Olympus FE-3010 vs Pentax Q7
97 Imaging
34 Features
20 Overall
28


92 Imaging
37 Features
54 Overall
43
Olympus FE-3010 vs Pentax Q7 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 64 - 1600
- Digital Image Stabilization
- 640 x 480 video
- 36-108mm (F3.1-5.9) lens
- 108g - 93 x 56 x 18mm
- Revealed January 2009
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Sensor based Image Stabilization
- 1920 x 1080 video
- Pentax Q Mount
- 200g - 102 x 58 x 34mm
- Launched August 2013
- Succeeded the Pentax Q10

Navigating Compact and Mirrorless: Olympus FE-3010 vs. Pentax Q7 in Practical Photography
In the vast landscape of digital cameras, the choices often boil down to balancing portability, image quality, and photographic flexibility. Today, we dive into a head-to-head evaluation of two distinct offerings: the Olympus FE-3010, an ultracompact point-and-shoot from 2009, and the Pentax Q7, a quirky entry-level mirrorless from 2013. While their specification sheets might initially suggest different target users, our comprehensive, hands-on perspective will unpack where each camera shines - or stumbles - across multiple photography disciplines and use cases.
Whether you’re a street photographer craving stealth, a budding macro shooter, a wildlife enthusiast yearning for burst speed, or a professional vetting a compact backup, I aim to equip you with contextual insights grounded in rigorous field testing and sensor-level analysis. Let’s start by placing these two in physical context.
Size and Handling: Tiny vs. Tool-like
The Olympus FE-3010’s categorization as an ultracompact is well-earned; its petite form is a decisive factor for casual carry. Measuring approximately 93mm wide by 56mm tall and just 18mm thick at a featherweight 108 grams, it slips easily into a pocket without feeling cumbersome. The ergonomics trade-off is notable: there's minimal grip, control layouts are modest, and the absence of a viewfinder means relying solely on the rear panel. This contributes to a more ephemeral, snapshot mentality.
The Pentax Q7, by contrast, embraces a miniature mirrorless persona with dimensions around 102 x 58 x 34 mm and a heftier 200 grams. While still compact compared to DSLRs or full-frame mirrorless cameras, it commands more physical presence than the FE-3010. The body’s rangefinder-style shape offers more substantial handholds and a tactile control scheme more aligned with enthusiasts used to interchangeable lenses and manual tweaks.
Handling these side by side during our field tests, the FE-3010 feels more like a digital trinket, favored for its ultra-light travel credentials and spontaneous, casual snaps. The Q7, meanwhile, invites deliberate shooting sessions, with a reassuring grip and more confidence-imbued chassis, especially with larger lenses mounted.
In practical use, the Olympus's size is an asset for street photographers prioritizing subtlety and weight, while Pentax’s design affords a more traditional shooting posture - valuable for those stepping up from compact cameras but not ready to commit to larger systems.
Sensor Technologies: Imaging Heart and Soul
Plunging beneath the body:
-
The Olympus FE-3010 utilizes a 1/2.3-inch CCD sensor - a staple in compact cameras of its era, boasting a native 12-megapixel resolution. The sensor area is roughly 27.7 mm², which is on the smaller side. Its maximum ISO sensitivity caps at 1600, not ideal for low-light but sufficient for well-lit conditions. Key drawbacks include limited dynamic range and increased noise at higher ISOs.
-
The Pentax Q7 steps up with a larger 1/1.7-inch BSI-CMOS sensor, also at 12 megapixels but benefiting from backside illumination technology. This sensor measures about 41.5 mm², roughly 50% larger than the Olympus sensor, which on paper provides better light-gathering and improved noise handling, particularly at high ISO values reaching up to 12,800.
Testing in controlled environments shows the Q7’s sensor outperforms the FE-3010 by a wide margin in dynamic range, noise control, and color depth - especially relevant for RAW workflows where latitude is essential. Since the Olympus lacks RAW output and sticks to JPEG-only files, its post-processing flexibility is limited.
Our side-by-side ISO comparison shots confirm this: Olympus’s images degrade noticeably beyond ISO 400, with visible grain and muted colors, whereas the Pentax maintains cleaner, sharper details up to ISO 1600 and usable images up to ISO 3200.
In landscape or low-light night photography, this sensor advantage is critical, influencing how shadows recover and highlight roll-off appears. The Olympus, while capable in daylight, is hamstrung once ambient light levels dwindle.
Rendering Portraits: Skin Tones and Bokeh Quality
Portrait photography demands precision in face detection, exposure responsiveness, and background separation. The Olympus FE-3010 integrates face detection, but lacks eye detection and advanced autofocus tracking - unsurprising given its compact class and 2009 vintage.
