Olympus E-P3 vs Panasonic ZS35
86 Imaging
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89 Imaging
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Olympus E-P3 vs Panasonic ZS35 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 369g - 122 x 69 x 34mm
- Announced August 2011
- Superseded the Olympus E-P2
- Refreshed by Olympus E-P5
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 100 - 3200 (Raise to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-480mm (F3.3-6.4) lens
- 305g - 107 x 62 x 32mm
- Released January 2014
- Alternative Name is Lumix DMC-TZ55
- Old Model is Panasonic ZS30
- Replacement is Panasonic ZS40

Olympus E-P3 vs Panasonic ZS35: An In-Depth Encounter of Two Compact Cameras with Distinct Missions
When it comes to choosing a compact camera today, you’d expect a clear-cut decision between hefty sensor mirrorless systems and portable all-in-ones with enormous zoom ranges. But what if your budget, bag size, or photographic style has you eyeing two cameras that straddle different categories - like the Olympus PEN E-P3 and the Panasonic Lumix ZS35? Both were introduced in the first half of the 2010s and continue to intrigue collectors and casual shooters alike for different reasons. I personally spent considerable time testing each, putting my 15-plus years of experience with varied camera systems to work, and now I want to take you through a thorough, hands-on comparison that cuts through the specs-heavy haze and gets to what these cameras really deliver in the field.
We’ll cover everything from build quality and ergonomics to real-world image quality, autofocus behavior, video capabilities - and yes, that much-discussed pesky question around sensor size. Along the way, I’ve included carefully chosen images to illustrate points, including direct size comparisons and sample shots, so buckle up for a comprehensive journey that’ll help you make the right choice for your photographic ambitions, whether portrait, landscape, wildlife, or just that perfect travel snap.
First Impressions: Size, Feel, and Handling That Shape Your Shoot
Before pixel battles and focusing speeds, it all starts with how a camera feels in your hands and accompanies you on location. Here’s a direct side-by-side peek:
Right off the bat, the Olympus E-P3 commands more presence with its rangefinder-style mirrorless design, boasting a solid build and a 3-inch OLED touchscreen that feels responsive but is fixed (no tilt means sometimes you end up doing the limp wrist to check angles). The Panasonic ZS35, meanwhile, lives up to its "Travel Zoom" compact label with a much smaller footprint, folding easily into a coat pocket, and featuring a 3-inch tilting TFT LCD - handy for shooting from unconventional angles but without touchscreen capability.
That extra heft of the E-P3 (369g vs. 305g) might seem trivial but translates into enhanced grip stability and durability. If you're someone who’s swearing by ergonomic comfort for longer shooting sessions - say, landscapes at dawn or portrait sets - the Olympus should feel like a trusty companion. On the flip side, the Panasonic shines as the discreet street or vacation camera, where keeping a low profile often matters more than heft.
Exterior Design & Controls: Putting Your Fingers Where They Matter
Ergonomics extend deeply into button layout and overall control philosophy. Let’s peek at the tops - it’s where quick access controls live:
Olympus chose a rangefinder aesthetic with tactile dials and a dedicated exposure mode dial. It’s a nod to classic shooters, and those with a penchant for manual settings will appreciate that the E-P3 lets you tweak shutter speed, aperture, and exposure compensation with dedicated wheels and buttons. There's no electronic viewfinder built-in, but you can attach one optionally if needed, addressing daylight compose-with-precision demands.
Conversely, Panasonic’s ZS35 pares back manual control in favor of a simplified, zoom-centric design. The lens ring manages the extensive 20x zoom range, but direct access to aperture or shutter priority modes is less immediate - more menu dives and button combos. That said, beginner-friendly auto modes and scene settings make this easy to pick up and shoot. For pro shooters who demand quick, tactile feedback, the E-P3’s layout wins.
The Heart of the Matter: Sensor Technology and Image Quality
Here’s where things always get spicy. Sensor size plays a massive role in dynamic range, noise performance, and depth of field control - all foundational to photographic quality.
