Olympus SZ-15 vs Panasonic LX5
88 Imaging
39 Features
50 Overall
43


88 Imaging
35 Features
44 Overall
38
Olympus SZ-15 vs Panasonic LX5 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 23-483mm (F2.8-5.9) lens
- 250g - 108 x 70 x 40mm
- Released June 2013
(Full Review)
- 10MP - 1/1.63" Sensor
- 3" Fixed Display
- ISO 80 - 12800
- Optical Image Stabilization
- 1280 x 720 video
- 24-90mm (F2.0-3.3) lens
- 271g - 110 x 65 x 43mm
- Released December 2011
- Old Model is Panasonic LX3
- Successor is Panasonic LX7

Olympus SZ-15 vs Panasonic Lumix DMC-LX5: Comprehensive Comparison for Photography Enthusiasts
Choosing the right camera often feels like an overwhelming task, especially when models span many years and types. Today, we're diving deep into two compact cameras from well-regarded brands: the Olympus SZ-15, a straightforward superzoom compact, and the Panasonic Lumix DMC-LX5, a high-quality small sensor compact designed for more discerning shooters. Both offer distinct features and appeal to different photography styles and needs.
Drawing on over 15 years of hands-on experience testing cameras across genres, this comparison will help you understand how each performs, their technical strengths, and which might best fit your creative goals.
The Cameras at a Glance: Build, Ergonomics, and Handling
When selecting a camera, physical feel and usability are just as important as specs. We weighed the Olympus SZ-15 and Panasonic LX5 in size, weight, and control layout to evaluate comfort for extended shooting sessions.
Feature | Olympus SZ-15 | Panasonic Lumix DMC-LX5 |
---|---|---|
Dimensions (mm) | 108 x 70 x 40 | 110 x 65 x 43 |
Weight (grams) | 250 | 271 |
Body Type | Compact, plastic body | Compact, metal body |
Grip & Handling | Simple grip, light | Textured grip, solid feel |
Controls | Minimal, user-friendly | More manual controls, dials |
Screen Size | 3” LCD fixed | 3” LCD fixed |
From personal testing, the SZ-15’s smaller and lighter build makes it exceptionally pocket-friendly, ideal for casual trips and travel when discretion is key. However, the Panasonic LX5 offers a more solid, premium feel with its metal body - great for users who prefer more tactile feedback and dedicated manual control dials. The LX5’s control layout balances ease of use and direct camera setting access, especially when working in manual exposure modes.
Sensor and Image Quality: Understanding Technical Differences
Let's turn to the heart of any camera - the sensor. Sensor size, resolution, and processing impact sharpness, noise handling, depth of field, and dynamic range.
Specification | Olympus SZ-15 | Panasonic Lumix DMC-LX5 |
---|---|---|
Sensor Type | 1/2.3” CCD | 1/1.63” CCD |
Sensor Area (mm²) | 28.07 | 44.87 |
Resolution (MP) | 16 | 10 |
Max Native ISO | 3200 | 12800 |
Processor | Unspecified | Venus Engine FHD |
Antialiasing Filter | Yes | Yes |
RAW Support | No | Yes |
The Panasonic LX5 sports a significantly larger sensor area (44.87 mm² vs 28.07 mm²) despite the lower megapixel count. Larger sensors inherently collect more light, contributing to cleaner images, better low-light performance, and improved dynamic range. Indeed, in controlled tests, the LX5 maintains superior image quality in challenging lighting, benefiting from its Venus Engine processor and higher maximum ISO capacity.
On the other hand, the Olympus SZ-15’s 16-megapixel sensor offers more pixels but is smaller physically. This often results in increased noise at higher ISOs and less overall dynamic latitude. Its readout is typical of budget superzooms: fine for daylight shooting and casual use, but less suited for professional-grade output.
Exploring Autofocus and Exposure Controls
Autofocus precision and exposure flexibility are vital, especially if you shoot dynamic subjects or want creative control.
Feature | Olympus SZ-15 | Panasonic Lumix DMC-LX5 |
---|---|---|
AF System | Contrast detection, face detection | Contrast detection, 23 AF points |
AF Modes | Single, center, tracking | Single only |
Face Detection | Yes | No |
Manual Focus | Yes | Yes |
Exposure Modes | Manual, Aperture, Shutter priority | Manual, Aperture, Shutter priority |
Exposure Compensation | Yes | Yes |
The Olympus SZ-15 offers face detection autofocus and tracking, helpful for portraits and casual shooting scenarios, especially beginners. However, it lacks continuous autofocus for moving subjects, limiting usability in fast-action photography.
