (3” with 460k resolution) offers no tilt or articulation. This limits usability in awkward angles but suits traditional eye-level composing with its low-res electronic viewfinder.
In contrast, the Samsung NX10 features a simpler but more elegant design, with an Active Matrix OLED 3” screen that pops with 614k resolution - much sharper and vibrant. Although the NX10’s controls are somewhat minimalist for an entry-level DSLR-style camera, the presence of a high-res electronic viewfinder with 100% coverage and 0.57x magnification significantly aids precise framing. NFC and wireless connectivity are absent on both, reflecting their age.
While both lack illuminated buttons and touchscreens, the NX10’s interface feels more intuitive and better suited to photographers experimenting with interchangeable lenses and manual focus, thanks to its focus peaking and magnification assistance.
Sensor Technology and Image Quality: The Heart of a Camera
Nothing influences photographic output more than the sensor. The Fujifilm S8500 utilizes a small 1/2.3-inch BSI CMOS sensor with 16MP resolution, whereas the Samsung NX10 features a much larger APS-C CMOS sensor at 15MP.

The sensor size difference here is enormous: 28.07mm² for the Fuji vs. 365.04mm² for the Samsung - over 13x larger sensor area for the NX10. This translates to crucial advantages:
- Dynamic Range: The NX10’s APS-C sensor delivers significantly wider dynamic range (measured ~10.8 EV in DxOmark), preserving highlight and shadow details superbly compared to the limited range of the S8500’s sensor.
- Color Depth: Samsung’s 22.8 bits color depth outperforms the Fuji’s average-grade color science on a compact sensor.
- Noise Performance: The NX10 handles low-light scenes better, with optimized noise reduction and cleaner high ISO results - critical for indoor sports or night shooting.
I tested both cameras extensively under controlled studio lighting and diverse outdoor conditions. The Fujifilm’s small sensor forced me to stay within ISO 400-800 to avoid mushy noise - despite a claimed max ISO 12800, usability at that level was impractical. By comparison, the NX10 produced good quality images up to ISO 1600 and usable shots at ISO 3200.
Resolution is a tie visually (around 15-16MP), but the NX10’s APS-C sensor translates those pixels into richer detail and better subject separation (bokeh) thanks to larger pixel pitch and lens interchangeability.
Display and Viewfinder: Composing Your Shot
Composition tools determine how well you frame and execute shots in the wild.

The Fujifilm’s fixed TFT LCD panel is average with limited viewing angles, which felt frustrating when shooting from low or high positions. Its electronic viewfinder (EVF) at 200k resolution felt dim and coarse, limiting confidence in manual focusing scenarios.
Conversely, the Samsung NX10 sports an OLED screen with deep blacks and accurate colors, along with an EVF boasting near 1 million-dot resolution. This viewfinder coverage and magnification provide DSLR-like precision - huge for portraiture or wildlife where critical focus is paramount.
While neither have touchscreens or tilt, the NX10’s OLED technology greatly eases reviewing image sharpness and histogram visibility on-site, enhancing workflow efficiency.
Autofocus: Speed, Accuracy, and Focus Modes
Autofocus systems make or break tracking moving subjects and snagging focus in tricky light.
Here, the Fuji S8500 relies on contrast-detection AF without face or eye detection - limiting its reliability especially at longer zoom ranges. It’s fixed lens and no continuous AF mode restricts its suitability for action or wildlife, although it does sport 10fps burst shooting at moderate resolution - a rare feature for bridge cameras.
The Samsung NX10 offers a 15-point contrast-detect AF system with face detection, manual, single, and continuous modes. While it lacks phase detection (common in modern hybrid designs), the NX10’s AF is more accurate and responsive in live view and EVF mode than the Fuji’s fixed focus. However, the NX10’s burst speed maxes out at 3 fps, so fast sports action can be challenging.
In real-life wildlife shoots I conducted, the NX10 consistently locked focus on moving birds faster and more reliably, mainly due to its face detection and multi-area AF functionality. The Fuji’s lack of tracking or selective focus makes sharp results more hit-and-miss at 1100mm equivalent telephoto.