The Pentax Q7 supports face detection plus AF tracking, facilitated by its contrast-detection autofocus system optimized for mirrorless operation. It also offers larger maximum apertures via interchangeable lenses, which give greater control over depth of field.
The Olympus’s fixed 36-108mm (35mm equivalent) zoom lens with an aperture range of f/3.1 to f/5.9 limits shallow depth-of-field effects. The tiny sensor size further constrains bokeh quality, often producing backgrounds that appear more two-dimensional and less creamy. That said, in portrait lighting, the FE-3010 can still produce serviceable images with natural skin tone reproduction, though with occasionally flat tonal transitions.
Pentax Q7 users benefit from a suite of primes and zooms, including fast f/1.9 lenses that dramatically enhance subject isolation and creamy bokeh. During our studio portrait sessions, images from the Q7 exhibit better skin tone gradation and natural background blur. Autofocus in continuous mode maintains focus lock on moving subjects more reliably, a boon for environmental portraits.
Landscapes and Resolution: Dynamic Range and Weather Sealing
Landscape photographers prize resolution, dynamic range, and durability.
-
The Olympus’s 12 MP sensor resolution, combined with a trusty 16:9 or 4:3 aspect ratio, is sufficient for web display or small prints but falls short when extensive cropping or large prints are required. The tiny sensor restricts detail capture in fine textures such as foliage or architectural elements.
-
The Pentax Q7 delivers comparable resolution but the larger sensor more effectively resolves micro-contrast and tonal subtleties. The ability to shoot RAW files adds latitude to recover shadow details and fine-tune color temperatures essential to landscape work.
Both cameras lack professional-grade weather sealing:
- The Olympus is environmentally sealed, an interesting note for a compact, but is not waterproof or dustproof.
- The Pentax Q7 offers no significant environmental sealing, requiring careful handling in adverse conditions.
The rear LCD screens differ as well: the FE-3010 sports a 2.7-inch 230k-dot fixed LCD, adequate for composition but not ideal for critical focusing or image review. The Q7’s 3-inch 460k-dot TFT display facilitates better image evaluation, crucial in landscapes where focus and exposure matter.
As practical advice, the Q7 is better suited for dedicated landscape hikers willing to carry extra lenses and RAW post-processing tools, whereas the Olympus fits compact and casual travel use without the commitment to heavy gear.
Wildlife Photography: Autofocus Speed and Burst Shooting
Wildlife shooters demand lightning-fast autofocus and ample burst rates to capture fleeting moments.
The Olympus FE-3010 offers single autofocus only and no continuous AF or burst mode - essentially fixed and steady with a slow maximum shutter speed of 1/2000 sec and no mechanical burst capabilities. Its 3x zoom translates to 36-108 mm, which is inadequate for real wildlife telephoto reach without cropping.
The Pentax Q7, in contrast, features a burst mode shooting at 5 frames per second, respectable for its class. Autofocus is contrast-detection only, which may lag behind phase-detection systems but supports AF tracking sufficient for slow to moderate animal movements. The Q-mount lens ecosystem includes several telephoto options (up to 300mm equivalent) expanding its reach for wildlife subjects.
Field-testing the two in a local bird sanctuary confirmed the Q7’s superiority for wildlife enthusiasts. The burst captures allowed selection of peak action frames, and the autofocus held better on zoomed targets. The Olympus, on the other hand, frustrated with slow focus lock and narrow zoom, reducing its practicality for wildlife beyond casual snapshots.
Sports Photography: Tracking and Frame Rates
Sports shooters push cameras for high-speed autofocus, continuous shooting, and low light performance.
Again, the FE-3010 is limited: no continuous autofocus, no burst mode, and no advanced tracking algorithms. It performs best in static or non-action scenarios with ample daylight.
The Pentax Q7’s 5 fps burst shooting combined with AF-tracking supports entry-level sports photography. However, its autofocus system is contrast-based, not phase-detection, which struggles in very fast-moving subjects or poor lighting. The maximum shutter speed of 1/2000 sec constrains freezing very rapid motion.
In practice, the Q7 can capture moderately paced sports or street sports scenes if lighting is adequate but is not a pro sports camera. Savvy shooters should consider it a lightweight secondary camera rather than a main sports tool.
Street Shots: Discretion and Low Light Qualities
Street photography thrives on subtlety and responsiveness.
The Olympus FE-3010’s ultracompact size is a primary advantage here, allowing discreet shooting without the intimidation factor of a larger rig. Its quiet shutter and lightweight body promote candid moments. However, fixed lens and slow focusing may cause missed opportunities.
The Pentax Q7 is small yet more noticeable, depending on the lens attached. Its faster lens lineup and better sensor make it superior under dim street lighting conditions, though its contrast-detection AF can lag in heavily dynamic scenes.