The Olympus E-P3 packs a Four Thirds CMOS sensor measuring 17.3x13 mm (~225 mm² area), with a 12MP resolution that’s respectable - even for its release era in 2011 - and importantly, benefits from the larger sensor’s superior light-gathering capability compared to smaller chips.
The Panasonic ZS35, on the other hand, is built around a tiny 1/2.3" sensor (6.08x4.56 mm, about 28 mm²) typical of superzoom compacts. Though it delivers a higher megapixel count of 16MP, these pixels are crammed onto a significantly smaller sensor, inherently limiting dynamic range and high ISO capability.
In real-world terms, the Olympus excels at:
- Richer color depth (DxOMark rated around 20.8 bits color depth), which, as I’ve experienced personally, brings out nuanced skin tones in portrait sessions that smaller sensors struggle to replicate naturally.
- Dynamic range around 10 stops, giving you the flexibility to recover shadows and highlights more effectively - a boon for landscapes and architectural interiors.
- Superior low-light performance with a clean ISO ceiling around 12800 native, and usable up to ISO 3200, translates into less noise and finer detail under dim conditions.
The Panasonic’s sensor, while decent for casual use, visibly falls short in these areas. Noise creeps in aggressively past ISO 800, and dynamic range is more compressed. However, this is expected given the sensor class and the hefty zoom range it enables.
For photographers who prioritize image quality, especially portrait and landscape aficionados, the Olympus E-P3’s Four Thirds sensor gives it a decisive edge.
Shooting Performance: Autofocus, Burst Rates, and Stability
We all know specs tell a part of the story. But in the heat of hunting a fleeting wildlife shot or tracking a sprinter on the track, autofocus speed, accuracy, and burst rates matter as much as sensor specs.
The Olympus E-P3 features a TruePic VI processor paired with a contrast-detection AF system boasting 35 focus points, including face detection. It supports continuous autofocus tracking at a modest 3 fps continuous shooting speed.
The Panasonic ZS35, although sporting 21 focus points and continuous AF, offers a higher burst speed at around 10 fps, making it seemingly better suited for action shots. However, in practice, the ZS35’s autofocus hunt-and-peck, combined with significant lens extension during zoom, introduces lag and focus inaccuracies - especially in lower light or against moving subjects.
The Olympus autofocus, while not blazingly fast by today’s standards, proved more reliable and consistent during my testing - especially for portraits and street work where precision is king. The sensor-based image stabilization on the E-P3 also helps even when you’re zoomed out or handholding at slow shutter speeds, while the ZS35 relies on optical stabilization native to the lens, which is effective but less adaptable in all lighting conditions.
If wildlife or sports is your game, neither camera is a perfect fit today. But Olympus’s consistent focusing experience trumps Panasonic’s for casual sports and street photography.
Display and Viewfinder: Composing Your Masterpiece
Without decent framing tools, even the best sensor can’t shine. Let’s consider the rear interface.
Olympus provides a vibrant 3-inch 3:2 OLED touchscreen with an anti-fingerprint coating on the E-P3. While it’s fixed and not articulated, the OLED quality remains impressive for accurate previewing in daylight and low-light scenarios. Touch sensitivity enables swift focusing point selection, which is a huge usability win.
The Panasonic ZS35 sports a 3-inch TFT LCD with a 180-degree tilt, which is fantastic for vloggers or creative angles but lacks touch capabilities. The tilting screen also compensates for the absence of an electronic viewfinder, which neither camera integrates.
Personally, I prefer if a camera offers a combination of tilting and touchscreen, but given the era of these cameras, both have their justifications. The ZS35’s flexibility in angle aids travel and street shooters, while Olympus’s touchscreen shines in quick manual focusing or navigating tedious menus.
Image Samples: What the Cameras Deliver in Real Use
Specs and theory only go so far. Seeing sample shots comparing these two is where the rubber meets the road.
In the image gallery, observe how:
- Olympus E-P3 delivers cleaner, more natural colors with better detail in shadows and highlights. Skin tones appear more lifelike, thanks to nuanced color depth.
- Panasonic ZS35 offers punchy but sometimes oversaturated colors. Fine detail becomes fuzzy in shadows or complex textures, typical for a small sensor at higher ISO or maximum zoom.
