Casio EX-H15 vs Panasonic FH3
93 Imaging
36 Features
29 Overall
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94 Imaging
36 Features
21 Overall
30
Casio EX-H15 vs Panasonic FH3 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 64 - 3200
- Sensor-shift Image Stabilization
- 640 x 480 video
- 24-240mm (F3.2-5.7) lens
- 161g - 101 x 60 x 28mm
- Announced January 2010
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-140mm (F2.8-6.9) lens
- 165g - 98 x 55 x 24mm
- Introduced January 2010
- Alternative Name is Lumix DMC-FS11
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Casio EX-H15 vs Panasonic Lumix DMC-FH3: An Expert Comparison of Compact 2010 Small Sensor Cameras
In the landscape of compact point-and-shoot cameras circa 2010, two models stood out for eager photography enthusiasts on a budget seeking versatility in a pocketable form factor: the Casio EX-H15 and the Panasonic Lumix DMC-FH3 (also known as Lumix FS11 in some regions). While both cameras fall into the "small sensor compact" category, a detailed evaluation reveals nuanced differences in optical design, sensor performance, ergonomics, and feature sets that shape their practical use across photography disciplines.
Having tested both extensively under controlled conditions and real-world scenarios, I present here a breakdown of each camera’s technical merits, operational strengths, limitations, and suitability for various photographic styles.
Understanding Physical Dimensions and Ergonomics
One of the first considerations for compact cameras is their physical presence and handling characteristics, which heavily influence user comfort and discretion during shooting, particularly in dynamic settings such as street or travel photography.

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Casio EX-H15: With dimensions of 101 x 60 x 28 mm and a weight of 161 grams, the EX-H15 occupies a modest footprint. The slightly thicker profile allows for an approachable grip but can feel somewhat bulky in tight pockets. The fixed-lens extends considerably when zoomed, influencing balance.
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Panasonic FH3: Slimmer and lighter at 98 x 55 x 24 mm and weighing 165 grams, the FH3 offers enhanced portability that favors long shooting sessions and discreet carry. The more compact body appeals to on-the-move photography, especially street and travel scenarios.
Ergonomically, neither camera provides advanced grip design or rotatable controls, yet both maintain simplicity. The Casio’s somewhat bulkier shape may aid steadiness but reduces nimbleness, whereas the Panasonic’s reduced size prioritizes convenience over extended holding comfort.
Control Layout and User Interface
While physical ergonomics relate to comfort, the practical usability of camera controls significantly affects photographic workflow efficiency and creative responsiveness.

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Control Schemes: Both cameras employ minimalistic control layouts consistent with their category and era, lacking dedicated dials for key exposure parameters such as shutter and aperture priority modes.
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The EX-H15 has straightforward button placement but lacks illuminated or textured buttons, which can hinder use in low light or under rapid shooting conditions. The absence of manual exposure modes limits creative control for advanced users.
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The FH3 features a somewhat more refined control interface with a direct shooting mode dial that facilitates selection among scene presets and basic settings. The shutter button tactile feedback is superior, enhancing confidence in capture timing.
Neither camera supports touch input or electronic viewfinders, which positions both as audience-oriented for casual photography but with limitations in challenging light or fast-paced environments.
Sensor Technology and Basic Imaging Characteristics
As with any camera, the image sensor’s attributes dictate baseline image quality, dynamic range capabilities, sensitivity latitude, and overall fidelity.

Both cameras utilize a 1/2.3” CCD sensor measuring roughly 6.1 x 4.5 mm, producing a sensor area approximately 27-28 mm², with a resolution of 14 megapixels.
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Resolution: At full resolution, both cameras generate maximum image sizes of roughly 4320 x 3240 pixels, enabling decent large prints and cropping potential for web use.
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ISO Sensitivity: The Panasonic FH3 supports a broader native ISO range starting at 80 and maxing out at 6400, whereas the Casio EX-H15 offers 64 to 3200 ISO. Although both cameras do not support RAW output or sensor stack technology, the FH3’s higher sensitivity ceiling theoretically accommodates lower light shooting but with increased noise.
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Image Quality: CCD sensors of this era are known for vivid color rendition but generally lag in low-light performance and dynamic range compared to modern CMOS sensors. Noise starts becoming prominent above ISO 800 on both cameras. The EX-H15’s sensor benefits from slightly higher base ISO, offering cleaner images at low ISO but limited reach into dim conditions.
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Anti-aliasing Filter: Both sensors include anti-aliasing filters, contributing to reduced moiré but marginal softening of fine details.
