Samsung SL30 vs Sony A65
95 Imaging
32 Features
14 Overall
24


64 Imaging
63 Features
85 Overall
71
Samsung SL30 vs Sony A65 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.5" Fixed Screen
- ISO 80 - 1600
- 640 x 480 video
- 38-114mm (F2.8-5.7) lens
- 140g - 94 x 61 x 23mm
- Announced February 2009
- Additionally referred to as ES15
(Full Review)
- 24MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 100 - 12800 (Bump to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 622g - 132 x 97 x 81mm
- Announced November 2011
- Successor is Sony A68

Samsung SL30 vs Sony A65: A Detailed Comparison for Photography Enthusiasts and Professionals
Choosing the right camera is an essential step for photographers striving to balance performance, versatility, and budget. The Samsung SL30 and Sony A65 represent two very different categories and generations of cameras - one a small sensor compact designed for casual portability and simplicity, the other an early 2010s entry-level DSLR-style camera with advanced capabilities. This comprehensive comparison unpacks their technical features, real-world performance across photography disciplines, and practical usability to help enthusiasts and pros alike make informed decisions.
First Impressions and Physical Handling
Before diving into sensor or image quality, the physical interaction with a camera shapes much of the user experience. The Samsung SL30 is a petite compact camera - a grab-and-go device designed for effortless handling, while the Sony A65 is clearly more substantial, built to be held and used as a traditional DSLR with more extensive manual control.
The SL30’s body measures just 94 x 61 x 23 mm and weighs a mere 140 grams, extremely pocketable but naturally limited in grip comfort and physical controls due to size constraints. Its fixed 38–114 mm lens offers moderate optical zoom but with a relatively small sensor that restricts image quality potential.
Conversely, the Sony A65 measures 132 x 97 x 81 mm and weighs 622 grams - a significant difference reflecting its DSLR-style construction and feature set. The heft contributes to better balance when using larger lenses, and the extensive top plate controls give faster, more intuitive access to exposure settings, drive modes, and ISO adjustments, crucial for manual and semi-manual shooting.
The A65's layout includes a sturdy mode dial, dial wheels for exposure compensation and aperture/shutter adjustments, and an electronic viewfinder (EVF) with high resolution and 100% coverage. The SL30, with no viewfinder and a fixed 2.5-inch 230k-dot screen, relies on live view, limiting usability in bright environments.
Sensor Technologies and Image Quality Overview
Arguably the most critical difference lies in sensor technology, which fundamentally shapes image quality, low-light performance, depth of field control, and post-processing flexibility.
Samsung SL30 – Small Sensor Compact
The SL30 houses a 1/2.3-inch CCD sensor measuring 6.08 x 4.56 mm (roughly 27.72 mm²) with a resolution of 10 megapixels (3648 x 2736). While common for point-and-shoot cameras of its era, this sensor size inherently limits dynamic range, color depth, and noise performance, especially above ISO 400. The CCD technology typically favors color rendition but at the cost of higher noise levels in low light compared to modern CMOS sensors.
The maximum native ISO peaks at 1600, but practical image quality deteriorates sharply beyond ISO 400 due to sensor noise and limited noise reduction sophistication in the camera’s image processor (unnamed but proprietary).
Sony A65 – APS-C Sensor with CMOS Technology
In stark contrast, the A65 features a much larger 23.5 x 15.6 mm APS-C CMOS sensor - yielding approximately 366.6 mm², over 13 times the surface area of the SL30. The camera offers 24 megapixels resolution (6000 x 4000), enabling exceptional detail capture and substantial cropping flexibility.
This sensor is paired with Sony’s BIONZ image processor, which delivers strong color fidelity, impressive low-light performance up to native ISO 12800 (boosted to 25600), and a dynamic range measured by DXO Mark at 12.6 EV stops. The raw format support allows for extensive post-processing latitude, a necessity in professional workflows.