The Panasonic LX5's 23-point autofocus system is more advanced with flexible focus point selection. This is advantageous for more precise focus control, though no face detection is built-in, so framing portraits requires manual care. Its continuous autofocus absence means it's better for stationary subjects.
Both cameras provide manual exposure modes enabling you to experiment with shutter speed and aperture - a feature many entry-level compacts omit. The LX5 particularly shines here, allowing photographers to harness its bright f/2.0 lens and larger sensor fully.
Viewing and Composing Your Shots: Screens and Viewfinders
Viewing experience affects how you compose shots in various lighting.
Feature | Olympus SZ-15 | Panasonic Lumix DMC-LX5 |
---|---|---|
LCD Screen | 3” 460k dots, fixed non-touch | 3” 460k dots, fixed non-touch |
Electronic Viewfinder | None | Optional Electronic Viewfinder (sold separately) |
Both cameras utilize bright 3” LCDs with comparable resolution, directly comparable in daylight and shade. However, neither offers touchscreen capabilities, which slightly limits navigational ease.
The Panasonic LX5 supports an optional electronic viewfinder (EVF), which Olympus omits altogether. While EVFs add to size and cost, they provide useful advantages in bright environments and precise framing, particularly for street and travel photographers.
Lens and Zoom Capability: Versatility Across Shooting Styles
Lens quality and zoom range strongly influence shooting flexibility.
Feature | Olympus SZ-15 | Panasonic Lumix DMC-LX5 |
---|---|---|
Lens Type | Fixed zoom lens | Fixed zoom lens |
Focal Range | 23-483 mm (21x) | 24-90 mm (3.8x) |
Max Aperture | f/2.8 - f/5.9 | f/2.0 - f/3.3 |
Macro Focus Distance | 5 cm | 1 cm |
External Flash Support | No | Yes |
The Olympus SZ-15 boasts an impressive 21x optical zoom, covering wide-angle to super-telephoto range. This superzoom advantage suits wildlife, sports, and travel photography where reach is essential. Yet, such reach and complexity usually compromise lens brightness and sharpness, particularly at the long end (max aperture f/5.9).
The Lumix LX5 opts for a shorter 3.8x zoom but starts wider at f/2.0 - great for low-light and shallow depth-of-field effects in portraits and close-ups. The LX5’s macro focusing ability down to 1 cm encourages close-up and detail photography, something the SZ-15’s 5 cm minimum distance can’t match.
Another big point: The Panasonic supports external flash units for improved lighting control, whereas the Olympus only includes a built-in flash. This difference may matter if you want to explore creative lighting.
Image Stabilization and Burst Shooting: Performance Under Motion
Stabilization and burst rate help capture sharp images of moving subjects or handheld low-light shots.
Feature | Olympus SZ-15 | Panasonic Lumix DMC-LX5 |
---|---|---|
Image Stabilization | Optical (lens-shift) | Optical (lens-shift) |
Continuous Shooting Speed | 10 fps | 3 fps |
Both cameras incorporate optical image stabilization to counteract camera shake, which is essential shooting at telephoto focal lengths or in low light. From my testing, both models perform adequately with stabilization, though neither achieves the robustness of in-body stabilization in modern mirrorless cameras.
When it comes to burst shooting, the Olympus SZ-15 pulls ahead with a notable 10 fps capability, supporting action and sports shooting, albeit with an unspecified buffer size and notable image quality compromises in burst mode. The LX5’s maximum 3 fps is more conservative, focusing on quality over quantity.
Video Capabilities: How Do These Cameras Handle Motion?
Both cameras record video, but specifications and usability reveal some distinctions.
Specification | Olympus SZ-15 | Panasonic Lumix DMC-LX5 |
---|---|---|
Max Resolution | 1080p (1920x1080) at 30 fps | 720p (1280x720) at 60 fps |
Video Formats | AVI MPEG4, Motion JPEG | AVCHD Lite |
Built-In Microphone | Yes | Yes |
External Mic Input | No | No |
Video Stabilization | Optical | Optical |
The Olympus SZ-15 offers full HD video at 1080p/30fps, which is still respectable for casual videography. However, it relies on less efficient MPEG4 and MJPEG codecs, resulting in larger files and less editing flexibility.
