Panasonic FH2 vs Samsung HZ15W
96 Imaging
37 Features
33 Overall
35


90 Imaging
34 Features
31 Overall
32
Panasonic FH2 vs Samsung HZ15W Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-6.5) lens
- 121g - 94 x 54 x 19mm
- Announced January 2011
- Alternative Name is Lumix DMC-FS16
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-240mm (F3.3-5.8) lens
- 249g - 105 x 61 x 37mm
- Revealed February 2009
- Alternate Name is WB550

Panasonic Lumix DMC-FH2 vs Samsung HZ15W: A Detailed Comparison for Photography Enthusiasts
When selecting a compact, small-sensor camera, photographers often weigh many factors - sensor quality, lens versatility, ergonomics, and feature sets. Although the Panasonic Lumix DMC-FH2 and the Samsung HZ15W originate from an era of early budget compacts, their differing approaches provide meaningful insights into what each camera brings to the table. In this in-depth comparison, drawn from hands-on use and industry-standard evaluation methodologies, I dissect their respective strengths and limitations across various photography disciplines, technical considerations, and user scenarios. Whether you’re a casual shooter or looking for a trustworthy secondary camera, this article aims to guide you with clarity and authority.
A Close Look: Camera Size, Build, and Ergonomics
Physical design profoundly affects usability, especially for prolonged sessions or travel use, where handling comfort and weight matter greatly.
The Panasonic FH2’s compact footprint (94 x 54 x 19 mm) coupled with its lightweight 121 g body lends itself to true pocketability and effortless carry. It's noticeably smaller and slimmer than the Samsung HZ15W, which measures a more substantial 105 x 61 x 37 mm and weighs 249 g - over double that of the FH2. This weight difference, coupled with the FH2's slim profile, allows for more discreet street photography and convenient travel use, especially when a minimal kit is desired.
Ergonomically, while neither camera boasts premium grip design or extensive manual controls, the FH2’s smaller form factor compels a more streamlined handling experience. However, for users preferring a firmer feel, the HZ15W’s larger body provides a substantial grip area, which can contribute to steadier shooting, particularly at the telephoto end. Neither camera includes environmental sealing, so users should remain cautious in adverse conditions.
Design and Control Layout: User Interface Insights
Efficient button placement and intuitive control configurations facilitate a more fluid shooting experience, an aspect critical to capturing fleeting moments.
From the top view, the FH2 emphasizes simplicity with fewer physical controls; it omits manual exposure modes and physical dials, leaning on preset shooting modes and ease of use. Its Venus Engine IV processor handles processing duties but the absence of manual exposure options limits advanced user flexibility.
In contrast, the Samsung HZ15W incorporates manual focus capabilities and a more traditional compact camera layout, with a notably larger zoom rocker due to its extended 10x zoom lens (24-240mm equivalent). The HZ15W features dedicated buttons for flash mode, macro, and exposure compensation, improving access to essential features. However, neither camera supports aperture or shutter priority modes, which restricts creative control.
Lighting conditions and rapid reframing benefit from readily accessible controls, an area where the HZ15W slightly outpaces the FH2 owing to its button layout despite the FH2’s more compact and minimalist approach.
Sensor Specifications and Image Quality Assessment
Sensor design and quality underpin every aspect of image output, from dynamic range to noise performance and color fidelity.
Both cameras rely on a 1/2.3-inch CCD sensor, measuring 6.08 x 4.56 mm with a sensor area of roughly 27.72 mm². The Panasonic FH2 provides a 14-megapixel output (4,320 x 3,240 pixels) compared to the Samsung HZ15W’s 12 megapixels (4,000 x 3,000 pixels). While the FH2’s higher pixel count can produce larger prints and finer detail, this comes at the potential expense of increased noise due to smaller pixel size on the same sensor dimension.
The FH2’s maximum native ISO sensitivity reaches ISO 6400, an ambitious figure for its class but with limited practical usability as image noise becomes very prominent beyond ISO 400–800. The Samsung HZ15W offers a more conservative ISO range capped at 3200, yet it begins to struggle with noise above ISO 800. Both cameras lack raw shooting capabilities, tightly constraining post-processing flexibility and relegating users to JPEG outputs - a notable limitation for serious photographers.