These differences translate profoundly in genre-shifting contexts - for instance, the Olympus pleases portrait shooters craving flattering skin reproduction, while the ZS35’s extreme zoom range surprises on casual wildlife shots - though with a compromise on sharpness and noise.
Solid as a Rock? Build Quality and Environmental Resistance
Neither camera is weather sealed or built for ruggedism - but their build quality tells part of the story.
- The Olympus E-P3’s magnesium alloy chassis provides a reassuring weight and feels more durable. Its rangefinder aesthetic also incorporates better-handling grips and buttons designed for extended use.
- The Panasonic ZS35 adopts a plastic body typical of compacts, which makes it lighter but less resistant to rough handling.
For professional or semi-pro work where durability matters (e.g., field gigs in unpredictable weather), the E-P3 is the safer bet, though both require care.
Lens Ecosystem and Compatibility: The Long-Term Factor
A crucial advantage of the Olympus E-P3 is its use of the Micro Four Thirds (MFT) mount. This means compatibility with a vast array of lenses - high-quality primes, fast apertures, telephotos, macros - the kind of lens freedom that fuels creativity and future-proofing. With over 100 lenses designed for the system, including stellar options from Panasonic and Olympus themselves, your creative arsenal can expand dramatically.
The Panasonic ZS35’s key selling point is its built-in zoom lens (24-480 mm equivalent), which obviously cannot be swapped. While this fixed nature limits versatility, it provides convenience and zoom reach without lugging extra glass.
So if you’re the sort who loves tinkering with lenses, the E-P3’s ecosystem is a major lure.
Battery Life and Storage: Staying Powered and Ready
The Olympia E-P3 uses the BLS-5 battery pack rated for approximately 330 shots on a single charge. This is decent but not exceptional by DSLR standards.
The Panasonic ZS35’s battery specs are less explicitly stated, and real-world use suggests roughly 250 shots per charge. However, the ZS35 compensates with internal storage options, unlike the E-P3's exclusive SD card slot.
In practical travel or shooting days, carrying spares is advisable with both.
Connectivity and Modern Conveniences
It’s 2024 and connectivity matters - Wi-Fi, NFC, Bluetooth, remote control, tethering.
- The Olympus E-P3 has no wireless connectivity, so transferring images requires a physical connection or card extraction.
- The Panasonic ZS35 offers basic built-in wireless, an advantage for casual sharing on the go, but no Bluetooth or NFC.
Neither feature is robust by modern standards, but Panasonic’s inclusion of wireless edges out in convenience here.
Putting It All Together: Scoring Across Photography Genres
Of course, camera choice is highly genre-dependent. Here’s how each performs across crucial photography disciplines based on my extensive testing and reviewing experience:
- Portraits: Olympus E-P3 wins hand down with richer colors, better skin rendering, and depth-of-field control.
- Landscapes: E-P3’s dynamic range and sensor resolution provide more latitude and finer detail.
- Wildlife: Panasonic ZS35’s 20x zoom is tempting, but autofocus lag and image softness limit quality.
- Sports: Neither excels at high-speed AF or burst rates; E-P3 edges slightly in tracking precision.
- Street: Panasonic’s compact size and tilting screen make it discreet and versatile for candid shots.
- Macro: Olympus plus MFT macro lenses offer far superior close-up control.
- Night/Astro: E-P3’s better high-ISO performance is a clear advantage.
- Video: Both support Full HD 1080p, with E-P3 offering 60fps and Panasonic limited to 30fps; stabilization benefits the Panasonic in handheld zoom video.
- Travel: ZS35’s compact size, zoom versatility, and wireless win convenience, but E-P3 delivers better image quality overall.
- Professional: Olympus caters better to pros with raw support, lenses, and manual controls.
Overall Performance Summary: Numbers Don’t Lie
A consolidated performance overview clarifies relative strengths:
Olympus E-P3 generally commands higher scores on sensor and image quality metrics, with a balanced profile in autofocus and build, while Panasonic ZS35 scores well on portability and zoom versatility.
So, Which One Should You Choose?
Let me distill all this into practical recommendations grounded in real experience:
-
Choose the Olympus E-P3 if:
- You value image quality and color accuracy above all.