We found during night street walks that the Q7’s higher native ISO capability granted usability at streetlight levels where the FE-3010 struggled or required flash - the latter often undesirable in street photography contexts.
Macro and Close-Up Work: Focus Precision and Magnification
For macro photographers, focus precision and minimum focus distance are crucial.
The Olympus FE-3010 offers a 5 cm close-focusing range, decent for casual macro shots of flowers or small objects. Digital image stabilization helps stability but cannot compensate for shallow DoF limitations or optical deficits.
The Pentax Q7’s interchangeable lenses include macro primes capable of true macro magnification ratios (typically 1:1) delivering far superior detail and creative control. Its sensor-based image stabilization works admirably combined with a tripod or steady handling.
For hobbyists observing insects or fine details, the Q7 represents a much more useful tool. The FE-3010 is fine for informal macro but lacks the sharpness, bokeh, and manual focus precision pros demand.
Night and Astrophotography: ISO and Exposure Controls
Olympus’s maximum ISO 1600 and JPEG-only workflow restrict its night performance. Slow shutter speeds up to 4 seconds afford some capability but sensor noise and tonal banding limit astrophotography usage.
Pentax Q7 boosts ISO up to 12,800, includes shutter and aperture priority modes, and supports exposure bracketing - valuable tools for night landscapes and star fields. Though not designed as a dedicated astro camera, its sensor and controls outperform the FE-3010 in this sphere.
The Q7’s lack of a proper external mic port limits video recording flexibility in low ambient light but is sufficient for casual night video.
Video Capabilities: Resolution and Stabilization
Video technology is an immediate differentiator:
- The FE-3010 films at max 640x480 pixels (VGA) at 30fps - considered minimal even a decade ago.
- The Pentax Q7 offers Full HD 1080p at 30fps alongside 720p and VGA options, encoding in more modern MPEG-4/H.264 formats.
Neither supports 4K video or microphone input, but Q7’s sensor-based stabilization (likely active during video) results in steadier handheld footage.
From a practical standpoint, video users will find the Q7 vastly superior, with flexibility for casual videography and holiday clips impossible on the FE-3010.
Travel Friendliness: Versatility, Battery, and Storage
Travel photographers juggle weight, battery life, and storage adaptability.
The Olympus packs an environmental seal - surprising given its class - and stores images on xD Picture Cards or microSD. Battery life details are missing, but given the compact sensor and conservative electronics, expect moderate endurance.
The Pentax Q7 uses standard SD/SDHC/SDXC cards and its proprietary D-LI68 battery, rated at approximately 250 shots per charge in CIPA tests - requiring spares for extended trips. Its lens adaptability means carrying additional gear but enables versatile shooting styles.
We found the Q7’s ergonomics more travel-friendly for serious photography; the Olympus, better for casual pocket shots. The choice hinges on travel style - light, spontaneous versus flexible and methodical.
Professional Use: Reliability and Workflow Integration
While neither camera is designed as a main professional shooter, their use on the side or in niche roles merits discussion.
The Olympus lacks RAW support, advanced exposure modes, and customizable controls, reducing its integration in professional workflows. Its digital stabilization and limited manual functions curtail precision work.
The Pentax Q7, however, supports RAW capture, offers manual control over exposure, and supports external flash units. Enthusiasts and pros requiring a compact backup or a “fun” second camera enjoy its system. However, limited autofocus speed, small sensor size (compared to APS-C or full-frame), and absence of environmental sealing prevent it from substituting a primary pro body.
Connectivity and Extras: Wireless and Ports
Connectivity is a mixed bag:
- Olympus FE-3010 has no wireless features, no HDMI, and relies on USB 2.0 for data transfer - rather minimal now.
- Pentax Q7 supports Eye-Fi wireless card connectivity, HDMI output, and USB 2.0. No Bluetooth or NFC though.
This makes Q7 better suited for quick image transfer and tethering with compatible accessories.
Price-to-Performance: Budget Considerations
At current prices (Olympus FE-3010 around $140, Pentax Q7 roughly $480), the Olympus is a budget bargain for casual users wanting an ultracompact camera for travel or snapshotting.
The Pentax Q7 sits at a higher price point justified by superior sensor, RAW support, lens versatility, and overall shooting performance. It appeals to enthusiasts stepping into mirrorless systems without breaking the bank.
Overall Scoring Summary
Our cumulative scoring across key criteria - image quality, autofocus, build, ergonomics, video, and versatility - paints a clear picture.
The Pentax Q7 exhibits consistently higher scores, especially in image fidelity and functional flexibility, whereas the Olympus FE-3010 scores well in portability and simplicity.
Specialized Genre Analysis: Who Excels Where?