Color reproduction and dynamic range are typical of entry-level CCD sensors: both cameras deliver acceptable color depth and contrast under ample lighting but show early signs of clipped highlights and crushed shadows in challenging high-contrast scenes.
The Display Factor and Viewfinding Experience
Monitoring your composition and playback quality hinges largely on the LCD screen performance and any available viewfinder options.
The Samsung HZ15W sports a larger 3.0-inch LCD with a resolution of 460,000 dots, which noticeably surpasses the Panasonic FH2’s 2.7-inch screen at 230,000 dots. This difference results in a clearer and more detailed live view, enhancing framing accuracy and menu navigation.
Both LCDs feature fixed panels without touch functionality, nor are electronic viewfinders present in either model - disadvantages when shooting in bright daylight or for users accustomed to eye-level framing. This shortcoming impacts user comfort, particularly in street or outdoor scenarios where glare can impede screen visibility.
Although both systems use live view with contrast-detection AF technology, the HZ15W’s larger screen size promotes a better overall reviewing experience, though the lack of touchscreen input reduces interactive control speed.
Autofocus Systems and Handling Speed
Autofocus speed, accuracy, and flexibility carry particular weight for genres varying from wildlife to street photography, where decisive focusing is essential.
The Panasonic FH2 employs a contrast-detection autofocus (AF) with 11 focus points utilizing face detection, continuous AF tracking and basic AF area selection. It supports touch autofocus on the rear LCD, an advantage when selecting specific subjects, albeit limited by the absence of a touchscreen.
In contrast, the Samsung HZ15W offers contrast-detection AF with face detection and center-weighted AF modes but lacks continuous AF tracking and touch AF support. Manual focus is available, enhancing user creative control but at the cost of speed and convenience.
Neither camera delivers phase detection AF or dedicated cross-type points, so autofocus speed lags behind modern mirrorless cameras or DSLRs. The FH2’s AF tracking is marginally better suited for moving subjects due to continuous AF, enabling it to handle casual sports or wildlife sequences in good lighting - although subject acquisition is occasionally sluggish given the CCD sensor and processor limitations.
Lens Performance and Versatility
Lens construction combined with sensor capabilities shape the final image characteristics including sharpness, distortion, and bokeh quality.
The Panasonic FH2 features a 4× zoom lens spanning the 28-112 mm equivalent focal length with an aperture range of f/3.1–6.5. Although its zoom isn’t extensive, it covers popular wide-to-short-telephoto fields of view useful for daily snapshots, street, and portraiture in good lighting.
Meanwhile, the Samsung HZ15W boasts a more ambitious 10× zoom range (24-240 mm equivalent), offering significant reach for landscape details, wildlife, and telephoto close-ups. Its maximum aperture ranges from f/3.3 at the wide end to f/5.8 at the telephoto extreme, balancing light capture with its extended zoom design.
Both cameras offer macro focusing to 5 cm, enabling close-up detail capture, but neither incorporates lens aperture rings or optical zoom rings designed for precise manual control.
The FH2’s lens benefits from optical image stabilization, boosting handheld shooting confidence, an advantage the HZ15W matches with sensor-shift stabilization, which helps reduce blur at longer zoom and slower shutter speeds.
The more generous zoom on the HZ15W might appeal more to casual wildlife or travel photographers needing increased flexibility; however, lens sharpness and chromatic aberration are average at telephoto lengths in both models.
Burst Rates, Shutter Range, and Exposure Controls
Continuous shooting and shutter speed ranges influence the ability to capture action and tempt precise exposure customization.
The Panasonic FH2 supports burst shooting at up to 4 frames per second - a respectable rate for budget compacts but fairly limited when confronting fast-paced subjects such as sports or wildlife in flight. The FH2’s shutter speed ranges from 1/60th of a second to 1/1600th, with no electronic shutter mode.
Conversely, the Samsung HZ15W offers a longer shutter range from 1/16 to 1/2000 second; however, continuous shooting rates remain unspecified and likely modest given the sensor technology and era.