Display and User Interface Experience
An often underestimated factor, display technology and interface design greatly affect framing accuracy, menu navigation, and overall shooting comfort.
The Samsung SL30’s fixed 2.5-inch LCD with 230,000 dots provides basic framing aid but lacks tilt or touch capability, making awkward angles cumbersome. Its absence of a viewfinder means shooting in bright conditions, such as outdoors, is challenging due to glare and limited brightness.
The Sony A65 impresses with a 3-inch fully articulated screen boasting 921,600 dots, enabling flexible framing from low or high angles and enhancing video shooting. The inclusion of a high-resolution OLED electronic viewfinder (2359 dots, 100% coverage) further assists precise composition and focus confirmation in all lighting conditions, a substantial ergonomic advantage.
Autofocus Systems Compared
Autofocus remains pivotal for keeping subjects sharp across genres, from portraits to wildlife action.
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Samsung SL30: Relies on contrast-detection autofocus only, which is inherently slower and less accurate, especially in low-light or fast-moving scenarios. It offers face detection and center-weighted focus, but no continuous tracking or selectable focus points. Its macro focus reaches 5 cm, adequate for casual close-ups but with no focus stacking or bracketing.
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Sony A65: Utilizes a sophisticated hybrid AF system combining 15 phase-detection points (three cross-type) with contrast detection for live view, enabling far faster and more precise focusing, especially in continuous AF (up to 10 fps burst shooting). It supports face detection and selective area AF, affording creative control and reliable tracking in sports and wildlife photography.
The phase detection implementation in the A65 - especially for its 2011 release - is impressive and still functional for demanding subjects, whereas the SL30's autofocus is best suited to still subjects in good lighting.
Build Quality and Weather Resistance
Neither camera boasts notable environmental sealing critical for professional outdoor usage or rugged conditions. Both are not waterproof, dustproof, shockproof, crushproof, or freezeproof. However, the Sony A65’s robust DSLR shell clearly offers better durability and resistance to wear, a key consideration for frequent travel or demanding environments.
Lens Ecosystem and Adaptability
The Samsung SL30 comes equipped with a fixed 38-114 mm (35mm equivalent approximately 38-114 mm * 5.9 crop factor) zoom lens with variable maximum aperture from F2.8 to F5.7. While sufficient for casual snapshots, it limits creative control over depth of field and low-light versatility.
The Sony A65 employs the Sony/Minolta Alpha mount, supporting an extensive lens lineup of over 143 native lenses covering primes, zooms, macro, telephoto, and specialty optics. This ecosystem allows the photographer to upgrade and tailor lens choices to virtually all photographic disciplines, from wide landscapes to super-telephoto wildlife shots.
Photography Genre Performance and Usability
Portrait Photography
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SL30: The small sensor restricts bokeh quality and creative depth of field control, with the relatively narrow aperture range of the fixed lens limiting artistic background blur. Skin tones are acceptable in bright light but lack refinement in shadows or mixed lighting. Face detection is a bonus but limited by overall image quality.
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A65: The APS-C sensor combined with a wide lens selection (including fast primes) provides natural background separation, pleasing bokeh, and detailed skin rendering. The accurate 15-point AF with face detection and focus tracking ensures pin-sharp eyes and expressions.
Landscape Photography
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SL30: The small sensor restricts dynamic range and resolution (10 MP), resulting in limited detail in shadows and highlights, especially in challenging light. No weather sealing discourages outdoor use in adverse conditions.
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A65: Large sensor and 24 MP resolution excel in capturing wide dynamic range scenes, especially when paired with raw files. The robust lens selection spans ultra-wide to super-telephoto. Though no weather sealing, the sturdy build suits moderate outdoor use.
Wildlife Photography
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SL30: Limited by slow contrast-detection AF and narrow zoom range, it's unsuitable for wildlife requiring long reach and fast, accurate AF.
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A65: Fast 10 fps continuous shooting with continuous AF tracking and telephoto lens compatibility enhances chances of capturing elusive subjects with precision.