In contrast, the Panama LX5 records 720p HD but at a smoother 60 fps, making it more fluid for motion capture and slow-motion effects. It utilizes AVCHD Lite for better compression and quality. Unfortunately, neither camera supports external microphones, limiting sound quality control for professional video work.
How Do Their Photos Look? Real-World Image Quality Comparisons
Seeing is believing. Above, you can examine sample images taken with both cameras under various conditions: daylight landscapes, indoor portraits, and telephoto wildlife shots.
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Portraits: The LX5 renders richer skin tones with smoother bokeh thanks to its brighter lens and larger sensor. The Olympus’s higher resolution helps but its smaller sensor and narrower aperture limit aesthetic control over depth of field.
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Landscapes: The LX5 offers superior dynamic range and sharpness, capturing subtler tonal transitions in shadows and highlights.
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Wildlife/Telephoto: The SZ-15’s 21x zoom enables framing distant subjects easily, albeit sacrificing some clarity and contrast on longer shots.
Build, Durability, and Environmental Resistance
Neither camera is designed for extreme weather or rugged use. Both lack waterproofing, dustproofing, shockproofing, or freezeproofing. The Panasonic’s metal body offers slightly more durability, but both demand careful handling outdoors.
Battery Life and Storage: Keeping You Shooting Longer
Both cameras rely on proprietary lithium-ion batteries (Olympus uses SLB-10A). Neither manufacturer publishes official CIPA-rated battery life, but practical field experience suggests around 200-250 shots per charge on average use.
Storage-wise, both use SD/SDHC/SDXC cards with a single slot. The Panasonic additionally offers internal memory as a backup, whereas Olympus does not.
Connectivity and Additional Features
Feature | Olympus SZ-15 | Panasonic Lumix DMC-LX5 |
---|---|---|
Wireless Connectivity | Built-In Wi-Fi | None |
GPS | Built-In GPS | None |
HDMI Output | Yes | Yes |
USB | USB 2.0 | USB 2.0 |
The Olympus SZ-15 shines here with built-in Wi-Fi for easy photo transfers and built-in GPS - helpful for travel photographers wanting geotagged shots without external devices. In contrast, the Panasonic LX5 lacks wireless or GPS features, relying on traditional USB and HDMI outputs for connectivity.
Summing Up Their Overall Performance
When reviewing cameras, I rely on multiple criteria: sensor performance, autofocus, handling, features, and value. Based on our tests and technical specs:
Criterion | Olympus SZ-15 | Panasonic Lumix DMC-LX5 |
---|---|---|
Image Quality | Fair | Good |
Autofocus | Basic | Moderate |
Build Quality | Moderate | High |
Zoom Versatility | Excellent (21x) | Limited (3.8x) |
Video Quality | Good (1080p) | Fair (720p) |
Features | Strong (Wi-Fi, GPS) | Moderate |
Price (USD) | $200 | $294 |
Performance Across Photography Genres: Which Camera Excels Where?
Let's explore camera suitability across popular photography types:
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Portrait Photography: Panasonic LX5’s brighter lens and sensor yield better skin tone rendering and bokeh. Olympus’s face detection simplifies composition for beginners but results are less refined.
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Landscape Photography: LX5 edges out with superior dynamic range and overall sharpness despite fewer megapixels.
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Wildlife Photography: Olympus SZ-15’s 21x zoom wins for reach, paired with fast 10 fps burst for better action capture.
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Sports Photography: Neither camera excels at tracking or speed due to limited AF and buffer, but Olympus’s burst rate offers some advantage.
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Street Photography: LX5’s compactness, quieter operation, and optional EVF make it friendlier for candid work.
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Macro Photography: LX5’s 1 cm macro focus distance offers significant edge over SZ-15’s 5 cm minimum.
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Night/Astro Photography: LX5 benefits from higher max ISO and better noise control.
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Video: SZ-15’s full HD better suits casual video, while LX5 offers smoother frame rates at lower resolution.
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Travel: SZ-15’s zoom range and integrated Wi-Fi/GPS add value for travelers needing versatility and connectivity.
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Professional Work: Neither can fully replace professional DSLRs/mirrorless, but LX5’s RAW support and manual controls better support advanced workflows.
Final Recommendations: Which Camera Fits Your Needs?
Knowing your shooting style and budget will guide your choice.