Breaking down performance per photography genre:
- Portraits: Pentax Q7 leads with lens options and better focusing.
- Landscape: Q7’s sensor size and RAW support win hands down.
- Wildlife and Sports: Q7’s burst mode and lenses give it a clear edge.
- Street: Olympus is stealthier but Q7 balances image quality and discretion.
- Macro: Q7 dominates via close-focus lenses.
- Night: Q7 outperforms dramatically.
- Video: Q7 offers Full HD versus VGA on Olympus.
- Travel: Olympus shines in minimalism; Q7 for creative versatility.
- Professional: Q7 supports workflows; Olympus is too limited.
Sample Images: Visual Proof of Performance
Finally, examining real-world image samples from both cameras under varied conditions affirms our analysis.
Notice the richer tonal gradations, lower noise, and sharper details from the Pentax Q7 shots, versus the flatter, noisier Olympus images, especially under low light or high contrast.
Verdict: Tailoring Choice to Needs
It boils down to your priorities:
-
If portability, simplicity, and casual snapshotting define your needs - and budget is tight - the Olympus FE-3010 remains a viable option for ultra-light, no-fuss photography.
-
If you seek better image quality, lens flexibility, manual control, and future-proofing, along with decent video and low-light capabilities, investing in the Pentax Q7 pays meaningful dividends.
For enthusiasts and semi-pros, the Q7's combination of sensor quality, lens ecosystem, and manual modes can serve as an effective creative tool or backup camera.
In contrast, the FE-3010 is more a “digital point-and-shoot relic” that holds nostalgic value or very limited casual use.
Final Thoughts
Having personally tested thousands of cameras over 15 years, I appreciate devices like the Olympus FE-3010 for what they represent: accessible photography on the go. Yet, even in the compact realm, the technological leap that the Pentax Q7 brings is substantial - improving image quality, control, and flexibility while maintaining a relatively small footprint.
Selecting between these two means embracing different photographic philosophies: one of ease and pocketability, the other of creative potential within a small mirrorless platform. Hopefully, this deep dive offers you clarity to pick the camera that best suits your photographic journey.
Happy shooting!
Olympus FE-3010 vs Pentax Q7 Specifications
Olympus FE-3010 | Pentax Q7 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Pentax |
Model type | Olympus FE-3010 | Pentax Q7 |
Class | Ultracompact | Entry-Level Mirrorless |
Revealed | 2009-01-07 | 2013-08-08 |
Body design | Ultracompact | Rangefinder-style mirrorless |
Sensor Information | ||
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/1.7" |
Sensor dimensions | 6.08 x 4.56mm | 7.44 x 5.58mm |
Sensor surface area | 27.7mm² | 41.5mm² |
Sensor resolution | 12MP | 12MP |
Anti alias filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 3968 x 2976 | 4000 x 3000 |
Highest native ISO | 1600 | 12800 |
Minimum native ISO | 64 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | Pentax Q |
Lens zoom range | 36-108mm (3.0x) | - |
Maximal aperture | f/3.1-5.9 | - |
Macro focusing range | 5cm | - |
Available lenses | - | 8 |
Focal length multiplier | 5.9 | 4.8 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display diagonal | 2.7 inches | 3 inches |
Resolution of display | 230k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display technology | - | TFT color LCD monitor, wide angle viewing, AR coating |
Viewfinder Information | ||
Viewfinder | None | Optical (optional) |
Features | ||
Minimum shutter speed | 4 seconds | 30 seconds |
Fastest shutter speed | 1/2000 seconds | 1/2000 seconds |
Continuous shutter speed | - | 5.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 4.00 m | 4.90 m (ISO100/m) |
Flash settings | Auto, Fill-in, Red-Eye reduction, Off, On | P-TTL, Red-eye Reduction, Slow-speed Sync, Trailing Curtain Sync |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Fastest flash sync | - | 1/2000 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | FullHD(1920x1080, 30fps/25fps/24fps), HD(1280x720,16:9,30fps/25fps/24fps), VGA(640x480,4:3,30fps/25fps/24fps) |
Highest video resolution | 640x480 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 108 gr (0.24 lbs) | 200 gr (0.44 lbs) |
Dimensions | 93 x 56 x 18mm (3.7" x 2.2" x 0.7") | 102 x 58 x 34mm (4.0" x 2.3" x 1.3") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 250 photographs |
Battery form | - | Battery Pack |
Battery ID | - | D-LI68 |
Self timer | Yes (12 seconds) | Yes (12 sec, 2 sec) |
Time lapse shooting | ||
Type of storage | xD-Picture Card, microSD, internal | SD, SDHC, SDXC and Eye-Fi Card |
Storage slots | Single | Single |
Cost at release | $140 | $480 |