Sports Photography
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SL30: Neither continuous AF nor high-speed burst shooting is supported, making it unsuitable.
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A65: The 15-point phase-detection AF and 10 fps burst shooting deliver competitive tracking for amateur sports photographers.
Street Photography
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SL30: Its compact size and discreet appearance are advantageous for street use, but limited low-light performance reduces utility.
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A65: Bulkier design is less discreet, but the EVF allows quick framing in bright conditions; better low-light ISO and autofocus help capture fleeting moments.
Macro Photography
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SL30: Offers close-focusing to 5 cm, suitable for casual macro with limited depth and resolution.
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A65: With dedicated macro lenses available in the ecosystem, plus sensor-based stabilization, it surpasses the SL30 for macro precision.
Night/Astro Photography
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SL30: Max ISO 1600 and small sensor limit noise control; long exposure limited to 8 seconds max shutter speed.
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A65: Longest shutter speed of 30 seconds, native ISO up to 12800, and raw support facilitate astrophotography and night scenes effectively.
Video Capabilities
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SL30: Limited video to 640x480 at 30 fps max; no mic input or stabilization.
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A65: Full HD 1920x1080 video at 60p; support for microphone input; sensor-shift image stabilization enhances footage smoothness.
Travel Photography
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SL30: Lightweight and pocketable for casual travel, but limited image quality and controls restrict versatility.
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A65: Heavier but versatile lens system and advanced controls make it ideal for documenting varied travel scenes and environments.
Professional Workflows
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SL30: No raw support; limited manual control; less suited for professional use.
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A65: Raw support, extensive manual controls, GPS tagging, and large sensor make it acceptable for entry-level professional use.
Battery Life and Storage Practicalities
The Sony A65 boasts an impressive rated battery life of approximately 560 shots per charge (CIPA standard) using its NP-FM500H battery pack, significantly outlasting the SL30, whose battery specs are unlisted but expected to be modest given compact camera standards. The A65 supports myriad modern storage cards (SD, SDHC, SDXC, Memory Stick Pro Duo), enhancing flexibility, while the SL30 relies on SD/SDHC/MMC cards and limited internal memory.
Connectivity and Wireless Features
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SL30: No wireless capabilities - no Bluetooth, Wi-Fi, or NFC - which limits image transfer options to USB 2.0 wired connection only.
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A65: Supports Eye-Fi wireless SD cards for wireless transfers and has integrated GPS for geotagging, which can be invaluable in professional workflows or geography-centric shoots.
Price-to-Performance and Value Assessment
The Samsung SL30, retailing around $93, targets casual users or budget buyers seeking a straightforward snapshot camera. It is limited by image quality and feature constraints but fulfills basic photography needs.
The Sony A65, priced around $700, clearly operates in a more demanding market segment, offering features and performance geared toward enthusiasts demanding higher image quality, manual control, and versatility. When benchmarked against contemporaneous entry-level DSLRs, it provides excellent value for the technology of its time.
Summary Recommendations: Matching Cameras to User Needs
Photography Need | Recommended Camera | Rationale |
---|---|---|
Casual snapshots, portability, affordability | Samsung SL30 | Compact, lightweight, easy to operate, with basic features for everyday shooting. |
Entry-level enthusiast, portraits, landscapes | Sony A65 | Larger sensor, powerful AF system, manual exposure modes, and versatile lens options. |
Wildlife and sports photography | Sony A65 | Fast AF tracking, continuous shooting, telephoto lens compatibility essential here. |
Macro and night photography | Sony A65 | Raw support, longer exposures, wider ISO range, and specialized lenses availability. |
Video content creation | Sony A65 | Full HD video, microphone input, sensor stabilization suitable for video enthusiasts. |
Travel photography | Depends on priorities | SL30 for light travel; A65 if quality and flexibility are priorities and bulk is manageable. |
Closing Thoughts
The Samsung SL30 and Sony A65 inhabit vastly different photographic universes, reflecting technological leaps and targeting different user profiles. The SL30 represents an easy-to-use, ultra-compact solution with limited creative scope, best suited for beginners or casual snapshots.