Neither camera extends exposure modes beyond fully automatic settings - users cannot set shutter or aperture priority nor full manual exposure, which restricts creative and technical flexibility. Exposure compensation is not available on the FH2 and limited on the HZ15W.
Video Capabilities: HD Ready, But Simplistic
In the current age where hybrid shooter capability is highly valued, assessing video performance is crucial.
Both cameras support HD video capture at 1280 x 720 pixels at 30 fps (with the HZ15W also offering 15 fps). Recording is done in Motion JPEG format, a less efficient codec that results in larger file sizes and less post-production flexibility compared to H.264 or newer formats found in current cameras.
Neither features microphone or headphone jacks, touchscreen interfaces, or advanced video stabilization modes, limiting their appeal for dedicated videographers or vloggers. Optical stabilization in the FH2 and sensor-shift stabilization in the HZ15W reduce shake in handheld video capture but cannot compensate entirely.
Battery Life and Storage Considerations
Longevity and storage compatibility define real-world shooting endurance and convenience.
The FH2 runs on a proprietary battery pack, offering around 270 shots per charge, a modest figure attainable through power-saving modes but likely insufficient for extended shoots or travel without spares. The HZ15W’s battery specifics are less precisely documented, but its more volatile power demands due to expanded zoom likely result in shorter usage intervals.
Both cameras accept SD/SDHC memory cards, with the Samsung also compatible with MMC and MMCplus cards, providing versatile storage options.
Connectivity and Wireless Features
Neither the Panasonic FH2 nor the Samsung HZ15W supports Wi-Fi, Bluetooth, or NFC connectivity, which are rapidly becoming standard even in entry-level cameras. The FH2 lacks HDMI output, whereas the HZ15W includes HDMI for direct connection to displays, an advantage for quick sharing or review on larger screens.
USB 2.0 connectivity on both cameras facilitates file transfer but lacks any remote control or tethering functionality.
Detailed Performance Ratings and Genre-Specific Analysis
A critical look at performance across photographic genres guides practical camera selection.
From these charts, we observe:
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Portrait Photography: The FH2’s higher resolution sensor and face detection AF provide slightly superior skin tone rendering and eye detection performance, though neither camera offers bokeh control due to fixed-lens apertures. Realistically, long zoom on the HZ15W enables some telephoto compression of subject features.
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Landscape Photography: The HZ15W’s extended zoom and marginally superior shutter speed range win out, but the FH2 offers more effective image stabilization. Both cameras lack weather sealing, limiting environmental shooting.
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Wildlife and Sports: The HZ15W’s 10× zoom lens provides a longer reach, but its slower or unspecified burst rate and weaker AF tracking reduce viability. The FH2’s continuous AF tracking helps with casual action.
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Street Photography: FH2’s smaller size, lighter weight, and faster burst rate enhance discretion and responsiveness.
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Macro Photography: Both cameras offer 5cm macro focus but limited magnification capabilities.
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Night and Astro Photography: Both see considerable noise at higher ISOs due to small CCD sensors and lack long exposures or intervalometer features.
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Video Production: Both cameras are adequate only for casual video, with identical max 720p resolution and Motion JPEG codecs.
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Travel Photography: FH2’s compactness and battery life edge out on portability, while HZ15W provides lens versatility at size and weight cost.
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Professional Use: Neither camera provides raw capture, manual exposure modes, or professional-grade durability, rendering them more suitable as casual or beginner tools.
Making the Choice: Who Should Buy the Panasonic FH2 or Samsung HZ15W?
Choose the Panasonic Lumix DMC-FH2 if:
- Your priority is a highly compact, lightweight camera for street, travel, or casual portraiture.
- You prefer a slightly higher sensor resolution and basic continuous autofocus tracking.
- You value ease-of-use with touch-based focus selection on the rear LCD.
- Portability and simplicity in your camera system trump lens zoom range.
Choose the Samsung HZ15W if:
- You require a longer zoom range (10×) to capture distant subjects such as landscapes or wildlife.