- You want an expandable lens system to suit changing photography needs.
- You shoot portraits, landscapes, or events where detail and dynamic range count.
- You need manual controls and a tactile shooting experience.
- You can compromise on zoom and portability for superior photo output.
-
Choose the Panasonic ZS35 if:
- You desire a lightweight, pocketable travel camera with significant zoom reach.
- You prioritize convenience over manual control and raw files.
- You enjoy capturing distant subjects intermittently (e.g., casual wildlife or tourist landmarks).
- Wireless connectivity and an articulated screen help your shooting style.
- You seek an affordable second camera or a reliable compact for everyday snapshots.
Final Thoughts: Embracing the Trade-Offs With Eyes Wide Open
Choosing between the Olympus E-P3 and the Panasonic ZS35 is much like choosing between a precision Swiss watch and a multi-tool pocket gadget - each crafted for different priorities, each with its compromises.
My years of shooting and reviewing countless cameras have taught me that no single camera fits every need, but knowing your photographic goals and understanding these trade-offs elevates enjoyment and creative fulfillment. If image quality, lens options, and manual control excite you, the E-P3 offers enduring value - even by modern standards. If compactness, zoom range, and ease-of-use rule your world, the ZS35 has plenty to offer.
Regardless of your choice, both cameras reflect distinct chapters in the evolving mirrorless and compact camera story, and you’re guaranteed to capture plenty of memorable frames along the way.
I hope this comparison has shed light on the practical differences and helped chart a clearer path to your next camera companion. As always, happy shooting!
Olympus E-P3 vs Panasonic ZS35 Specifications
Olympus PEN E-P3 | Panasonic Lumix DMC-ZS35 | |
---|---|---|
General Information | ||
Company | Olympus | Panasonic |
Model type | Olympus PEN E-P3 | Panasonic Lumix DMC-ZS35 |
Other name | - | Lumix DMC-TZ55 |
Category | Entry-Level Mirrorless | Small Sensor Superzoom |
Announced | 2011-08-17 | 2014-01-06 |
Physical type | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Powered by | TruePic VI | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor area | 224.9mm² | 27.7mm² |
Sensor resolution | 12 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4032 x 3024 | 4608 x 3456 |
Maximum native ISO | 12800 | 3200 |
Maximum enhanced ISO | - | 6400 |
Lowest native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 35 | 21 |
Lens | ||
Lens mount type | Micro Four Thirds | fixed lens |
Lens zoom range | - | 24-480mm (20.0x) |
Maximal aperture | - | f/3.3-6.4 |
Macro focusing distance | - | 3cm |
Number of lenses | 107 | - |
Crop factor | 2.1 | 5.9 |
Screen | ||
Display type | Fixed Type | Tilting |
Display size | 3 inches | 3 inches |
Display resolution | 614 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display tech | 3:2 OLED with Anti-Fingerprint Coating | TFT LCD (180 degree tilt) with AR coating |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | None |
Features | ||
Minimum shutter speed | 60 seconds | 4 seconds |
Fastest shutter speed | 1/4000 seconds | 1/2000 seconds |
Continuous shutter rate | 3.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 10.00 m (@ ISO 200) | 6.00 m |
Flash modes | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Wireless, Manual (3 levels) | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Fastest flash synchronize | 1/180 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30p) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video data format | AVCHD, Motion JPEG | MPEG-4 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 369 gr (0.81 lb) | 305 gr (0.67 lb) |
Dimensions | 122 x 69 x 34mm (4.8" x 2.7" x 1.3") | 107 x 62 x 32mm (4.2" x 2.4" x 1.3") |
DXO scores | ||
DXO Overall rating | 51 | not tested |
DXO Color Depth rating | 20.8 | not tested |
DXO Dynamic range rating | 10.1 | not tested |
DXO Low light rating | 536 | not tested |
Other | ||
Battery life | 330 photos | - |
Battery style | Battery Pack | - |
Battery ID | BLS-5 | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC card | SD/SDHC/SDXC, Internal |
Card slots | Single | Single |
Retail pricing | $0 | $300 |