The Sony A65 stands out with an impressive APS-C sensor, fast hybrid AF system, articulated display, raw file support, and robust video capabilities that still hold value today. Though older by modern standards, it remains a capable camera for those seeking manual control, a versatile lens ecosystem, and superior results across diverse photographic applications.
Whether you prioritize portability and simplicity or creative freedom and performance will guide your choice, but this detailed assessment equips you with the knowledge and technical insights to select confidently.
Appendix: Sample Images from Both Cameras
To visualize practical output differences, consider this gallery showing various shooting scenarios with each camera:
Here, differences in detail resolution, noise handling, dynamic range, and depth of field become evident, corroborating the technical analysis throughout this article.
This comparison reflects extensive hands-on testing, benchmarking against industry standards and real-world field use, ensuring authoritative guidance for photographers seeking the right tool for their craft.
Samsung SL30 vs Sony A65 Specifications
Samsung SL30 | Sony SLT-A65 | |
---|---|---|
General Information | ||
Manufacturer | Samsung | Sony |
Model | Samsung SL30 | Sony SLT-A65 |
Also called as | ES15 | - |
Category | Small Sensor Compact | Entry-Level DSLR |
Announced | 2009-02-17 | 2011-11-15 |
Physical type | Compact | Compact SLR |
Sensor Information | ||
Processor Chip | - | Bionz |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.08 x 4.56mm | 23.5 x 15.6mm |
Sensor area | 27.7mm² | 366.6mm² |
Sensor resolution | 10 megapixels | 24 megapixels |
Anti aliasing filter | ||
Aspect ratio | - | 3:2 and 16:9 |
Highest resolution | 3648 x 2736 | 6000 x 4000 |
Highest native ISO | 1600 | 12800 |
Highest boosted ISO | - | 25600 |
Lowest native ISO | 80 | 100 |
RAW photos | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | - | 15 |
Cross focus points | - | 3 |
Lens | ||
Lens mount | fixed lens | Sony/Minolta Alpha |
Lens focal range | 38-114mm (3.0x) | - |
Highest aperture | f/2.8-5.7 | - |
Macro focus range | 5cm | - |
Total lenses | - | 143 |
Focal length multiplier | 5.9 | 1.5 |
Screen | ||
Type of screen | Fixed Type | Fully Articulated |
Screen size | 2.5 inches | 3 inches |
Resolution of screen | 230 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,359 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.73x |
Features | ||
Lowest shutter speed | 8 secs | 30 secs |
Highest shutter speed | 1/1500 secs | 1/4000 secs |
Continuous shooting rate | - | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 4.60 m | 10.00 m |
Flash settings | Auto, On, Off, Auto & Red-Eye reduction, Slow Sync, Fill-in Flash, Flash Off, Red-Eye Fix | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Highest flash synchronize | - | 1/160 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 800 x 592 (20 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Highest video resolution | 640x480 | 1920x1080 |
Video data format | Motion JPEG | MPEG-4, AVCHD, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 140 grams (0.31 lb) | 622 grams (1.37 lb) |
Dimensions | 94 x 61 x 23mm (3.7" x 2.4" x 0.9") | 132 x 97 x 81mm (5.2" x 3.8" x 3.2") |
DXO scores | ||
DXO All around score | not tested | 74 |
DXO Color Depth score | not tested | 23.4 |
DXO Dynamic range score | not tested | 12.6 |
DXO Low light score | not tested | 717 |
Other | ||
Battery life | - | 560 photos |
Form of battery | - | Battery Pack |
Battery model | - | NP-FM500H |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage type | SD/MMC/SDHC card, Internal | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | 1 | 1 |
Launch cost | $93 | $700 |