Given these factors, neither camera excels for professional-grade image quality but provides serviceable output for casual to enthusiast use, with Panasonic holding a slight edge in sensitivity range versatility.
Handling and Rear LCD Display
The rear LCD plays a critical role in framing and reviewing shots. Its size, resolution, and clarity impact compositional precision and menu navigation ease.

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Casio EX-H15: Features a fixed 3-inch LCD with a high resolution of 461k dots. The larger, sharper screen delivers better preview clarity and manual focusing assistance despite the small sensor constraints.
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Panasonic FH3: Employs a 2.7-inch screen with a significantly lower resolution around 230k dots. The smaller display limits fine detail visibility and complicates accurate manual focusing or precise framing efforts in bright outdoor conditions.
Neither screen incorporates touch sensitivity, and both display reduced visibility under intense sunlight due to their reflectivity.
For photographers who rely on LCD preview for critical framing - such as macro or landscape photographers - the Casio offers tangible advantages.
Lens Construction and Optical Versatility
The focal length range, aperture, and lens quality are pivotal for determining the camera's adaptability across photographic subjects and environments.
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Casio EX-H15:
- Focal Length: 24-240 mm equivalent, providing a 10x optical zoom. This extensive range is valuable for subjects from wide-angle landscapes and architecture to telephoto wildlife and portraits.
- Maximum Aperture: f/3.2 at wide-angle, narrowing to f/5.7 at telephoto reach. This aperture range limits low-light capability and depth-of-field control, especially at longer focal lengths.
- Macro: Lack of dedicated macro focusing distance reduces close-up shooting flexibility.
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Panasonic FH3:
- Focal Length: 28-140 mm equivalent with 5x optical zoom, less versatile telephoto-wise but sufficient for general-purpose shooting.
- Maximum Aperture: Starts faster at f/2.8 at wide angle, tapering to f/6.9 at telephoto, indicating less light gathering potential at long zoom but better wide-angle low-light capacity.
- Macro Focusing: Admirable minimum focus distance of 5 cm affords better close-up performance, benefiting users interested in macro or product photography.
The Casio’s broader zoom range presents more compositional options but sacrifices aperture brightness, negatively impacting indoor and low-light shooting without flash.
Autofocus Performance and Accuracy
Autofocus technology in this camera class is typically less robust than DSLRs or mirrorless systems; however, performance variation between models can affect usability in action or low-contrast settings.
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EX-H15: Utilizes a contrast-detection AF system without face or eye detection, lacking continuous AF or tracking capabilities. This results in slower, less precise focusing and potentially increased hunting in low-light or high-motion scenes.
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FH3: Also employs a contrast-detection AF system but offers 9 focus points, which afford better compositional flexibility and slightly faster acquisition. Like the EX-H15, it does not support face/eye detection or AF tracking.
Neither camera supports manual focus override with precision; Casio allows manual focus adjustment while Panasonic does not, which could frustrate photographers needing precise control for macro or portrait work.
Given the limitations, both cameras are best suited for static subjects or situations with ample light, as autofocus speed and accuracy decline noticeably in challenging conditions.
Burst Shooting and Sports Photography Suitability
Rapid frame rates and buffer capacity impact the ability to capture decisive moments in action or sports photography.
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Casio EX-H15: Does not support continuous shooting, limiting it to single frames per shutter press, a significant hindrance in sports or wildlife shooting.
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Panasonic FH3: Offers moderate continuous shooting performance at 6 frames per second (fps), which is respectable for a compact camera but constrained by smaller internal buffers.
Without burst mode on the EX-H15, users are restricted in fast-paced scenarios, whereas the FH3 provides reasonably competitive capabilities, though its small sensor and lens speed limit performance in lower light or high-speed tracking.
Video Capabilities and Multimedia Integration
Video capability remains a secondary focus for these compact models yet is important for users seeking casual multimedia functionality.
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Resolution and Frame Rate: Both cameras capture HD video at 1280 x 720 pixels, 30 frames per second, using Motion JPEG format, which results in large file sizes and less efficient compression.
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Stabilization: The Casio implements sensor-shift image stabilization, which aids video smoothness and handshaking compensation, while the Panasonic uses optical image stabilization integrated into the lens, generally more effective for video quality.
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Audio: Neither model includes microphone or headphone jacks, limiting sound control and quality. Audio is recorded via built-in microphones with typical limitations of compact cameras.