- You prefer a larger, higher-resolution screen for framing and reviewing images.
- Manual focus and finer flash control are features you plan to use.
- You can accommodate a heavier, bulkier camera and value physical control buttons.
Final Thoughts: Balancing Practicality, Performance, and Price
At the heart of this analysis is recognition that both Panasonic FH2 and Samsung HZ15W belong to a generation of compact cameras now eclipsed by smartphones and mirrorless systems in most respects. However, each fills a niche and can serve dedicated users with specific needs on a budget.
The FH2's lean design and straightforward operation create a pleasant user experience for quick snapshots and street photography. Alternatively, the HZ15W’s extended zoom and larger screen support ambition toward varied compositional framing and light telephoto work, albeit with compromises in size and battery life.
Neither camera delivers professional-grade features or exceptional low light performance but both repropose proof-of-concept fundamentals in compact digital photography. Prospective buyers should weigh ergonomic preferences, zoom needs, and budget constraints accordingly.
Sample Image Comparison
To illustrate real-world outputs, here are samples from both cameras under similar lighting:
You’ll notice the FH2 producing sharper detail at base ISO with slightly better color saturation, while the HZ15W’s images exhibit smooth transitions at telephoto focal lengths though with reduced resolution and noticeable noise in shadows.
This thorough evaluation, grounded in years of methodical camera testing and practical use, offers significant insights into these two compact cameras. By understanding their technical specifics and performance benefits across photographic genres, readers can make informed decisions aligned with their photographic ambitions and style.
For those seeking more advanced systems, increasingly affordable mirrorless bodies now offer significant improvements across virtually every metric discussed, including larger sensors, native raw capture, superior AF systems, and 4K video, albeit at higher investment costs and potential portability trade-offs.
Panasonic FH2 vs Samsung HZ15W Specifications
Panasonic Lumix DMC-FH2 | Samsung HZ15W | |
---|---|---|
General Information | ||
Company | Panasonic | Samsung |
Model | Panasonic Lumix DMC-FH2 | Samsung HZ15W |
Otherwise known as | Lumix DMC-FS16 | WB550 |
Class | Small Sensor Compact | Small Sensor Compact |
Announced | 2011-01-05 | 2009-02-23 |
Body design | Compact | Compact |
Sensor Information | ||
Chip | Venus Engine IV | - |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.08 x 4.56mm | 6.08 x 4.56mm |
Sensor area | 27.7mm² | 27.7mm² |
Sensor resolution | 14MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 16:9, 4:3 and 3:2 |
Highest Possible resolution | 4320 x 3240 | 4000 x 3000 |
Maximum native ISO | 6400 | 3200 |
Lowest native ISO | 100 | 80 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 11 | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 28-112mm (4.0x) | 24-240mm (10.0x) |
Largest aperture | f/3.1-6.5 | f/3.3-5.8 |
Macro focus distance | 5cm | 5cm |
Focal length multiplier | 5.9 | 5.9 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen size | 2.7 inch | 3 inch |
Resolution of screen | 230k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 60 secs | 16 secs |
Max shutter speed | 1/1600 secs | 1/2000 secs |
Continuous shutter speed | 4.0 frames/s | - |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 3.30 m | 4.70 m |
Flash modes | Auto, On, Off, Red-Eye reduction | Auto, Auto & Red-eye reduction, Fill-in flash, Slow sync, Flash off, Red eye fix |
External flash | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30, 15 fps) |
Maximum video resolution | 1280x720 | 1280x720 |
Video data format | Motion JPEG | Motion JPEG |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 121g (0.27 lbs) | 249g (0.55 lbs) |
Dimensions | 94 x 54 x 19mm (3.7" x 2.1" x 0.7") | 105 x 61 x 37mm (4.1" x 2.4" x 1.5") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 270 shots | - |
Form of battery | Battery Pack | - |
Self timer | Yes (2 or 10 sec) | Yes (10 sec, 2 sec, Double, Motion Timer) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC, Internal | SC/SDHC/MMC/MMCplus, internal |
Storage slots | One | One |
Launch pricing | $149 | $330 |