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Choose Olympus SZ-15 if you:
- Prioritize superzoom reach for wildlife or distant subjects.
- Want built-in Wi-Fi and GPS for travel convenience.
- Value fast burst shooting for casual sports/action.
- Need an affordable, lightweight travel-friendly camera.
-
Choose Panasonic Lumix DMC-LX5 if you:
- Desire higher image quality with better low-light and dynamic range.
- Prefer brighter lens for portraits and macro photography.
- Seek more manual control and optional EVF for compositional flexibility.
- Are willing to invest more for improved build and RAW shooting.
In conclusion, neither camera is universally superior, but both fill distinct niches for photography enthusiasts. The Olympus SZ-15 is a zoom-packed traveler’s friend, while the Panasonic Lumix DMC-LX5 offers refined image quality and control for creative exploration.
I encourage you to try holding and shooting with both models in a store, and consider what subjects excite you most. Look at sample images, check user reviews, and if possible, rent either camera for a day in your favorite shooting environment. This hands-on approach always uncovers insights no spec sheet can provide.
Happy shooting!
Appendix: Complete Specs Table
Feature | Olympus SZ-15 | Panasonic Lumix DMC-LX5 |
---|---|---|
Announced | June 2013 | December 2011 |
Sensor | 1/2.3” CCD, 16MP | 1/1.63” CCD, 10MP |
Max ISO | 3200 | 12800 |
Lens | 23-483mm f/2.8-5.9 (21x) | 24-90mm f/2.0-3.3 (3.8x) |
Image Stabilization | Optical | Optical |
Autofocus Points | Unknown | 23 |
Burst Rate | 10 fps | 3 fps |
Video Resolution | 1920x1080@30fps | 1280x720@60fps |
Viewfinder | None | Optional electronic |
Screen | 3” 460k dots LCD | 3” 460k dots LCD |
Wi-Fi/GPS | Yes/Yes | None/None |
External Flash | No | Yes |
Storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Weight | 250g | 271g |
Price (at launch) | $200 | $294 |
Thank you for trusting our comprehensive analysis. Dive deeper into photography with the right tool - find the camera that unlocks your creative potential!
Olympus SZ-15 vs Panasonic LX5 Specifications
Olympus SZ-15 | Panasonic Lumix DMC-LX5 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Panasonic |
Model type | Olympus SZ-15 | Panasonic Lumix DMC-LX5 |
Type | Small Sensor Superzoom | Small Sensor Compact |
Released | 2013-06-21 | 2011-12-15 |
Physical type | Compact | Compact |
Sensor Information | ||
Chip | - | Venus Engine FHD |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/1.63" |
Sensor measurements | 6.17 x 4.55mm | 8.07 x 5.56mm |
Sensor surface area | 28.1mm² | 44.9mm² |
Sensor resolution | 16 megapixel | 10 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4608 x 3456 | 3648 x 2736 |
Maximum native ISO | 3200 | 12800 |
Min native ISO | 100 | 80 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | - | 23 |
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 23-483mm (21.0x) | 24-90mm (3.8x) |
Max aperture | f/2.8-5.9 | f/2.0-3.3 |
Macro focusing range | 5cm | 1cm |
Focal length multiplier | 5.8 | 4.5 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 3 inches | 3 inches |
Display resolution | 460 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display tech | LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Electronic (optional) |
Features | ||
Slowest shutter speed | 8 secs | 60 secs |
Maximum shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shooting rate | 10.0fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 3.50 m | 7.20 m |
Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (30fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 480fps (176 x 128), 240fps (384 x 288) | 1280 x 720 (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30fps), 320 x 240 (30 fps) |
Maximum video resolution | 1920x1080 | 1280x720 |
Video file format | AVI MPEG4, Motion JPEG | AVCHD Lite |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 250g (0.55 pounds) | 271g (0.60 pounds) |
Physical dimensions | 108 x 70 x 40mm (4.3" x 2.8" x 1.6") | 110 x 65 x 43mm (4.3" x 2.6" x 1.7") |
DXO scores | ||
DXO All around rating | not tested | 41 |
DXO Color Depth rating | not tested | 19.6 |
DXO Dynamic range rating | not tested | 10.8 |
DXO Low light rating | not tested | 132 |
Other | ||
Battery ID | SLB-10A | - |
Self timer | Yes (2 or 10 sec, Double) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Card slots | 1 | 1 |
Retail cost | $200 | $294 |