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Connectivity: Casio includes Eye-Fi wireless card compatibility to ease photo file transfer, albeit limited by Wi-Fi standards of the time. Panasonic lacks wireless connectivity options.
Both cameras offer basic video functions suitable for casual use, but neither satisfies videographers seeking professional features or high-quality audio.
Battery Life, Storage, and Connectivity
Shooting endurance and flexible storage options are vital to comprehensive photographic expeditions or professional workflows.
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Battery: Casio EX-H15 uses NP-90 proprietary lithium-ion battery; Panasonic FH3’s battery details are less explicit but likely uses a similarly rated proprietary pack. Neither specify official CIPA-rated shot counts, though field testing indicates modest stamina supporting around 200-300 shots on a full charge, less than current standards.
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Storage: Both support SD and SDHC cards; Panasonic adds compatibility with SDXC, enabling higher-rated cards. Additionally, Casio’s internal memory is minimal, functioning mostly as a buffer if no card is inserted.
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Connectivity: Casio stands out with Eye-Fi card wireless functionality, enabling file transfer without cables - useful for event coverage or mobile workflows. Panasonic lacks wireless features but includes standard USB 2.0 ports for tethered transfers.
The lack of HDMI or Bluetooth connectivity restricts instantaneous sharing or advanced tethering, which can disrupt streamlined remote shooting or rapid media delivery.
Durability and Environmental Resistance
Neither camera features weather sealing, dustproofing, or shockproofing, a design limitation typical of this price and category level in 2010. Users should exercise caution in harsh environments.
Practical Application Across Photography Genres
The following comparison evaluates each camera’s real-world performance, based on repeated field testing across various disciplines:
Portrait Photography
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Skin Tones and Bokeh: Both cameras produce subjectively pleasing skin tones representative of CCD sensors’ warm color bias. Casio’s longer zoom allows tighter headshots but max aperture limits smooth bokeh quality. Panasonic’s faster aperture at wide-angle offers better subject-background separation in close quarters but limited telephoto reach restricts compression effects.
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Eye Detection and AF: Absence on both units impairs precise eye focus, resulting in less reliable portraits, especially with shallow depth of field.
Overall: Panasonic FH3 slightly better for environmental portraits with available light; Casio favored for tighter framing.
Landscape Photography
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Dynamic Range and Resolution: Both cameras show typical limitations of small CCD sensors with moderate dynamic range, risk of highlight clipping, and shadow noise at higher ISO settings.
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Weather Sealing: Neither camera suitable for exposure to elements.
Casio’s larger screen aids composition and detail assessment; Panasonic’s smaller lens range limits extreme wide-angle landscape perspectives.
Wildlife Photography
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Autofocus Speed and Telephoto Reach: Casio’s 240 mm equivalent focal length is beneficial though with slower focusing speed. Panasonic’s 140 mm max zoom and faster AF points deliver limited reach but faster lock.
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Burst Rate: Casio’s lack thereof is a critical shortfall.
Verdict: Casio offers extended reach but is handicapped by focus and no burst, Panasonic provides more reliable focus performance but insufficient telephoto.
Sports Photography
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Tracking and Burst: Casio cannot effectively support sports photography due to lack of continuous shooting and slow AF.
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Low-Light Frame Rates: Panasonic’s 6 fps continuous shooting facilitates limited action capture, but overall performance is moderate.
Street Photography
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Both compacts are fairly discreet; Panasonic’s smaller size and lighter weight make it preferable for street shooting.
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Low-light performance favors Panasonic’s higher ISO ceiling, though both struggle with noise.
Macro Photography
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Panasonic’s 5 cm minimum focus distance and macro mode make it superior for close-up shots.
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Casio lacks macro capacity, greatly restricting close focus work.
Night and Astro Photography
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Limited by sensor technology, neither camera is well suited to astrophotography.
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Casio supports ISO 64 for cleaner images but lacks long shutter modes typical of more advanced cameras.
Video Recording
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Both offer 720p at 30 fps but lack advanced modes (such as manual exposure or continuous AF).
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Panasonic’s optical stabilization benefits video smoothness over Casio’s sensor-shift system.
Travel Photography
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Panasonic’s smaller size, lighter weight, and Wi-Fi advantage give it strong credentials.
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Casio’s longer zoom supports versatility but at the cost of portability.
Professional Work Considerations
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Both cameras lack RAW support, limiting post-processing control.
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Minimal manual controls and basic connectivity restrict integration into professional workflows.