Lens Ecosystem and Flexibility
A major difference is lens adaptability. The Fujifilm S8500’s fixed lens spans an extraordinary 24-1104mm equivalent (46x zoom), with apertures ranging from f/2.9 at the wide end to f/6.5 telephoto. This is ideal for travel or wildlife shooters seeking extreme reach in a single package, but optical limitations at the longest focal lengths (softness, diffraction) are noticeable on close inspection.
The Samsung NX10’s interchangeable system offers 32 native lenses ranging from ultra-wide to telephoto and macro, benefiting from APS-C sensor advantages. Pairing the NX10 with fast prime lenses yields superb bokeh, excellent low-light performance, and razor-sharp detail unmatched by fixed-bridge setups. Additionally, third-party adapters widen lens choices further.
For macro photographers, the NX10 can use dedicated macro lenses enabling critical close-up work with precise focus stacking (via manual focus), which the S8500 cannot match due to fixed lens constraints.
Burst Shooting and Shutter Range
Fast shooting and shutter speeds matter most for sports and wildlife.
Fujifilm S8500 boasts a shutter speed from 8s to 1/7000s and captures 10 fps continuous shooting at reduced resolution - a striking feat for a 2013 bridge camera and useful for freezing fast action. However, the lack of sophisticated autofocus tracking limits its practical use for intense sports photography.
Samsung NX10 offers 30s to 1/4000s shutter range and a 3 fps burst. While slower, this suits beginners and indoor shooters focusing on deliberate composition rather than rapid-fire sports. The slower max shutter speed also curtails shooting opportunities in the brightest light when using wide apertures.
Image Stabilization and Low-Light Performance
The S8500 excels in including optical image stabilization, essential when shooting extreme telephoto shots handheld to reduce blur. This proved handy in my outdoor wildlife walks where long zoom range otherwise amplifies shake.
The NX10 lacks in-body image stabilization and depends on optical stabilization within lenses. If paired with non-stabilized lenses, handheld sharpness at slow shutter speeds can suffer compared to the Fuji’s built-in system.
For low-light, my field tests showed the NX10 outperforms the S8500 mainly due to sensor size and ISO handling. Night street shots and indoor portraits were cleaner and needed less noise reduction, producing better overall quality.
Video Capabilities: What About Moving Pictures?
Video is increasingly important so I compared both cameras’ specs and real-world footage.
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Fujifilm S8500 shoots Full HD 1080p at 60 fps in Motion JPEG - offering smooth frame rates but inefficient file compression resulting in larger file sizes. Unfortunately, it lacks microphone input or manual exposure during video, which limits creative control.
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Samsung NX10 records HD video at 720p and lower resolutions at 30 fps using efficient H.264 encoding. While resolution is lower, video quality within those limits was cleaner with better color reproduction. Mic input is missing here also.
For casual videographers, the S8500’s 1080p might be tempting but the NX10’s superior image quality and manual exposure compensation provide better creative flexibility despite lower resolution.
Battery Life and Storage Options
Under sustained use on my travels, battery life and storage flexibility become deciding factors.
The Fujifilm S8500 uses readily available 4x AA batteries, which I consider a plus for portability and ease of replacing power mid-trip. However, AA cells tend to add weight and offer variable performance, especially alkaline types affecting consistency.
Samsung NX10 uses proprietary lithium-ion battery packs rated around 400 shots per charge, which performed reliably but demands carrying spares or recharging options. Storage on both is handled by SD/SDHC/SDXC cards.
Robustness and Weather Resistance
Neither camera offers weather sealing or toughened build properties such as dustproofing or freezeproofing, which limits outdoor professional use in extreme conditions. Both are more consumer devices designed for general use.
Real-world Shooting Scenarios
To ground this in everyday photography, let me share insights from specific genres:
Portrait Photography
- NX10 delivers richer skin tones with smoother gradations thanks to its APS-C sensor and lens choices, plus useful face detection autofocus. It produces beautiful background blur with fast primes, enhancing subject isolation.
- S8500 can be awkward for portraits given fixed lens and smaller sensor, resulting in less creamy bokeh especially at longer focal lengths. No eye AF to speak of, manual focus is unavailable.
Landscape Photography
- The NX10’s dynamic range shines here capturing detail in bright skies and shadowed areas. Weather-sealing absence limits use during harsh conditions but tripod use and RAW output maximize image quality.
- Fujifilm’s small sensor limits tonal gradation and wide-angle sharpness but its ultra-long zoom enables unique framing perspectives capturing distant mountain peaks from vantage points.
Wildlife & Sports
- S8500’s massive zoom is tempting for inaccessible wildlife but autofocus is slow and focus tracking non-existent, meaning many missed shots.
- NX10’s faster and more accurate AF albeit shorter burst rate demands more technique but images are more consistently sharp.
Street & Travel Photography
- NX10’s compactness and image quality advantages make it a versatile travel partner. It’s discreet enough for candid street shots, especially with pancake lenses.
- Fujifilm S8500 is bulkier and obvious, but all-in-one lens offers convenience when changing lenses is not practical.
Macro and Night Photography
- NX10 wins macro with lens flexibility and focusing aids.
- Night shots are markedly better on NX10 due to lower noise and higher ISO usability.
Video
- Fujifilm’s 1080p is a plus for casual video fans, but the NX10’s higher image quality and manual exposure capability make it more robust for creative videographers.
Sample Image Quality Comparison
To truly grasp differences beyond words, here’s a gallery of side-by-side shots from both cameras under identical conditions: daylight landscapes, portraits, indoor low-light, and zoomed wildlife.
Notice the cleaner shadows, vibrant colors, and finer details on NX10 images compared to Fuji’s softer, more compressed output. The zoom reach of Fuji is unmatched here but image quality suffers at extremes.
Overall Performance Ratings and Rankings
When analyzing standard metrics - image quality, autofocus, ergonomics, speed, and value - I compiled overall scores based on extensive hands-on testing.
Samsung NX10 leads in image quality and handling, while the Fujifilm S8500 scores higher for zoom versatility and shutter speed.
Photography Discipline Scores Breakdown
For further granularity, here is the performance breakdown by photographic discipline to assist targeted buyers:
This shows the NX10 excels in portraits, landscape, street, and macro, whereas the Fujifilm dominates in superzoom telephoto and fast burst shooting for specific wildlife or sports shots.
Final Thoughts: Which One Should You Choose?
My years of testing cameras similar to these reinforce that no single camera is perfect in all areas. The Samsung NX10 and Fujifilm S8500 cater to very different photographers.
Choose the Fujifilm FinePix S8500 if:
- You want an all-in-one superzoom without changing lenses
- Budget constraints limit you to a fixed-lens camera
- Wildlife or distant sports photography with extreme zoom is your priority
- You prefer optical stabilization built-in for handheld telephoto shooting
- Video at Full HD 60 fps is a factor for casual shooting
Choose the Samsung NX10 if:
- You seek better image quality, dynamic range, and color depth
- Interchangeable lenses appeal to your style and growth as a photographer
- Portrait, landscape, street, macro, and travel photography dominate your workflow
- You require RAW support for professional editing and larger prints
- You value precise autofocus and viewfinder usability for critical framing
Personal Note on Testing Methodology
My comparative testing always involves shooting the same test scenes, identical lighting, and settings for both cameras to ensure fairness. I evaluate JPEG and RAW files using Lightroom and pixel-level inspection, combined with shooting real-life subjects across disciplines - offering an experienced photographer’s perspective grounded in countless hands-on sessions.
Summary Table: Quick Reference
| Feature | Fujifilm S8500 | Samsung NX10 |
|---|---|---|
| Sensor Size | 1/2.3" BSI CMOS (16MP) | APS-C CMOS (15MP) |
| Lens | Fixed 24-1104mm f/2.9-6.5 | Interchangeable Samsung NX |
| ISO Range | 64–12800 (limited usability) | 100–3200 (usable high ISO) |
| Autofocus | Contrast detection, no face AF | 15-point contrast AF, face AF |
| Max Shutter Speed | 1/7000s | 1/4000s |
| Burst Rate | 10 fps | 3 fps |
| Stabilization | Optical (lens-based) | Depends on lens |
| Viewfinder Resolution | 200k EVF | 920k OLED EVF |
| Screen | 3” 460k TFT LCD | 3” 614k OLED |
| Video Resolution | Full HD 1080p 60fps | 720p 30fps |
| Battery | 4x AA | Proprietary Li-ion pack |
| Size & Weight | Large and heavier (SLR-like) | Compact, mirrorless |
| Price (at release) | ~$500 | ~$625 |
In conclusion, the Samsung NX10 remains a compelling choice for photography enthusiasts looking for image quality, flexible lenses, and professional features in a compact package. Meanwhile, the Fujifilm S8500 offers unique convenience through its all-inclusive superzoom and solid performance in situations demanding reach without lens juggling. Your final decision should align with your priorities: ultimate image quality and lens flexibility, or ease of use with extreme zoom.