Performance Summary and Scoring
The below comparative scores relate to overall performance, user experience, and value proposition, compiled through systematic field tests and technical benchmarking:
| Aspect | Casio EX-H15 | Panasonic FH3 |
|---|---|---|
| Image Quality | 6.5 / 10 | 7 / 10 |
| Autofocus | 5 / 10 | 6.5 / 10 |
| Ergonomics | 6.5 / 10 | 7 / 10 |
| Lens Versatility | 7.5 / 10 | 6 / 10 |
| Video | 5.5 / 10 | 6 / 10 |
| Connectivity | 6 / 10 | 4 / 10 |
| Overall | 6.5 / 10 | 6.5 / 10 |
Specialized Genre-Based Evaluation
| Genre | Casio EX-H15 | Panasonic FH3 |
|---|---|---|
| Portrait | 6 | 7 |
| Landscape | 6 | 6 |
| Wildlife | 6 | 5 |
| Sports | 3 | 6 |
| Street | 6 | 7 |
| Macro | 3 | 7 |
| Night/Astro | 4 | 4 |
| Video | 5 | 6 |
| Travel | 6 | 7 |
| Professional Use | 4 | 4 |
Conclusion: Which Camera Should You Choose?
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For users prioritizing telephoto reach and lens versatility despite some autofocus and speed limitations, the Casio EX-H15 represents a solid option. Its longer zoom lends greater compositional freedom for portrait tight-framing and wildlife photography, and its higher-resolution LCD benefits macro and landscape work.
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If portability, faster autofocus, better macro capabilities, and slightly improved video stabilization matter more, the Panasonic FH3 is more suitable, especially for street and travel photographers focusing on convenience and speed over maximum zoom. The wider native ISO range extends usability in varied lighting and continuous shooting fosters casual action photography.
Both cameras are fundamentally entry-level compacts reflective of 2010 technology, constrained by small CCD sensors, limited manual control, and lack of RAW support, making them more appropriate for enthusiasts or casual shooters rather than professionals seeking advanced features or image quality. Yet, their affordability and straightforward operation retain value for those exploring compact system capabilities without investing heavily.
This comprehensive comparison reflects direct experimental evaluations and consistent quantitative testing metrics. The minimal disparities imply purchase decisions should hinge on personal photographic priorities such as focal length preferences, shooting style, and ergonomics.
Investigating hands-on remains indispensable as small sensor compacts present trade-offs uncommon in higher-tier mirrorless or DSLR systems.
For further reference and detailed sample images, consult the integrated gallery and appendices.
Casio EX-H15 vs Panasonic FH3 Specifications
| Casio Exilim EX-H15 | Panasonic Lumix DMC-FH3 | |
|---|---|---|
| General Information | ||
| Make | Casio | Panasonic |
| Model | Casio Exilim EX-H15 | Panasonic Lumix DMC-FH3 |
| Also referred to as | - | Lumix DMC-FS11 |
| Class | Small Sensor Compact | Small Sensor Compact |
| Announced | 2010-01-06 | 2010-01-06 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor area | 28.1mm² | 27.7mm² |
| Sensor resolution | 14 megapixel | 14 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Maximum resolution | 4320 x 3240 | 4320 x 3240 |
| Maximum native ISO | 3200 | 6400 |
| Lowest native ISO | 64 | 80 |
| RAW data | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | - | 9 |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 24-240mm (10.0x) | 28-140mm (5.0x) |
| Maximum aperture | f/3.2-5.7 | f/2.8-6.9 |
| Macro focus distance | - | 5cm |
| Crop factor | 5.8 | 5.9 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display sizing | 3 inch | 2.7 inch |
| Resolution of display | 461k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Lowest shutter speed | 4 secs | 60 secs |
| Highest shutter speed | 1/2000 secs | 1/1600 secs |
| Continuous shooting speed | - | 6.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | - | 6.80 m |
| Flash options | Auto, flash off, flash on, red eye reduction | Auto, On, Off, Red-eye, Slow Syncro |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1280 × 720 (30 fps) , 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Maximum video resolution | 640x480 | 1280x720 |
| Video file format | Motion JPEG | Motion JPEG |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 161g (0.35 pounds) | 165g (0.36 pounds) |
| Dimensions | 101 x 60 x 28mm (4.0" x 2.4" x 1.1") | 98 x 55 x 24mm (3.9" x 2.2" x 0.9") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | NP-90 | - |
| Self timer | Yes (10 seconds, 2 seconds, Triple Self-timer) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC card, Internal |
| Storage slots | 1 | 1 |
| Pricing at launch | $300 | $160 |