I hope this deep dive helps clarify which camera might accompany you on your photographic journey. Feel free to ask me any questions or share your own experiences shooting with these classics.
Happy shooting!
Fujifilm S8500 vs Samsung NX10 Specifications
| Fujifilm FinePix S8500 | Samsung NX10 | |
|---|---|---|
| General Information | ||
| Company | FujiFilm | Samsung |
| Model | Fujifilm FinePix S8500 | Samsung NX10 |
| Type | Small Sensor Superzoom | Entry-Level Mirrorless |
| Introduced | 2013-01-07 | 2010-04-07 |
| Body design | SLR-like (bridge) | SLR-style mirrorless |
| Sensor Information | ||
| Chip | - | DRIM Engine |
| Sensor type | BSI-CMOS | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.17 x 4.55mm | 23.4 x 15.6mm |
| Sensor area | 28.1mm² | 365.0mm² |
| Sensor resolution | 16MP | 15MP |
| Anti aliasing filter | ||
| Aspect ratio | - | 3:2 and 16:9 |
| Highest Possible resolution | 4608 x 3456 | 4592 x 3056 |
| Maximum native ISO | 12800 | 3200 |
| Min native ISO | 64 | 100 |
| RAW format | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Number of focus points | - | 15 |
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | Samsung NX |
| Lens focal range | 24-1104mm (46.0x) | - |
| Largest aperture | f/2.9-6.5 | - |
| Macro focus distance | 0cm | - |
| Amount of lenses | - | 32 |
| Crop factor | 5.8 | 1.5 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 3 inch | 3 inch |
| Screen resolution | 460 thousand dot | 614 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Screen tech | TFT color LCD monitor | Active Matrix OLED screen |
| Viewfinder Information | ||
| Viewfinder | Electronic | Electronic |
| Viewfinder resolution | 200 thousand dot | 920 thousand dot |
| Viewfinder coverage | - | 100% |
| Viewfinder magnification | - | 0.57x |
| Features | ||
| Minimum shutter speed | 8 seconds | 30 seconds |
| Fastest shutter speed | 1/7000 seconds | 1/4000 seconds |
| Continuous shutter speed | 10.0 frames per sec | 3.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Set WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | - | 11.00 m |
| Flash options | - | Auto, On, Off, Red-eye, Fill-in, 1st/2nd Curtain, Smart Flash, Manual |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Fastest flash sync | - | 1/180 seconds |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60 fps), 320 x 120 (480 fps), 320 x 240 (240 fps), 640 x 480 (120 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Maximum video resolution | 1920x1080 | 1280x720 |
| Video data format | Motion JPEG | H.264 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | Optional |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 670 grams (1.48 lbs) | 499 grams (1.10 lbs) |
| Physical dimensions | 123 x 87 x 116mm (4.8" x 3.4" x 4.6") | 123 x 87 x 40mm (4.8" x 3.4" x 1.6") |
| DXO scores | ||
| DXO Overall score | not tested | 63 |
| DXO Color Depth score | not tested | 22.8 |
| DXO Dynamic range score | not tested | 10.8 |
| DXO Low light score | not tested | 572 |
| Other | ||
| Battery life | - | 400 photographs |
| Battery form | - | Battery Pack |
| Battery model | 4 x AA | BP1130 |
| Self timer | Yes (2 or 10 sec) | Yes (2 sec to 30 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC |
| Storage slots | One | One |
| Launch price | $500 | $626 |